Аладдин: Восточная сказка о чудесной лампе

Middle Eastern folk tale
the original folk tale

Aladdin (/ə/'/l//æ//d//ɪ//n/ əLADin; علاء الدين, , ATU 561, 'Aladdin') is a Middle Eastern folk tale. It is one of the best known tales associated with The Book of One Thousand and One Nights (The Arabian Nights), despite not being part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian Maronite storyteller Hanna Diyab.

The story is often retold with variations. The following is a précis of the Burton translation of 1885. Aladdin is an impoverished young ne'er do well, dwelling in "one of the cities of Ancient China." He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father, Mustapha the tailor, convincing Aladdin and his mother of his good will by pretending to set up the lad as a wealthy merchant. The sorcerer's real motive is to persuade young Aladdin to retrieve a wonderful oil lamp (chirag) from a booby trapped magic cave. After the sorcerer attempts to double cross him, Aladdin finds himself trapped in the cave. Aladdin is still wearing a magic ring the sorcerer has lent him. When he rubs his hands in despair, he inadvertently rubs the ring and a genie appears and releases him from the cave, allowing him to return to his mother while in possession of the lamp. When his mother tries to clean the lamp, so they can sell it to buy food for their supper, a second far more powerful genie appears who is bound to do the bidding of the person holding the lamp. With the aid of the genie of the lamp, Aladdin becomes rich and powerful and marries Princess Badroulbadour, the sultan's daughter (after magically foiling her marriage to the vizier's son). The genie builds Aladdin and his bride a wonderful palace, far more magnificent than the sultan's. The sorcerer hears of Aladdin's good fortune, and returns; he gets his hands on the lamp by tricking Aladdin's wife (who is unaware of the lamp's importance) by offering to exchange "new lamps for old". He orders the genie of the lamp to take the palace, along with all its contents, to his home in the Maghreb. Aladdin still has the magic ring and is able to summon the lesser genie. The genie of the ring is too weak to directly undo any of the magic of the genie of the lamp, but he is able to transport Aladdin to the Maghreb where, with the help of the "woman's wiles" of the princess, he recovers the lamp and slays the sorcerer, returning the palace to its proper place. The sorcerer's more powerful and evil brother plots to destroy Aladdin for killing his brother by disguising himself as an old woman known for her healing powers. Badroulbadour falls for his disguise and commands the "woman" to stay in her palace in case of any illnesses. Aladdin is warned of this danger by the genie of the lamp and slays the impostor. Aladdin eventually succeeds to his father in law's throne.

The opening sentences of the story, in both the Galland and the Burton versions, set it in "one of the cities of China". On the other hand, there is practically nothing in the rest of the story that is inconsistent with a Middle Eastern setting. For instance, the ruler is referred to as "Sultan" rather than "Emperor", as in some retellings, and the people in the story are Muslims and their conversation is filled with Muslim platitudes. A Jewish merchant buys Aladdin's wares, but there is no mention of Buddhists, Daoists or Confucians. Notably, ethnic groups in Chinese history have long included Muslim groups, including large populations of Uyghurs, and the Hui people as well as the Tajiks whose origins go back to Silk Road travelers. Islamic communities have been known to exist in the region since the Tang dynasty (which rose to power simultaneously with the prophet Muhammad's career.) Some have suggested that the intended setting may be Turkestan (encompassing Central Asia and the modern day Chinese autonomous region of Xinjiang in Western China). The Arabicized Turkic Kara Khanid Khanate, which was located in this region and had a strong identification with China, bears a strong resemblance to the setting. For all this, speculation about a "real" Chinese setting depends on a knowledge of China that the teller of a folk tale (as opposed to a geographic expert) might well not possess. In early Arabic usage, China is known to have been used in an abstract sense to designate an exotic, faraway land.

The story of Aladdin is classified in the Aarne–Thompson–Uther Index as tale type ATU 561, "Aladdin", after the character. In the Index, the Aladdin story is situated next to two similar tale types: ATU 560, The Magic Ring, and ATU 562, The Spirit in the Blue Light. All of these stories deal with a down on his luck and impoverished boy or soldier, who finds a magical item (ring, lamp, tinderbox) that grants his wishes. In this tale type, the magical item is stolen, but eventually recovered thanks to the use of another magical object.

Since its appearance in The One Thousand and One Nights, the tale has integrated into oral tradition. Scholars Ton Deker and Theo Meder located variants across Europe and the Middle East. An Indian variant has been attested, titled The Magic Lamp and collected among the Santal people.

