Роберт Вильбер: Мастер традиционного джаза

American jazz clarinetist, composer and saxophonist

Robert Sage Wilber (March 15, 1928 – August 4, 2019) was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his career to present traditional jazz pieces in a contemporary manner. He played with many distinguished jazz leaders in the 1950s and 1960s, including Bobby Hackett, Benny Goodman, Sidney Bechet, Jack Teagarden and Eddie Condon. In the late 1960s, he was an original member of the World's Greatest Jazz Band, and in the early 70s of Soprano Summit, a band which gained wide attention. In the late 1970s, he formed the Bechet Legacy Band. Wilber was active in jazz education, including working as director of the Smithsonian Jazz Repertory Ensemble. He wrote for films, including The Cotton Club. In his autobiography, Music Was Not Enough, he recounts his childhood, meeting his mentor Sidney Bechet, in 1946, and his struggles as a musician in the 1950s and 1960s. He died at the age of 91 in 2019.

Robert Sage Wilber, a "superb soprano saxophonist, a classic clarinetist, a gifted arranger and composer, and an invaluable preserver and enhancer of jazz tradition", was born in New York City on March 15, 1928. He became interested in jazz at the age of three when his father brought home a recording of Duke Ellington's song "Mood Indigo". In 1935, the family moved to the affluent suburb of Scarsdale, New York. At the age of thirteen, Wilber began formal clarinet study under his first teacher, Willard Briggs. Wilber worked with some of the best traditional jazz musicians of the era, including Muggsy Spanier, Baby Dodds, Danny Barker, Bud Freeman, Pee Wee Russell, George Wettling, Jimmy McPartland, Wild Bill Davison, and James P. Johnson.

Sidney Bechet was one of the most accomplished and influential musicians of the post World War I period and was viewed by many as the best clarinetist of his time. Nevertheless, Bechet's primary instrument eventually became the soprano saxophone. In 1944, Wilber had become fascinated with Bechet's sound, and later that year, when Wilber was sixteen, he was introduced to Bechet through Mezz Mezzrow. He found out there was an opening for a pupil out at Bechet's house in Brooklyn, and so he became a Bechet pupil. In the spring of 1945, he began studying both clarinet and soprano saxophone under Bechet and eventually lived with him for several months. He often sat in with Bechet at Jimmy Ryan's and they often performed duets. In 1948, Bechet sent Wilber to Nice, France, in his absence to perform at the first jazz festival.

In 1948, Wilber formed a trio to play at intermissions at the Savoy Café in Boston. The trio featured traditional New Orleans style jazz (dixieland). Eventually, Wilber expanded the band to a sextet and was booked as the main attraction: Bob Wilber and the Dixieland Band. This group featured Wilber on clarinet and soprano sax, Henry Goodwin on trumpet, Jimmy Archey on trombone, Dick Wellstood on piano, Johnny Fields on bass, and Tommy Benford on drums. Wilber gained a strong following in Boston and the Savoy gig lasted through the better part of 1949. The Savoy also led to other opportunities to play in the New York City area through 1950, most notably at Jimmy Ryan's and the Stuyvesant Hotel. Bob Wilber continued playing right up until 2017.