Эквинокс: Путешествие в сверхъестественное

1970 American supernatural horror film
The film was originally conceived as a short by producer director Muren—then titled The Equinox: Journey into the Supernatural—who developed and shot it with friends Dave Allen and Jim Danforth in 1967. After independent distributor Tonylyn Productions expressed interest in distributing the film, director Jack Woods was hired to shoot additional footage and expand Muren's short into a full length feature film. Equinox initially gained a reputation as a midnight movie during its theatrical run, but has in later years been noted for its economical yet sophisticated use of stop motion special effects and cel animation, which were provided by Dave Allen and Jim Danforth; the latter later worked on Flesh Gordon, in which he animated a giant monster similar to the ones in Equinox. The cult film has been influential to the horror and sci fi monster genres, receiving praise from filmmaker George Lucas and special effects artist Ray Harryhausen. It was released on DVD by the Criterion Collection in 2006.

A reporter visits David Fielding in a psychiatric hospital for a follow up story on the deaths of his three friends exactly one year and one day ago. David is catatonic but attacks the reporter when shown a photo of Dr. Watermann, his former professor. In the scuffle, David loses his cross and grows frantic over its disappearance. The reporter listens to tape recordings of the police interviewing David soon after he was brought to the hospital and reconstructs the events — told in flashback — that drove him insane. David, Susan Turner, Jim Hudson and his girlfriend, Vicki, search for Dr. Watermann in a forest canyon and find that his cabin has been destroyed. While exploring a cave, they encounter a cackling old man who gives them an ancient book filled with magical lore and symbols. The book, which Watermann's notes describe as a "veritable bible of evil", reeks of sulfur and contains the Lord's Prayer written backwards. The group learns Watermann's experiments with the book's demon summoning rituals went awry. When he lost control of the giant tentacled creature he conjured, it destroyed his house. Dr. Watermann suddenly appears and snatches the book from David; he and Jim give chase. David tackles him, causing him to strike his head and die. After Jim and David leave, Watermann's body supernaturally vanishes. A forest ranger, Asmodeus, discovers Jim and David have the book and sends monsters – a giant ape like creature and a green skinned, fur clad giant – to retrieve it. The ape like creature kills the old man from the cave. Asmodeus starts to sexually assault Susan, but her cross repels him. After Susan accidentally loses the cross, she appears demon possessed and attacks Vicki, who is unable to stop her. David arrives and displays a mystical symbol from the book, causing Susan to lose consciousness. Asmodeus kills Jim and reveals his true form: a winged, red demon. After killing Vicki, Asmodeus attacks David and Susan, who flee to a cemetery and cower behind a large stone cross atop a grave. As the demon flies into the cross and dies, the cemetery erupts in flames, killing Susan. A giant shadowy figure prophesies that David will be dead in one year and one day. When David panics and flees to a nearby road to summon help, a driverless car runs him down. Another car with two passengers stops to help him. David loses his sanity and is confined to a mental hospital. One year and one day later, an evil faced, reanimated Susan arrives at the hospital to kill him.

While studying business at Pasadena City College, producer and aspiring filmmaker Dennis Muren devised a short science fiction film, The Equinox A Journey into the Supernatural, with his friends Dave Allen and Jim Danforth. Tonylyn Productions, a small film company, liked the film enough to distribute it. Producer Jack H. Harris hired film editor Jack Woods, who previously worked with John Cassavetes, to direct additional footage in order to make Equinox into a feature length film. The American Film Institute notes that the final production budget was $8,000. Equinox was released on DVD in June 2006 as release 338 in the Criterion Collection, including both the theatrical version and Muren's original production, the first time the latter was officially released. It also featured an introduction by the film's champion Forrest J. Ackerman.

In his review of the film, Bill Gibron from DVD Talk wrote, "In a strange way, Equinox is The Evil Dead with Ray Harryhausen substituting for Sam Raimi. There are so many obvious connections that you have to imagine Sam and his clan came across this version somewhere in the formation of their film and starting taking stylistic notes. While it can't compare with Dead'''s decided darkness, Equinox manages to be an effective entertainment." Dave Sindelar from Fantastic Movie Musings and Ramblings gave the film a positive review, noting that "despite the obvious cheapness and the long shooting schedule which results in characters aging before your eyes", he felt the film was powerful and commended the film for its "compelling sense of Lovecraftian evil". Noel Murray from The A. V. Club rated the film a grade B, writing, "It's clear these guys had more ingenuity than resources, and watching Equinox is like a lesson in how to make something out of nothing." Dennis Schwartz from Ozus' World Movie Reviews awarded the film a grade C, stating that the film was "noted only for its great special effects". Author and film critic Leonard Maltin gave the film 2 out of 4 stars, stating that the film "mixes movie clichés with good special effects". Due to the similarities in their plots, Equinox is believed to have inspired Evil Dead, though this has not been confirmed. In an article for the Criterion Collection, Brock DeShane quotes Tom Sullivan, special effects and makeup artist for the Evil Dead'' movies, about seeing the film. I had seen Equinox at least twice in drive ins before making Evil Dead. I don't recall having discussed it with [Evil Dead director] Sam Raimi, but the similarities are remarkable. I think they come from the low budget nature of both films. That is, a few characters, an isolated, inexpensive location, and ambitious special effects. All in all, Equinox did inspire me to continue my goal of making movies. 'If they can do it '