Ихэй Кимура: Японский фотограф и его наследие

Japanese photographer

Ihei Kimura (木村 伊兵衛) was a Japanese photographer, known for his portrayal of Tokyo and Akita Prefecture.

Born on 12 December 1901 in Shitaya ku (now Taitō ku), Tokyo, Kimura started taking photographs when very young but his interest intensified when he was around 20 and living in Tainan, Taiwan, where he was working for a sugar wholesaler. He opened a photographic studio in Nippori, Tokyo in 1924. In 1930, he joined the advertising section of the soap and cosmetics company Kaō, concentrating on informal photographs made with his Leica camera. In 1933, he joined Yōnosuke Natori and others in forming the group Nippon Kōbō ("Japan workshop"), which emphasized "realism" in photography using 35mm cameras; but this rapidly broke up and Kimura formed an alternative group, Chūō Kōbō ("central workshop") with Nobuo Ina and others. During the war, Kimura worked in Manchuria and for the publisher Tōhō sha. He edited Front, the propaganda photo journal of the Tōhō sha company. He also contributed to a propaganda magazine, Shashin Shūhō, in the same period. In 1950, Kimura was elected chairman of the newly formed Japan Professional Photographers Society (JPS); together with Ken Domon he did much to encourage a documentary spirit in amateur photography. In the mid fifties, Kimura made several trips to Europe, providing photographs for the camera magazines. His work was included by Edward Steichen in the world touring 1955 MoMA exhibition The Family of Man. Pari, a collection of his color photographs of Paris, would only be published in 1974, but the use of color was ahead of its time. On his return to Japan, Kimura concentrated on photographing rural life in Akita. He also worked on portraits, particularly of writers. Kimura died at his home in Nippori on 31 May 1974; the Kimura Ihei Award for new photographers was promptly set up in his honor. He remains popular in Japan: samples of his photographs still (2009) regularly appear in the magazine Asahi Camera. His work was exhibited at the Rencontres d'Arles festival in 2004.

A Historical Sketch of Japanese Customs and Costumes. Tokyo: Society for International Cultural Relations (Kokusai Bunka Shinkōkai), 1936. Japanese School Life through the Camera. Tokyo: Society for International Cultural Relations (Kokusai Bunka Shinkōkai), 1937. (As "Ihee Kimura".) Japan through a Leica. Tokyo: Sanseido, 1938. One hundred photographs of Japan. Facsimile edition: Tokyo: Kokushokan, 2006. (NB The box that contains this expensive reprint is considerably larger than the book within it.) Four Japanese Painters. JPS Picture Books. JPS, 1940. In English. Kōki nisenroppyaku nen gōshuku geinōsai Kokusai Hōdō Kōgei, 1941. Ōdō rakudo Tokyo: Ars, 1943. Photographs of Manchuria. Rokudaime Onoe Kikugorō butai shashinshū (, Photograph collection of the sixth Onoe Kikugorō on the stage). Kyoto: Wakei Shoten, 1949. On the kabuki actor Onoe Kikugorō VI (1885–1949). Kimura Ihee kessaku shashinshū / Select Pictures by Ihei Kimura. Tokyo: Asahi Shinbunsha, 1954. A book of generous format (30×21 cm) that presents 132 photographs, most taking the entire page but a few in half , quarter or double page format. They represent all facets of Kimura's work. The reproduction quality is of course no match for that in the posthumous collections, and what is interesting about this book is the material that the latter drop, for example three photographs from a (demure) striptease performance. Short captions in English as well as Japanese, longer explanations as well as texts by Kimura and