Portolan chart

Nautical charts, first made in the 13th century

Portolan charts are nautical charts, first made in the 13th century in the Mediterranean basin and later expanded to include other regions. The word portolan comes from the Italian portolano, meaning "related to ports or harbors", and which since at least the 17th century designates "a collection of sailing directions".

The term “portolan chart” was coined in the 1890s because at the time it was assumed that these maps were related to portolani, medieval or early modern books of sailing directions. Other names that have been proposed include rhumb line charts, compass charts or loxodromic charts whereas modern French scholars prefer to call them nautical charts to avoid any relationship with portolani. Several definitions of portolan chart coexist in the literature. A narrow definition includes only medieval or, at the latest, early modern sea charts (i. e. maps that primarily cover maritime rather than inland regions) that include a network of rhumb lines and do not show any indication of the use of latitude or longitude coordinates. whereas books that contain several sea charts are called nautical atlases. A broader definition of portolan chart accepts any sea chart or atlas that meets the following series of stylistic requirements: drawn by hand, with a network of rhumb lines that emanate from the center of hidden circles, focused on the coasts and islands, with place names written perpendicular to the coastline on the land side and with sparse information about the interior of landmasses. This broader definition encompasses charts of potentially any sea and even maps of the entire world, which are sometimes called nautical planispheres, provided they meet the aforesaid criteria. It also includes nautical charts that depict latitude scales and have been called “latitude charts” by other authors to distinguish them from proper portolan charts, which are believed to have been constructed on the basis of dead reckoning information.

Portolan charts are characterized by their rhumbline networks, which emanate out from compass roses located at various points on the map. The lines in these networks are generated by compass observations to show lines of constant bearing. Though often called rhumbs, they are better called "windrose lines": As cartographic historian Leo Bagrow states, " the word [loxodromic or rhumb chart] is wrongly applied to the sea charts of this period, since a loxodrome gives an accurate course only when the chart is drawn on a suitable projection. Cartometric investigation has revealed that no projection was used in the early charts ". The straight lines shown criss crossing portolan charts represent the sixteen directions (or headings) of the mariner's compass from a given point, which became thirty two directions from around 1450. The principal lines are oriented to the magnetic north pole. Thus the grid lines varied slightly for charts produced in different eras, due to the natural changes of the Earth's magnetic declination.

The portolan chart combined the exact notations of the text of the periplus or pilot book with the decorative illustrations of a medieval T and O map. In addition, the charts provided realistic depictions of shores. They were meant for practical use by mariners of the period. Portolans failed to take into account the curvature of the Earth; as a result, they were not helpful as navigational tools for crossing the open ocean, and were replaced by later Mercator projection charts. The earliest surviving explanations of how to draw a portolan chart date from the 16th century, so the techniques used by medieval mapmakers can only be inferred. The instruments available in the Middle Ages are believed to have been a ruler, a pair of dividers, a pen, and inks of various colors. Drawing probably started with the windrose lines and then the mapmaker copied the coastal outlines from some earlier chart. Place names, geographic details and decoration were added in the end.

Two main families of portolan charts were distinguished by origin, according to 19th century historians: Italian, developed mainly in Genoa, Venice and Rome; and Spanish, with Palma de Mallorca as a main center of production. Portuguese charts were believed to be derived from the Spanish. Arab portolan charts were not recognized until the second half of the 20th century.

The copious number of Italian portolan charts begins in the mid 13th century, with the oldest called Carta Pisana, which is kept in the National Library in Paris. To the next century belong the Carignano Chart, disappeared from the National Archive of Florence where it had been conserved for a long time; cartographic works of the Genoese Pietro Vesconte, the illustrator of the work of Marino Sanudo; the chart of Francisco Pizigano (1373), with stylistic influence from Mallorca; and those of Beccario, Canepa and the brothers Benincasa, natives of Ancona. The fifteenth century Luxoro Atlas, whose authorship is anonymous, is held at the Biblioteca Civica Berio in Genoa.

The Spanish introduced a novelty in nautical cartography, with geographical maps having common stylistic representation of certain accidents and locations. The masterpiece of the Majorcan portolan charts is the Catalan Atlas made by Abraham Cresques in 1375, and kept in the Bibliothèque Nationale de France in Paris. Abraham Cresques was a Majorcan Jew who worked at the service of Pedro IV of Aragon. In his "buxolarum" [=magnetic compass] workshop he was helped by his son Jafuda. The Atlas is a World Map, that is, world map and regions of the Earth with the various peoples who live there. The work was done at the request of Prince John, son of Pedro IV, desirous of a faithful representation of the world from west to east. 12 sheets form the world map on tables, linked to each other by scroll and screen layout. Each table measures 69 by 49 cm. The first four texts are filled with geographical and astronomical tables and calendars. The newest of the Cresques World Map is the representation of Asia, from the Caspian sea to Cathay (China), which takes into account information from Marco Polo, and Jordanus
In the 14th century, also highlights the work of Guillem Soler, which cultivates both styles, the purely nautical and nautical geographical. To the 15th century corresponds the famous portolan chart by Gabriel Vallseca, (1439), kept in the Maritime Museum of Barcelona, notable for its delicacy of execution and lively picturesque details, masked by a spot of ink left by Frédéric Chopin and George Sand.

The Portuguese portolan charts come from the Majorcan tradition, and as traditional portolan charts did not fulfill the requirements demanded by the expansion of the geographic horizons attained by Portuguese and Spaniards, they superposed the astronomical lines of the equator and tropics on top of the wind line network, and they continued being elaborated over the 16th and 17th centuries.

The earliest portolan charts focused on the Mediterranean and Black Sea coasts, with only partial and sometimes sketchy depiction of Atlantic coasts up to Scandinavia. In the 15th and 16th centuries, with the beginning of the Age of Discovery, the scope of portolan charts expanded south down to the Gulf of Guinea. Charts also started to be drawn by Portuguese and Spanish mapmakers for the newly explored seas in Africa, America, South Asia and the Pacific.