Nathan Jones (song)

1971 single by The Supremes

"Nathan Jones" is a song by American girl group the Supremes from their twenty third studio album, Touch (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top 40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career.

The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease [his] mind." Suffering through the long separation ("Winter's past, spring, and fall") without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long".

"Nathan Jones" is an unusual entry among the Supremes' singles repertoire for several reasons: all three members of the group (Jean Terrell, Mary Wilson, and Cindy Birdsong) sing the song's lead vocal in unison. Clydie King was asked to sing along with the group to give the song a fuller vocal sound. While working on the song, producer Frank Wilson had in mind a rock music style of phrasing for the song, resulting in the unison vocals. The unison vocals would repeatedly be dubbed to create a layered harmonic tone. In addition, Wilson had his engineer, Cal Harris, use what can (now) be considered classic studio sensibilities to take The Funk Brothers' backing tracks for "Nathan Jones" and give them a phase shifting sound at various points during the song. This was accomplished by either using a second recorder (as the Beatles would have done) or (less likely) an outboard processor such as the blue faced MXR flanger. Released as a single on April 15, 1971, with "Happy is a Bumpy Road" as its B side, "Nathan Jones" peaked at number 16 on the Billboard Pop Singles chart and number eight on the Billboard R&B chart. Overseas, the single reached number five on the UK Singles Chart. "Nathan Jones" was the most successful single released from the Supremes' fourteenth regular studio album, Touch.

"Nathan Jones" was covered in 1987 by English girl group Bananarama on their album Wow!, and was released in 1988 as the second single from their first compilation The Greatest Hits Collection, on which it appears in a different version from the previous album's one.

There are three distinct versions of Bananarama's rendition of the song. The first version was released on their 1987 album Wow!, with their original line up. This version was also featured on the soundtrack to the 1988 film Rain Man. Some of the vocals were sampled on their "I Heard a Rumour" B side song "Clean Cut Boy". After Siobhan Fahey was replaced by Jacquie O'Sullivan, Bananarama re recorded the song (with completely new vocal and instrumental arrangements), dubbed the Psycho Mix. This new version was initially included on vinyl and cassette issues of Greatest Hits Collection. It was then remixed and released as a single, peaking at number 15 on the UK Singles Chart. Retrospectively, in 2021, British magazine Classic Pop ranked the song number 12 in their list of 'Top 40 Stock Aitken Waterman songs'.

The music video, directed by Andy Morahan, featured the girls performing the song with vogue style choreography with four male dancers dressed in British style suits, hats, and umbrellas. Their performance is interspersed with shots of them strutting down a fashion catwalk in three different outfits, reflecting the three different seasons mentioned in the song (winter, spring, fall/autumn), and performing the main choreography in yet a fourth change of wardrobe. Sara and Keren are seen sharing the same black with copper coloured leaves jacket throughout. Individual shots of the girls are accompanied by floating images of fruits and art objects, such as vases and statues. The video was nominated for British Video of the Year at the 1989 Brit Awards, but lost to Michael Jackson's "Smooth Criminal".

The group performed the song on several popular shows of the day, including Top of the Pops, The Great Big British Pop Machine, at the 1988 Royal Variety Performance in the presence of the Queen Mother and, famously, on the Terry Wogan show, in which Keren is seen doing the first verse choreography during the second verse. None of these appearances feature live vocals.