Nobuo Ina in Japanese only. Kimura Ihee gaiyū shashinshū: Dai ikkai Tokyo: Asahi Shinbunsha, 1955. Kimura Ihee gaiyū shashinshū: Dai nikai: Yōroppa no inshō / Impression of Europe. Tokyo: Asahi Shinbunsha, 1956. Zōsenjo no inshō / At a Shipyard. Sekai Shashin Sakka Tokyo: Heibonsha, 1958. Kimura Ihee sakuhinshū , Collected photographs of Ihei Kimura). Gendai Nihon shashin zenshū , vol. 1. Tokyo: Sōgensha, 1959. Ōkawa Hashizō butai shashinshū (, Photograph collection of Hashizō Ōkawa on the stage). Wakei Shoten, 1962. On the kabuki actor Hashizō Ōkawa (1929–84). Zenshinza butai shashinshū (, Photograph collection of Zenshinza on stage). Tokyo: Kenkōsha, 1966. Black and white and also some color photographs of the Zenshinza kabuki troupe on stage and off, on the occasion of the 35th anniversary of its founding. Kimura Ihee no me (, The eye of Ihei Kimura). Special issue of Asahi Camera, December 1970. A representative collection of Kimura's works, all black and white. Kimura Ihee shashinshū: Chūgoku no tabi (, Ihei Kimura photograph collection: Travels in China). Tokyo: Asahi Shinbunsha, 1974. Kimura Ihee shashinshū: Pari (, Ihei Kimura photograph collection: Paris). Tokyo: Norasha, 1974. Most of the photographs are spread across facing pages (and thus split down the middle). Akita Nikon Salon Books 4. Tokyo: Nikkor Club, 1978. Photographs of Akita. Rokudaime Kikugorō: Kimura Ihee shashinshū / Sixth Generation Kikugoro. Sonorama Shashin Sensho 17. Tokyo: Asahi Sonorama, 1979. On the kabuki actor Onoe Kikugorō VI (1885–1949). Substantially based on the book of 1949, but an altered selection of photographs. With a short summary in English. Watanabe Yoshio , et al., eds. Kimura Ihee shashin zenshū: Shōwa jidai (, Ihei Kimura photograph collection: The Shōwa period). Tokyo: Sekaibunkasha, 1979. Three large (37 cm tall), expensive hardback volumes. 1. Portraits and the stage. 2. Street scenes and the countryside. 3. Europe and China. Machikado (, Street corners). Nikon Salon Books 7. Tokyo: Nikkor Club, 1981. Black and white photographs, mostly of Japan, but also of Europe and China, selected by a team headed by Jun Miki. There are scenes in the countryside (even fields), by the sea, and so forth. When new, this book was available to the members of the Nikkor Club; it was not sold to the public. Watanabe Yoshio , et al., eds. Kimura Ihee shashin zenshū: Shōwa jidai (, Ihei Kimura photograph collection: The Shōwa period). Tokyo: Chikuma, 1984. Four large (31 cm tall), hardback volumes, still (2006) in print. 1. Photographs from 1925 to 1945. 2. Photographs from 1945 to 1953. 3. Photographs from 1953 to 1974. 4. Photographs of Akita Prefecture. Tanuma Takeyoshi , ed. Kimura Ihee no Shōwa (, The Shōwa period of Ihei Kimura). Chikuma Library 39. Tokyo: Chikuma, 1990. An inexpensive compact (shinsho) survey still (2006) in print. Tanuma Takeyoshi , ed. Kimura Ihee: Shōwa no onna tachi (, Ihei Kimura: The women of Shōwa). Chikuma Library 55. Tokyo: Chikuma, 1991. Kimura Ihee no sekai / Photographs: Kimura Ihee. Tokyo: Tōkyōto Bunka Shinkōkai, 1992. Catalogue of an exhibition. Kimura Ihee sakuhinten: Tokyo, 1945–1968 (, Ihei Kimura exhibition: Tokyo, 1945–68). Tokyo: JCII Photo Salon, 1992. Rokudaime Onoe Kikugorō: Zenseiki no meijingei (, Sixth generation Onoe Kikugorō). Tokyo: Nihon Eizō (distributed by Bungei Shunjū), 1993. On the kabuki actor Onoe Kikugorō VI (1885–1949). Kimura Ihee to Akita ten (, Exhibition of Ihei Kimura and Akita). Akita: Akita Senshu Museum of Art, 1994. Tanuma Takeyoshi , ed. Kimura Ihee: Shōwa o utsusu (, Ihei Kimura: Photographing the Shōwa period). Tokyo: Chikuma (Chikuma Bunko), 1995. An inexpensive four volume pocket format (bunkobon) survey still (2006) in print, based on the same publisher's four volume set of 1984. 