Adaptations vary in their faithfulness to the original story. In particular, difficulties with the Chinese setting are quite often resolved by giving the story a more typical Arabian Nights background.

In 1962, the Italian branch of Walt Disney Productions published the story Paperino e la grotta di Aladino (Donald and Aladdin's Cave), written by Osvaldo Pavese and drawn by Pier Lorenzo De Vita. As in many pantomimes, the plot is combined with elements of the Ali Baba story: Uncle Scrooge leads Donald Duck and their nephews on an expedition to find the treasure of Aladdin and they encounter the Middle Eastern counterparts of the Beagle Boys. Scrooge describes Aladdin as a brigand who used the legend of the lamp to cover the origins of his ill gotten gains. They find the cave holding the treasure—blocked by a huge rock requiring a magic password ("open sesame") to open. The original version of the comic book character Green Lantern was partly inspired by the Aladdin myth; the protagonist discovers a "lantern shaped power source and a 'power ring which gives him the power to create and control matter. In the Elseworlds series, there was even a story that combined the Green Lantern mythos with that of Aladdin called Green Lantern: 1001 Emerald Nights.

The Japanese manga series Magi: The Labyrinth of Magic is not a direct adaptation, but features Aladdin as the main character of the story and includes many characters from other One Thousand and One Nights stories. An adaptation of this comic to an anime television series was made in October 2012 in which Aladdin is voiced by Kaori Ishihara in Japanese and Erica Mendez in English.

In the United Kingdom, the story of Aladdin was dramatised in 1788 by John O'Keefe for the Theatre Royal, Covent Garden. It has been a popular subject for pantomime for over 200 years. The traditional Aladdin pantomime is the source of the well known pantomime character Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit it better into "China" (albeit a China situated in the East End of London rather than medieval Baghdad), and elements of other Arabian Nights tales (in particular Ali Baba) are often introduced into the plot. One version of the "pantomime Aladdin" is Sandy Wilson's musical Aladdin, from 1979. Since the early 1990s, Aladdin pantomimes have tended to be influenced by the Disney animation. For instance, the 2007/8 production at the Birmingham Hippodrome starring John Barrowman featured songs from the Disney movies Aladdin and Mulan.

The New Aladdin was a successful Edwardian musical comedy in 1906. Adam Oehlenschläger wrote his verse drama Aladdin in 1805. Carl Nielsen wrote incidental music for this play in 1918–19. Ferruccio Busoni set some verses from the last scene of Oehlenschläger's Aladdin in the last movement of his Piano Concerto, Op. 39. In 1958, a musical comedy version of Aladdin was written especially for U. S. television, with a book by S. J. Perelman and music and lyrics by Cole Porter. A London stage production followed in 1959, in which a 30 year old Bob Monkhouse played the part of Aladdin at the Coliseum Theatre. Aladdin, Prince Street Players version; book by Jim Eiler, music by Jim Eiler and Jeanne Bargy, lyrics by Jim Eiler. Broadway Junior has released Aladdin Jr., a children's musical based on the music and screenplay of the Disney animation. The Disney's Aladdin: A Musical Spectacular musical stage show ran at Disney California Adventure from January 2003 to January 10, 2016. StarKid Productions released the musical Twisted on YouTube in 2013, a parody of the 1992 Disney film that is told from the royal vizier's point of view. A Disney Theatrical Production of Aladdin opened in 2011 in Seattle, in Toronto in 2013, and on Broadway at the New Amsterdam Theatre on March 20, 2014.

