Функция передачи оптической системы (OTF) и её применение.

Function that specifies how different spatial frequencies are captured by an optical system

The optical transfer function (OTF) of an optical system such as a camera, microscope, human eye, or projector specifies how different spatial frequencies are captured or transmitted. It is used by optical engineers to describe how the optics project light from the object or scene onto a photographic film, detector array, retina, screen, or simply the next item in the optical transmission chain. A variant, the modulation transfer function (MTF), neglects phase effects, but is equivalent to the OTF in many situations. Either transfer function specifies the response to a periodic sine wave pattern passing through the lens system, as a function of its spatial frequency or period, and its orientation. Formally, the OTF is defined as the Fourier transform of the point spread function (PSF, that is, the impulse response of the optics, the image of a point source). As a Fourier transform, the OTF is complex valued; but it will be real valued in the common case of a PSF that is symmetric about its center. The MTF is formally defined as the magnitude (absolute value) of the complex OTF. The image on the right shows the optical transfer functions for two different optical systems in panels (a) and (d). The former corresponds to the ideal, diffraction limited, imaging system with a circular pupil. Its transfer function decreases approximately gradually with spatial frequency until it reaches the diffraction limit, in this case at 500 cycles per millimeter or a period of 2 μm. Since periodic features as small as this period are captured by this imaging system, it could be said that its resolution is 2 μm. Panel (d) shows an optical system that is out of focus. This leads to a sharp reduction in contrast compared to the diffraction limited imaging system. It can be seen that the contrast is zero around 250 cycles/mm, or periods of 4 μm. This explains why the images for the out of focus system (e,f) are more blurry than those of the diffraction limited system (b,c). Note that although the out of focus system has very low contrast at spatial frequencies around 250 cycles/mm, the contrast at spatial frequencies near the diffraction limit of 500 cycles/mm is diffraction limited. Close observation of the image in panel (f) shows that the image of the large spoke densities near the center of the spoke target is relatively sharp.

A perfect lens system will provide a high contrast projection without shifting the periodic pattern, hence the optical transfer function is identical to the modulation transfer function. Typically the contrast will reduce gradually towards zero at a point defined by the resolution of the optics. For example, a perfect, non aberrated, f/4 optical imaging system used, at the visible wavelength of 500 nm, would have the optical transfer function depicted in the right hand figure. It can be read from the plot that the contrast gradually reduces and reaches zero at the spatial frequency of 500 cycles per millimeter, in other words the optical resolution of the image projection is 1/500 of a millimeter, or 2 micrometer. Correspondingly, for this particular imaging device, the spokes become more and more blurred towards the center until they merge into a gray, unresolved, disc. Note that sometimes the optical transfer function is given in units of the object or sample space, observation angle, film width, or normalized to the theoretical maximum. Conversion between the two is typically a matter of a multiplication or division. E. g. a microscope typically magnifies everything 10 to 100 fold, and a reflex camera will generally demagnify objects at a distance of 5 meter by a factor of 100 to 200. The resolution of a digital imaging device is not only limited by the optics, but also by the number of pixels, more in particular by their separation distance. As explained by the Nyquist–Shannon sampling theorem, to match the optical resolution of the given example, the pixels of each color channel should be separated by 1 micrometer, half the period of 500 cycles per millimeter. A higher number of pixels on the same sensor size will not allow the resolution of finer detail. On the other hand, when the pixel spacing is larger than 1 micrometer, the resolution will be limited by the separation between pixels; moreover, aliasing may lead to a further reduction of the image fidelity.

