Диана Арбус: Жизнь и творчество американского фотографа

American photographer (1923–1971)
In her lifetime she achieved some recognition and renown with the publication, beginning in 1960, of photographs in such magazines as Esquire, Harper's Bazaar, London's Sunday Times Magazine, and Artforum. In 1963 the Guggenheim Foundation awarded Arbus a fellowship for her proposal entitled, "American Rites, Manners and Customs". She was awarded a renewal of her fellowship in 1966. John Szarkowski, the director of photography at the Museum of Modern Art (MoMA) in New York City from 1962 to 1991, championed her work and included it in his 1967 exhibit New Documents along with the work of Lee Friedlander and Garry Winogrand. The first major retrospective of Arbus' work was held in 1972 at MoMA, organized by Szarkowski. The retrospective garnered the highest attendance of any exhibition in MoMA's history to date. Millions viewed traveling exhibitions of her work from 1972 to 1979. The book accompanying the exhibition, Diane Arbus: An Aperture Monograph, edited by Doon Arbus and Marvin Israel and first published in 1972, has never been out of print. Because of her family's wealth, Arbus was insulated from the effects of the Great Depression while growing up in the 1930s. and her father was busy with work. Diane separated herself from her family and her lavish childhood. Arbus attended the Ethical Culture Fieldston School, a college preparatory school. In 1941, at the age of 18, she married her childhood sweetheart, Allan Arbus, Their daughter Doon, who would become a writer, was born in 1945; their daughter Amy, who would become a photographer, was born in 1954. Arbus and her husband separated in 1959, although they maintained a close friendship. The couple also continued to share a darkroom, He was popularly known for his role as Dr. Sidney Freedman on the television show M*A*S*H. Marvin Israel both spurred Arbus creatively and championed her work, encouraging her to create her first portfolio. Among other photographers and artists she befriended, Arbus was close to photographer Richard Avedon; he was approximately the same age, his family had also run a Fifth Avenue department store, and many of his photographs were also characterized by detailed frontal poses.

Diane Arbus: An Aperture Monograph. Edited by Doon Arbus and Marvin Israel. Accompanied an exhibition at Museum of Modern Art, New York. New York: Aperture, 1972. New York: Aperture, 1997. Fortieth anniversary edition. New York: Aperture, 2011. (hardback); (paperback). Diane Arbus: Magazine Work. Edited by Doon Arbus and Marvin Israel. With texts by Diane Arbus and an essay by Thomas W. Southall. New York: Aperture, 1984. London: Bloomsbury, 1992. Untitled. Edited by Doon Arbus and Yolanda Cuomo. New York: Aperture, 1995. New York: Aperture, 2011. Diane Arbus: Revelations. New York: Random House, 2003. Includes essays by Sandra S. Phillips ("The question of belief") and Neil Selkirk ("In the darkroom"); a chronology by Elisabeth Sussman and Doon Arbus including text by Diane Arbus; afterword by Doon Arbus; and biographies of fifty five of Arbus's friends and colleagues by Jeff L. Rosenheim. Accompanied an exhibition that premièred at San Francisco Museum of Modern Art. Diane Arbus: A Chronology, 1923–1971. New York: Aperture, 2011. By Elisabeth Sussman and Doon Arbus. Contains the chronology and biographies from Diane Arbus: Revelations. Silent Dialogues: Diane Arbus & Howard Nemerov. San Francisco: Fraenkel Gallery, 2015. By Alexander Nemerov. diane arbus: in the beginning. New York: Metropolitan Museum of Art, 2016. By Jeff L. Rosenheim. Accompanied an exhibition that premiered at The Metropolitan Museum of Art. Diane Arbus: A box of ten photographs. New York: Aperture, 2018. By John P. Jacob. Accompanied an exhibition that premiered at the Smithsonian American Art Museum. Diane Arbus Revelations. New York: Aperture, 2022. .