Aladdin, the 1992 animated feature by Walt Disney Feature Animation (currently the best known retelling of the story). In this version, several characters are renamed or amalgamated. For instance, the Sorcerer and the Sultan's vizier were combined into one character named Jafar, while the Princess is renamed Jasmine. They have new motivations for their actions. The Genie of the Lamp only grants three wishes and desires freedom from his role. A sentient magic carpet replaces the ring's genie, while Jafar uses a royal magic ring to find Aladdin. The names "Jafar" and "Abu", the Sultan's delight in toys, and their physical appearances are borrowed from the 1940 film The Thief of Bagdad. The setting is moved from China to the fictional Arabian city of Agrabah, and the structure of the plot is simplified. The Return of Jafar (1994), the first direct to video sequel to the 1992 Walt Disney movie. Aladdin and the King of Thieves (1996), the direct to video second and final sequel to the 1992 Walt Disney movie. The 1926 animated film The Adventures of Prince Achmed (the earliest surviving animated feature film) combined the story of Aladdin with that of the prince. In this version the princess Aladdin pursues is Achmed's sister and the sorcerer is his rival for her hand. The sorcerer steals the castle and the princess through his own magic and then sets a monster to attack Aladdin, from which Achmed rescues him. Achmed then informs Aladdin he requires the lamp to rescue his own intended wife, Princess Pari Banou, from the demons of the Island of Wak Wak. They convince the Witch of the Fiery Mountain to defeat the sorcerer, and then all three heroes join forces to battle the demons. A Thousand and One Nights is a 1969 Japanese adult anime feature film directed by Eiichi Yamamoto, conceived by Osamu Tezuka. The film is a first part of Mushi Production's Animerama, a series of films aimed at an adult audience. The animated feature Aladdin et la lampe merveilleuse by Film Jean Image was released in 1970 in France. The story contains many of the original elements of the story as compared to the Disney version. Aladdin and his Wonderful Lamp (1975), Japanese short anime film produced by Toei Animation, featured in the series Classic Tales Retold (Sekai Meisaku Dōwa Manga Shirīzu). Aladdin and the Magic Lamp was a rendition in Japanese directed by Yoshikatsu Kasai, produced in Japan by Toei Animation and released in the United States by The Samuel Goldwyn Company in 1982. Son of Aladdin is a 2003 Indian 3D animated fantasy adventure film by Singeetam Srinivasa Rao, produced by Pentamedia Graphics. It follows the adventures of the son of Aladdin and his fight with an evil sorcerer.

In the 1934 short film Aladdin and the Wonderful Lamp, Aladdin is a child laborer who finds a magic lamp and uses it to become a prince. In the 1938 animated film Have You Got Any Castles?, Aladdin makes a brief appearance asking for help but gets punched by one of the Three Musketeers. Aladdin and His Wonderful Lamp is a 1939 Popeye the Sailor cartoon. In the 1942 animated film Foney Fables, Aladdin makes another brief appearance rubbing the magic lamp, but the genie is on strike. The 1959 animated film 1001 Arabian Nights, starring Mr. Magoo as Aladdin's uncle and produced by UPA. DuckTales the Movie: Treasure of the Lost Lamp is heavily based on Aladdin, but with Huey, Dewey, and Louie replacing the title character. Aladdin is a 48 minute animated film based on the story. It was produced by Golden Films and the American Film Investment Corporation. Like all other Golden Films productions, the film featured a single song, "Rub the Lamp", written and composed by Richard Hurwitz and John Arrias. It was released direct to video on April 27, 1992 by GoodTimes Home Video (months before Disney's version was released), and was reissued on DVD in 2002 as part of the distributor's Collectible Classics line of products.

Aladdin and the Wonderful Lamp (1917), directed by Chester M. Franklin and Sidney A. Franklin and released by the Fox Film Corporation, told the story using child actors. It is the earliest known filmed adaptation of the story. The 1940 British movie The Thief of Bagdad borrows elements of the Aladdin story, although it also departs from the original story fairly freely: for instance the genie grants only three wishes and the minor character of the Emperor's vizier is renamed Jaffar and becomes the main villain, replacing the sorcerer from the original plot. Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Sabu, Maria Montez, Jon Hall and Leif Erickson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre (The Thief of Bagdad), it features no monsters or supernatural elements. A Thousand and One Nights (1945) is a tongue in cheek Technicolor fantasy film set in the Baghdad of the One Thousand and One Nights, starring Cornel Wilde as Aladdin, Evelyn Keyes as the genie of the magic lamp, Phil Silvers as Aladdin's larcenous sidekick, and Adele Jergens as the princess Aladdin loves. Aladdin and His Lamp, a 1952 fantasy adventure film with Johnny Sands and Patricia Medina as Aladdin and Princess Jasmine. The Wonders of Aladdin is a 1961 film directed by Mario Bava and Henry Levin and starring Donald O'Connor as Aladdin. This film has a more working class focus: Aladdin helps the prince (Mario Girotti) and princess (as does a fakir) but never becomes one and ends up in a romantic relationship with his neighbor, Djalma (Noelle Adam). The genie (Vittorio De Sica) can grant only three wishes (although what constitutes as a single wish is quite malleable, probably due to his sympathies with Aladdin) and shrinks with each one, which is leading to his eternal rest after 12,000 years. 1001 Nights (Les 1001 nuits), a 1990 French Italian film with Catherine Zeta Jones, Stéphane Freiss and Vittorio Gassman, loosely based on Sherazade's and Aladdin's stories. The Erotic Adventures of Aladdin X, a 1994 Italian pornographic film with Christoph Clark. A 1998 direct to video movie A Kid in Aladdin's Palace directed by Robert L. Levy which is a sequel to A Kid in King Arthur's Court. Adventures of Aladdin (2019), a mockbuster produced by The Asylum. Aladdin, a Disney live action remake of the 1992 animated film, released in 2019. It stars Mena Massoud as the title character, Naomi Scott as Jasmine, Marwan Kenzari as Jafar, and Will Smith as the Genie.