An imperfect, aberrated imaging system could possess the optical transfer function depicted in the following figure. As the ideal lens system, the contrast reaches zero at the spatial frequency of 500 cycles per millimeter. However, at lower spatial frequencies the contrast is considerably lower than that of the perfect system in the previous example. In fact, the contrast becomes zero on several occasions even for spatial frequencies lower than 500 cycles per millimeter. This explains the gray circular bands in the spoke image shown in the above figure. In between the gray bands, the spokes appear to invert from black to white and vice versa, this is referred to as contrast inversion, directly related to the sign reversal in the real part of the optical transfer function, and represents itself as a shift by half a period for some periodic patterns. While it could be argued that the resolution of both the ideal and the imperfect system is 2 μm, or 500 LP/mm, it is clear that the images of the latter example are less sharp. A definition of resolution that is more in line with the perceived quality would instead use the spatial frequency at which the first zero occurs, 10 μm, or 100 LP/mm. Definitions of resolution, even for perfect imaging systems, vary widely. A more complete, unambiguous picture is provided by the optical transfer function.

Optical systems, and in particular optical aberrations are not always rotationally symmetric. Periodic patterns that have a different orientation can thus be imaged with different contrast even if their periodicity is the same. Optical transfer function or modulation transfer functions are thus generally two dimensional functions. The following figures shows the two dimensional equivalent of the ideal and the imperfect system discussed earlier, for an optical system with trefoil, a non rotational symmetric aberration. Optical transfer functions are not always real valued. Period patterns can be shifted by any amount, depending on the aberration in the system. This is generally the case with non rotational symmetric aberrations. The hue of the colors of the surface plots in the above figure indicate phase. It can be seen that, while for the rotational symmetric aberrations the phase is either 0 or π and thus the transfer function is real valued, for the non rotational symmetric aberration the transfer function has an imaginary component and the phase varies continuously.

While optical resolution, as commonly used with reference to camera systems, describes only the number of pixels in an image, and hence the potential to show fine detail, the transfer function describes the ability of adjacent pixels to change from black to white in response to patterns of varying spatial frequency, and hence the actual capability to show fine detail, whether with full or reduced contrast. An image reproduced with an optical transfer function that 'rolls off' at high spatial frequencies will appear 'blurred' in everyday language. Taking the example of a current high definition (HD) video system, with 1920 by 1080 pixels, the Nyquist theorem states that it should be possible, in a perfect system, to resolve fully (with true black to white transitions) a total of 1920 black and white alternating lines combined, otherwise referred to as a spatial frequency of 1920/2=960 line pairs per picture width, or 960 cycles per picture width, (definitions in terms of cycles per unit angle or per mm are also possible but generally less clear when dealing with cameras and more appropriate to telescopes etc.). In practice, this is far from the case, and spatial frequencies that approach the Nyquist rate will generally be reproduced with decreasing amplitude, so that fine detail, though it can be seen, is greatly reduced in contrast. This gives rise to the interesting observation that, for example, a standard definition television picture derived from a film scanner that uses oversampling, as described later, may appear sharper than a high definition picture shot on a camera with a poor modulation transfer function. The two pictures show an interesting difference that is often missed, the former having full contrast on detail up to a certain point but then no really fine detail, while the latter does contain finer detail, but with such reduced contrast as to appear inferior overall.

Although one typically thinks of an image as planar, or two dimensional, the imaging system will produce a three dimensional intensity distribution in image space that in principle can be measured. e. g. a two dimensional sensor could be translated to capture a three dimensional intensity distribution. The image of a point source is also a three dimensional (3D) intensity distribution which can be represented by a 3D point spread function. As an example, the figure on the right shows the 3D point spread function in object space of a wide field microscope (a) alongside that of a confocal microscope (c). Although the same microscope objective with a numerical aperture of 1.49 is used, it is clear that the confocal point spread function is more compact both in the lateral dimensions (x,y) and the axial dimension (z). One could rightly conclude that the resolution of a confocal microscope is superior to that of a wide field microscope in all three dimensions. A three dimensional optical transfer function can be calculated as the three dimensional Fourier transform of the 3D point spread function. Its color coded magnitude is plotted in panels (b) and (d), corresponding to the point spread functions shown in panels (a) and (c), respectively. The transfer function of the wide field microscope has a support that is half of that of the confocal microscope in all three dimensions, confirming the previously noted lower resolution of the wide field microscope. Note that along the z axis, for x = y = 0, the transfer function is zero everywhere except at the origin. This missing cone is a well known problem that prevents optical sectioning using a wide field microscope. The two dimensional optical transfer function at the focal plane can be calculated by integration of the 3D optical transfer function along the z axis. Although the 3D transfer function of the wide field microscope (b) is zero on the z axis for z ≠ 0; its integral, the 2D optical transfer, reaching a maximum at x = y = 0. This is only possible because the 3D optical transfer function diverges at the origin x = y = z = 0. The function values along the z axis of the 3D optical transfer function correspond to the Dirac delta function.