1. Senzen to sengo (, Before and after the war). Okinawa, 1935; Manchuria, 1940; life in Tokyo and elsewhere in Honshū, mostly 1932–41; the aftermath of the war, 1945–7; Japan, 1949–72. 2. Yomigaeru toshi (, The city restored). Tokyo 1946–73. 3. Jinbutsu to butai (, People and the stage). Portraits, people at work, the traditional Japanese stage. 4. Akita no minzoku (, Folkways of Akita). Life in Akita Prefecture. Kimura Ihee (, Ihei Kimura). Nihon no Shashinka 8. Tokyo: Iwanami Shoten, 1998. A concise survey within this set devoted to the Japanese pantheon. Teihon: Kimura Ihee (, Ihei Kimura: The definitive edition). Tokyo: Asahi Shinbunsha, 2002. A large (29 cm tall), carefully produced and rather expensive collection, which has captions in English as well as Japanese, but no other English. Boku to Raika: Kimura Ihee kessakusen + essei (, Leica and me: A collection of masterpieces by Ihei Kimura, and essays). Tokyo: Asahi Shinbunsha, 2003. Kimura Ihee / Ihei Kimura. Kyoto: Katsuhikan and the Kyoto Museum of Contemporary Art, 2002. A compact survey of Kimura's work in Japan. Elegantly produced, but the reproduction quality is disappointing. Short captions as well as some other text in English, remaining text in Japanese only. Kimura Ihee ten / Ihei Kimura: The Man with the Camera. Tokyo: National Museum of Modern Art, 2004. The compact survey in this well produced exhibition catalog includes such lesser known works as the Kaō advertisements. Captions and much of the text in English as well as Japanese. Tanuma Takeyoshi , et al. Kimura Ihee no Pari / Kimura Ihei in Paris: Photographs 1954–1955. Tokyo: Asahi Shinbun sha, 2006. A large collection of color photographs, many of which previously appeared in Kimura Ihee shashinshū: Pari (1974). In Japanese and English.

Kogata kamera shashinjutsu Seibundō Shinkōsha, 1936. Reprint. Kurashikku Kamera Sensho 25. Tokyo: Asahi Sonorama, 2002. Kogata kamera no utsushikata, tsukaikata ( [in modern script (]). Tokyo: Genkōsha, 1937. (Joint work) Girls of Japan. JPS Picture Books. JPS, 1939. In English. (Joint work) Pendidikan di sekolah kebangsaan. Kokusai Bunka Shinkōkai, 1942. (Joint work) Peroesahaan mesin basar. Kokusai Bunka Shinkōkai, 1942. (with Shunkichi Kikuchi) Tōkyō sen kyūhyaku yonjūgonen, aki / Tokyo: Fall of 1945. Tokyo: Bunka sha, 1946. The photographers are not credited. A stapled booklet of sepia photographs of life in Tokyo immediately after the end of the war. (The word aki in the title makes it clear that fall here means autumn, not defeat.) Text and captions in both Japanese and English. Jūgosei Ichimura Uzaemon butai shashinshū (, Photograph collection of the fifteenth generation Ichimura Uzaemon on the stage). Edited by Kyoto: Wakei Shoten, 1951. On the kabuki actor. On the kabuki actor Ichimura Uzaemon (1874–1945). Ninety six pages of photographs, of which pp. 21–68 are credited to Kimura (the remainder are uncredited). (With Nakagawa Kazuo) Shashin no utsushikata (, How to take photographs). Tokyo: Kaname Shobō, 1953. (With Nobuo Ina, edited by Yōnosuke Natori) Shashin no jōshiki. (, Knowledge of the photograph). Tokyo: Keiyūsha, 1955. Kimura Ihee dokuhon Special issue of Photo Art, August 1956. (As editor) Jinbutsu shashin Asahi Camera Kōza Tokyo: Asahi Shinbunsha, 1956. (Edited by Kimura Ihei and Nakajima Kenzō) Bungakusha no mita gendai no Chūgoku shashinshū (, Photograph collection of today's China as