1967: New Documents. Museum of Modern Art, New York. 1972: Diane Arbus Portfolio: 10 Photos. Venice Biennale. Fraenkel Gallery, New York. 1992: Diane Arbus: The Untitled Series, 1970–1971. Jan Kesner Gallery, Los Angeles. 1995: The Movies: Photographs from 1956 to 1958. Robert Miller Gallery, New York. 1997: Diane Arbus: Women. Galleria Photology, London. 2003–2006: Diane Arbus: Revelations. San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Fine Arts, Houston; Metropolitan Museum of Art, New York; Museum Folkwang, Essen, Germany; Victoria and Albert Museum, London; CaixaForum, Barcelona; and Walker Art Center, Minneapolis. 2005: Diane Arbus: Other Faces Other Rooms. Robert Miller Gallery, New York. 2008–2009: Diane Arbus, a Printed Retrospective, 1960–1971. Kadist Art Foundation, Paris; and Centre Régional de la Photographie Nord Pas de Calais, Douchy les Mines, France. 2009: Diane Arbus. Timothy Taylor Gallery, London. 2009–2018: Artist Rooms: Diane Arbus. National Museum Cardiff, Wales; and Dean Gallery, Edinburgh, Scotland; Scottish National Gallery of Modern Art, Edinburgh; Nottingham Contemporary; Aberdeen Art Gallery; Tate Modern, London; Kirkcaldy Galleries; The Burton at Bideford. Martin Gropius Bau, Berlin; FOAM, Amsterdam. Fotomuseum, Winterthur; Martin Gropius Bau, Berlin; and Foam Fotografiemuseum Amsterdam. 2016–2017: diane arbus: in the beginning. Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art, San Francisco; Malba, Buenos Aires, Argentina. 2018: Diane Arbus Untitled, David Zwirner Gallery, New York. 2019: Diane Arbus: In the Beginning, Hayward Gallery, London. 2020: Diane Arbus: Photographs, 1956–1971, Art Gallery of Ontario, Toronto.

Ashby, Ruth, and Deborah Gore Ohrn. Herstory: Women who Changed the World. New York: Viking, 1995. Bissell, Gerhard. "Arbus, Diane". In: Allgemeines Künstlerlexikon (Artists of the World), Supplement I, Saur, Munich 2005, p. 413 (in German). Online edition (subscription required). Bunnell, Peter C. Degrees of Guidance: Essays on Twentieth Century American Photography. Cambridge and New York: Cambridge University Press, 1993. Bunnell, Peter C. Inside the Photograph: Writings on Twentieth Century Photography. New York: Aperture Foundation, 2006. Coleman, A. D. "Diane Arbus, Lee Friedlander, and Garry Winogrand at Century's End". In: The Social Scene: the Ralph M. Parsons Foundation Photography Collection at the Museum of Contemporary Art, Los Angeles, edited by Max Kozloff. Los Angeles: Museum of Contemporary Art, 2000. Davies, David. "Susan Sontag, Diane Arbus and the Ethical Dimensions of Photography". In: Art and Ethical Criticism edited by Garry Hagberg. Oxford: Blackwell, 2008. Felder, Deborah G. The 100 Most Influential Women of All Time: a Ranking Past and Present. Secaucus, New Jersey: Carol Publishing Group, 1996. Gaze, Delia, ed. Dictionary of Women Artists. London and Chicago: Fitzroy Dearborn Publishers, 1997. Gefter, Philip, Photography After Frank. New York: Aperture Foundation, 2009. "Diane Arbus and the Demon Lover". In: Kavaler Adler, Susan. The Creative Mystique: from Red Shoes Frenzy to Love and Creativity. New York: Routledge, 1996. Pages 167–172. Lord, Catherine. "What Becomes a Legend Most: the Short, Sad Career of Diane Arbus". In: The Contest of Meaning: Critical Histories of Photography edited by Richard Bolton. Cambridge, Massachusetts: MIT Press, 1989. Naef, Weston J. Photographers of Genius at the Getty. Los Angeles: The J. Paul Getty Museum, 2004. Rose, Phyllis, editor. Writing of Women: Essays in a Renaissance. Middletown, Connecticut: Wesleyan University Press, 1985. Sicherman, Barbara, and Carol Hurd Green. Notable American Women: the Modern Period: a Biographical Dictionary. Cambridge, Massachusetts: Belknap Press of Harvard University Press, 1980. Shloss, Carol. "Off the (W)rack : Fashion and Pain in the Work of Diane Arbus". In: On Fashion edited by Shari Benstock and Suzanne Ferriss. New Brunswick, New Jersey: Rutgers University Press, 1994. Stepan, Peter. Icons of Photography: the 20th Century. New York: Prestel, 1999. .

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