At high numerical apertures such as those found in microscopy, it is important to consider the vectorial nature of the fields that carry light. By decomposing the waves in three independent components corresponding to the Cartesian axes, a point spread function can be calculated for each component and combined into a vectorial point spread function. Similarly, a vectorial optical transfer function can be determined as shown in and .

The optical transfer function is not only useful for the design of optical system, it is also valuable to characterize manufactured systems.

The optical transfer function is defined as the Fourier transform of the impulse response of the optical system, also called the point spread function. The optical transfer function is thus readily obtained by first acquiring the image of a point source, and applying the two dimensional discrete Fourier transform to the sampled image. Such a point source can, for example, be a bright light behind a screen with a pin hole, a fluorescent or metallic microsphere, or simply a dot painted on a screen. Calculation of the optical transfer function via the point spread function is versatile as it can fully characterize optics with spatial varying and chromatic aberrations by repeating the procedure for various positions and wavelength spectra of the point source.

When the aberrations can be assumed to be spatially invariant, alternative patterns can be used to determine the optical transfer function such as lines and edges. The corresponding transfer functions are referred to as the line spread function and the edge spread function, respectively. Such extended objects illuminate more pixels in the image, and can improve the measurement accuracy due to the larger signal to noise ratio. The optical transfer function is in this case calculated as the two dimensional discrete Fourier transform of the image and divided by that of the extended object. Typically either a line or a black white edge is used.

The two dimensional Fourier transform of a line through the origin, is a line orthogonal to it and through the origin. The divisor is thus zero for all but a single dimension, by consequence, the optical transfer function can only be determined for a single dimension using a single line spread function (LSF). If necessary, the two dimensional optical transfer function can be determined by repeating the measurement with lines at various angles. The line spread function can be found using two different methods. It can be found directly from an ideal line approximation provided by a slit test target or it can be derived from the edge spread function, discussed in the next sub section.

Although 'sharpness' is often judged on grid patterns of alternate black and white lines, it should strictly be measured using a sine wave variation from black to white (a blurred version of the usual pattern). Where a square wave pattern is used (simple black and white lines) not only is there more risk of aliasing, but account must be taken of the fact that the fundamental component of a square wave is higher than the amplitude of the square wave itself (the harmonic components reduce the peak amplitude). A square wave test chart will therefore show optimistic results (better resolution of high spatial frequencies than is actually achieved). The square wave result is sometimes referred to as the 'contrast transfer function' (CTF).

In practice, many factors result in considerable blurring of a reproduced image, such that patterns with spatial frequency just below the Nyquist rate may not even be visible, and the finest patterns that can appear 'washed out' as shades of grey, not black and white. A major factor is usually the impossibility of making the perfect 'brick wall' optical filter (often realized as a 'phase plate' or a lens with specific blurring properties in digital cameras and video camcorders). Such a filter is necessary to reduce aliasing by eliminating spatial frequencies above the Nyquist rate of the display.