seen by writers). Tokyo: Mainichi Shinbunsha, 1960. Kimura Ihee no sekai (, The world of Ihei Kimura). Special issue of Asahi Camera, August 1974. Sengo shashin / Saisei to tenkai / Twelve Photographers in Japan, 1945–55. Yamaguchi Kenritsu Bijutsukan, 1990. Despite the alternative title in English, almost exclusively in Japanese (although each of the twelve has a potted chronology in English). Twenty of Kimura's photographs of Akita appear on pp. 36–46. Taidan: Shashin kono gojūnen (, Conversations: The last fifty years of photography). By the editors of Asahi Camera. Tokyo: Asahi Shinbunsha, 1974. A collection of transcriptions of Kimura's discussions with various photographers and others concerned with photography. Kimura Ihee / Special Issue: Ihei Kimura. Nikkor Club, no. 70, Autumn 1974. Kimura Ihee o yomu (, Reading Ihei Kimura). Asahi Camera special edition. Tokyo: Asahi Shinbunsha, 1979. In Japanese only, but very substantial and contains a handy reference to Kimura's very numerous contributions to the magazine. (A special production by the Asahi Camera, prominently dated December 1979 and looking at first like that month's issue: but there was also a separate, regular issue for the month.) Association to Establish the Japan Peace Museum, ed. Ginza to sensō / Ginza and the War. Tokyo: Atelier for Peace, 1986. Kimura is one of ten photographers — the others are Ken Domon, Shigeo Hayashi, Tadahiko Hayashi, Kōyō Ishikawa, Kōyō Kageyama, Shunkichi Kikuchi, Kōji Morooka, Minoru Ōki, and Maki Sekiguchi — who provide 340 photographs for this well illustrated and large photographic history of Ginza from 1937 to 1947. Captions and text in both Japanese and English. (Joint work) Bunshi no shōzō hyakujūnin (, Portraits of 110 literati). Tokyo: Asahi Shinbunsha, 1990. Kimura is one of five photographers — the others are Shōtarō Akiyama, Ken Domon, Hiroshi Hamaya, and Tadahiko Hayashi. Mishima Yasushi Kimura Ihee to Domon Ken: Shashin to sono shōgai (, Ihei Kimura and Ken Domon: Photography and biography). Tokyo: Heibonsha, 1995. Reprint. Heibonsha Library. Tokyo: Heibonsha, 2004. Kimura Ihee no renzu: Sunappushotto wa kō tore! ( , The lens of Ihei Kimura: Here's how to take snapshots!). Taiyō / The Sun, July 1999. Republished as a book in 2007. Dokyumentarī no jidai: Natori Yōnosuke, Kimura Ihee, Domon Ken, Miki Jun no shashin kara / The Documentary Age: Photographs by Natori Younosuke, Kimura Ihei, Domon Ken, and Miki Jun. Tokyo: Tokyo Metropolitan Museum of Photography, 2001. An exhibition catalogue. The book reproduces 28 of Kimura's photographs of Akita. Captions in both Japanese and English, other text in Japanese only. Hiraki, Osamu, and Keiichi Takeuchi. Japan, a Self Portrait: Photographs 1945–1964. Paris: Flammarion, 2004. Kimura is one of eleven photographers whose works appear in this large book (the others are Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikoh Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Shigeichi Nagano, Ikkō Narahara, Takeyoshi Tanuma, and Shōmei Tōmatsu). Kindai shashin no umi no oya: Kimura Ihee to Domon Ken / Kimura Ihei and Domon Ken. Tokyo: Asahi Shinbunsha and Mainichi Shinbunsha, 2004. Catalogue of an exhibition. Kimura Ihee no renzu: Sunappushotto wa kō tore! (, The lens of Ihei Kimura: Here's how to take snapshots!). Tokyo: Heibonsha, 2007. Reworked from the July 1999 issue of Taiyō: an economical, compact collection of photographs by (and of) Kimura, essays about him by prominent photographers (such as Kineo Kuwabara, Yutaka Takanashi and Nobuyoshi Araki), and such extras as an illustrated bibliography.