Что Время Любви? (What Time Is Love?)

1988 single by the KLF

"What Time Is Love?" is a song released, in different mixes, as a series of singles by the British electronic music band the KLF. It featured prominently and repeatedly in their output from 1988 to 1992 and, under the moniker of 2K, in 1997. In its original form, the track was an instrumental electronic dance anthem; subsequent reworkings, with vocals and additional instrumentation, yielded the international hit singles "What Time Is Love? (Live at Trancentral)" (1990), and "America: What Time Is Love?" (1991), which respectively reached number five and number four on the UK Singles Chart, and introduced the KLF to a mainstream international audience.

The KLF co founders Jimmy Cauty and Bill Drummond began releasing music in March 1987, under the pseudonym the Justified Ancients of Mu Mu (the JAMs), named after a cultish organisation from The Illuminatus! Trilogy novels. The JAMs' output was created from plagiarised samples of popular music grafted together to form new songs, with beatbox rhythms and Drummond's often political raps. Their second album, Who Killed the JAMs?, was followed by a newsletter which expressed regret that people believed the JAMs were leading "a crusade for sampling", and suggested "We might put out a couple of 12 inch records under the name the K. L. F., these will be rap free just pure dance music, so don't expect to see them reviewed in the music papers." The first incarnation of "What Time Is Love?" followed. "What Time Is Love?" became one of the KLF's central tracks, dubbed their "three note warhorse of a signature tune" by Bill Drummond, in reference to the three note bassline which, together with a high pitched refrain on two notes (B bending to F#) characterises the song. The bassline is very similar to the one used by Anne Clark the electronic musician in her 1984 song Our Darkness and to the guitar introduction to the song Heaven on Their Minds from the musical Jesus Christ Superstar. In common with the singles "3 a. m. Eternal", "Last Train to Trancentral" and "Justified and Ancient", "What Time Is Love?" evolved through substantial reworkings, each new version taking elements of its predecessors and placing them in the context of a different musical genre. There were three main versions, released in 1988, 1990 and 1991, shifting the KLF's sound from acid house through pop into heavy rock oriented electronica, and a remake under a different moniker in 1997.

The original 1988 12" single release launched the KLF's minimalist "Pure Trance" series of singles. The "Pure Trance" version is a synthesiser composition based around an acid house riff on three low pitched notes and one minor chord (B minor). The subtle progression of the piece occurs through the modulation of the main loops, the dub like dropping of particular loops, and a recurring high pitched refrain on two notes (B bending to F#). An Oberheim OB 8 synthesiser provided the instrumentation. Two discs of different "Pure Trance" mixes, numbered KLF 004T (green writing on a black sleeve) and KLF 004R (yellow writing on a black sleeve, and a cover sticker), were given low key releases on 24 November 1988 and 24 July 1989 respectively. The cumulative popularity of KLF 004T in continental European clubs prompted the KLF to release a compilation album of selected cover versions and sound alikes, entitled The "What Time Is Love?" Story. As Drummond had predicted, the "Pure Trance" release received little attention from the music press. However, upon the release of The "What Time Is Love?" Story, Q Magazine hailed the track as "a whirling house stomper not so much of a tune but a good beat".

A 1990 version subtitled "Live at Trancentral" was the first of the KLF's upbeat "Stadium House Trilogy" and the single that introduced the KLF to an international mainstream audience, reaching No. 5 in the UK Singles Chart. It is a pop house reworking of the Pure Trance Original, adding vocal samples, a new bassline, a new house rhythm and a self proclaiming rap (performed by Isaac Bello). The "Trancentral" in the subtitle refers to the KLF's recording studio. An LP version of this mix appears on the album The White Room. A remix 12", "What Time Is Love? (Remodelled & Remixed)" was released a month after the "Stadium House" version. It contains remixes by Echo & the Bunnymen—for whom the KLF co founder Bill Drummond had previously been manager—and the Moody Boys. Both "Live at Trancentral" and "Remodelled & Remixed" were declared 'Single of the Week' at different times by New Musical Express (NME), where "Live at Trancentral" was described as a collision of "energy, humour and violence". The magazine also ranked "Live at Trancentral" as the 47th best single of 1990. Q Magazine noted the "awesome vitality" of the LP version. A retrospective review of the LP version by Splendid Magazine found the song to be "extraordinary". "It throbs and pulses in a still riveting manner that transcends the dated beatdrops. Fusing the siren wailing urgency of rave anthemry with the drunk on its own riff brilliance of the stupidest, simplest pop music, it's the kind of song that sends electrifying impulses through the drunken brain."