The only way in practice to approach the theoretical sharpness possible in a digital imaging system such as a camera is to use more pixels in the camera sensor than samples in the final image, and 'downconvert' or 'interpolate' using special digital processing which cuts off high frequencies above the Nyquist rate to avoid aliasing whilst maintaining a reasonably flat MTF up to that frequency. This approach was first taken in the 1970s when flying spot scanners, and later CCD line scanners were developed, which sampled more pixels than were needed and then downconverted, which is why movies have always looked sharper on television than other material shot with a video camera. The only theoretically correct way to interpolate or downconvert is by use of a steep low pass spatial filter, realized by convolution with a two dimensional sin(x)/x weighting function which requires powerful processing. In practice, various mathematical approximations to this are used to reduce the processing requirement. These approximations are now implemented widely in video editing systems and in image processing programs such as Photoshop. Just as standard definition video with a high contrast MTF is only possible with oversampling, so HD television with full theoretical sharpness is only possible by starting with a camera that has a significantly higher resolution, followed by digitally filtering. With movies now being shot in 4k and even 8k video for the cinema, we can expect to see the best pictures on HDTV only from movies or material shot at the higher standard. However much we raise the number of pixels used in cameras, this will always remain true in absence of a perfect optical spatial filter. Similarly, a 5 megapixel image obtained from a 5 megapixel still camera can never be sharper than a 5 megapixel image obtained after down conversion from an equal quality 10 megapixel still camera. Because of the problem of maintaining a high contrast MTF, broadcasters like the BBC did for a long time consider maintaining standard definition television, but improving its quality by shooting and viewing with many more pixels (though as previously mentioned, such a system, though impressive, does ultimately lack the very fine detail which, though attenuated, enhances the effect of true HD viewing). Another factor in digital cameras and camcorders is lens resolution. A lens may be said to 'resolve' 1920 horizontal lines, but this does not mean that it does so with full modulation from black to white. The 'modulation transfer function' (just a term for the magnitude of the optical transfer function with phase ignored) gives the true measure of lens performance, and is represented by a graph of amplitude against spatial frequency. Lens aperture diffraction also limits MTF. Whilst reducing the aperture of a lens usually reduces aberrations and hence improves the flatness of the MTF, there is an optimum aperture for any lens and image sensor size beyond which smaller apertures reduce resolution because of diffraction, which spreads light across the image sensor. This was hardly a problem in the days of plate cameras and even 35 mm film, but has become an insurmountable limitation with the very small format sensors used in some digital cameras and especially video cameras. First generation HD consumer camcorders used 1/4 inch sensors, for which apertures smaller than about f4 begin to limit resolution. Even professional video cameras mostly use 2/3 inch sensors, prohibiting the use of apertures around f16 that would have been considered normal for film formats. Certain cameras (such as the Pentax K10D) feature an "MTF autoexposure" mode, where the choice of aperture is optimized for maximum sharpness. Typically this means somewhere in the middle of the aperture range.

There has recently been a shift towards the use of large image format digital single lens reflex cameras driven by the need for low light sensitivity and narrow depth of field effects. This has led to such cameras becoming preferred by some film and television program makers over even professional HD video cameras, because of their 'filmic' potential. In theory, the use of cameras with 16 and 21 megapixel sensors offers the possibility of almost perfect sharpness by downconversion within the camera, with digital filtering to eliminate aliasing. Such cameras produce very impressive results, and appear to be leading the way in video production towards large format downconversion with digital filtering becoming the standard approach to the realization of a flat MTF with true freedom from aliasing.

Due to optical effects the contrast may be sub optimal and approaches zero before the Nyquist frequency of the display is reached. The optical contrast reduction can be partially reversed by digitally amplifying spatial frequencies selectively before display or further processing. Although more advanced digital image restoration procedures exist, the Wiener deconvolution algorithm is often used for its simplicity and efficiency. Since this technique multiplies the spatial spectral components of the image, it also amplifies noise and errors due to e. g. aliasing. It is therefore only effective on good quality recordings with a sufficiently high signal to noise ratio.

In general, the point spread function, the image of a point source also depends on factors such as the wavelength (color), and field angle (lateral point source position). When such variation is sufficiently gradual, the optical system could be characterized by a set of optical transfer functions. However, when the image of the point source changes abruptly upon lateral translation, the optical transfer function does not describe the optical system accurately.