The single release "America: What Time Is Love?" constituted a major reworking of the anthem and was the KLF's final UK retail musical offering. It was released in February 1992 in the UK, four months after it was first made available in the US. Like "It's Grim Up North", it features a climactic orchestral section and a spoken list of towns and cities. However, in common with the "Stadium House" tracks, the mood of the song is one of jubilation. Between verses, a male chorus chants the word "America" to the tune of the song "Aquarius" from the rock musical Hair. Isaac Bello again provided rap, and Glenn Hughes (formerly of Deep Purple) provided vocals – a turning point for Hughes which he said helped "saved his life" from drug abuse. In contrast, the B side "America No More" is a sombre anti war statement focusing on US foreign policy. With ambient overtones, it features forlorn guitars, austere brass and a pipe band loudly playing an improvisation in the style of Scottish traditional folk music, set against the backdrop of artillery noise and the recorded words of US politicians, commentators and evangelists speaking either about or during major 20th century US military conflicts. According to Drummond, it was the final track to be recorded by the KLF. Evangelists feature elsewhere in the KLF's music (including Chill Out, "What Time Is Love? (Remodelled & Remixed)," and "Fuck the Millennium"), as does gunfire (in the three "Stadium House" singles). Reviewing "America: What Time Is Love? ", Melody Maker found that "the whole bizarre concoction's brilliantly bonkers", but questioned the KLF's strategy of recycling their songs. "America No More" was described by The Wire in 1997 as "a devastating protest montage of helicopters, bagpipes and carpet bombs". NME declined to make "America: What Time Is Love?" 'Single of the Week', declaring it instead to be 'Single of the Millennium'.

In 1997, "What Time Is Love?" was covered by the Williams Fairey Band, a brass band which under the stewardship of British artist Jeremy Deller pioneered the Acid Brass concept. Inspired by an Acid Brass concert, Drummond and Cauty collaborated with Deller and Acid Brass on a new version of "What Time Is Love?" called "Fuck the Millennium" under the moniker 2K. In 1991, another editor, Larry Flick, described the song as a "refreshing rave that combines elements of hip hop, techno, and pop." Dave Sholin from the Gavin Report wrote, "Carving a distinctive sound in any musical genre is difficult, but especially so in rap. The KLF is an outfit whose signature is totally unique and compelling. Top five across Europe and top three in England, here's a powerful followup to "3 A. M. Eternal"." Dave Jennings from Melody Maker remarked that here, they "returns with beats, sirens and whoops intact, but with cod Russian chants and spoof American patriotic choirs shaking its foundation. The whole bizarre concoction's brilliantly bonkers as usual." A reviewer from Music & Media commented, "As soon as you've decided it's soul, they change into a hiphouse act. Sometimes they even manage to combine both on one particular track, as on "What Time Is Love?". They use samples like schoolkids clear out glue pots: right to the bottom." Sylvia Patterson from Smash Hits named it Best New Single, describing it as "an unflippin'believable power pop anthem with mentaaahl guitars and Wall of Sound shrieks so far over the top they're binging round the sun and never coming back."

The three reworkings of the track were written and produced by Bill Drummond and Jimmy Cauty. Cauty also receives credit for playing electric guitar, bass, drums and keyboards on "America ", and Drummond for playing Gibson 330 on that version. Additional contributors to "What Time Is Love? (Live at Trancentral)" and "America: What Time Is Love?"