Aladdin and the Wonderful Lamp is a 1927 Indian silent film, by Bhagwati Prasad Mishra, based on the folktale. Alladin and the Wonderful Lamp is a 1931 Indian silent film, adapted from the folktale, by Jal Ariah.

The Arabian Nights, episode of the Rankin/Bass series Festival of Family Classics (1972 1973), inspired by different tales of the collection, also including Aladdin. Grinder Genie and the Magic Lamp (1987), episode of Sanrio and DIC series Hello Kitty's Furry Tale Theater. "Aladdin and the Magic Lamp", an episode of Rabbit Ears Productions' We All Have Tales series, televised on PBS in 1991, featuring John Hurt as narrator, with illustrations by Greg Couch and music by Mickey Hart. This version is set in Isfahan, Persia, and closely follows the original plot, including the origin of the sorcerer. The audiobook version was nominated for a Grammy Award for Best Spoken Word Album for Children in 1994. Aladdin, an animated series produced by Disney based on their movie adaptation that ran from 1994 to 1995. Aladdin featured in an episode of Happily Ever After: Fairy Tales for Every Child. The story was set in "Ancient China", but otherwise had a tenuous connection with the original plot.

An elderly version of Aladdin appears as a protagonist in the 1975 anime series Arabian Nights: Sinbad's Adventures. Furthermore, the same story is adapted in episodes 14 16. Anime series Manga Sekai Mukashi Banashi (1976 1979) features a 10 minute adaptation in episode 37. An episode of French animated series Les Mille et Une Nuits (1993). Pekkle Aladdin and His Magic Lamp (1993), an episode of OVA series Hello Kitty and Friends. World Fairy Tale Series (Sekai meisaku dōwa shirīzu Wa o! Meruhen ōkoku), anime series produced by Toei Animation based on classic tales. Episode 1 is an adaptation of Aladdin. Episode of 2001 series Hello Kitty's Animation Theater (Sanrio Anime Sekai Meisaku Gekijō). Episode 15 of the third season of the German animated series Simsala Grimm (1999 2010). Magi: The Labyrinth of Magic (2012), adaptation of the eponymous manga.

Aladdin is a 1958 musical fantasy written especially for television with a book by S. J. Perelman and music and lyrics by Cole Porter, telecast in color on the DuPont Show of the Month by CBS. Aladdin appeared in episode 297 of Sesame Street performed by Frank Oz. This version was made from a large lavender live hand Anything Muppet. A segment of the Marty Feldman episode of The Muppet Show retells the story of Aladdin with The Great Gonzo in the role of Aladdin and Marty Feldman playing the genie of the lamp. A 1967 TV movie was based on the Prince Street Players stage musical. This version is very close to the touring musical with about 15 minutes cut to be adapted into the 50 minutes tv program. It had Will B. Able as the Genii and Fred Grades as Aladdin. In 1986, the program Faerie Tale Theatre based an episode on the story called "Aladdin and His Wonderful Lamp", directed by Tim Burton and starring Robert Carradine as Aladdin and James Earl Jones as both the ring Genie and the lamp Genie. In 1990 Disney made a direct to TV movie based on the Prince Street Players stage musical, starring Barry Bostwick. Aladdin features as one of five stories in the Hallmark Entertainment TV miniseries Arabian Nights in 2000, featuring Jason Scott Lee as Aladdin and John Leguizamo as both of the genies. The characters of Aladdin, Jasmine, Jafar and the Sultan, along with Agrabah as the setting and the genie of the lamp were adapted into the sixth season of TV series Once Upon a Time, with Aladdin portrayed by Deniz Akdeniz, Jasmine portrayed by Karen David, and Jafar portrayed by Oded Fehr. Jafar previously appeared in the spin off Once Upon a Time in Wonderland, portrayed by Naveen Andrews. Both were produced by ABC Television Studios and based on the Disney version of the story.

In Kyōryū Sentai Zyuranger, the sixteenth installment of the long running Super Sentai metaseries, the Djinn (voiced by Eisuke Yoda) that appears in the eleventh episode ("My Master!" Transcription: "Goshujin sama!" (Japanese: ご主人さま!)) reveals that he was the genie from the tale of "Aladdin and the Magic Lamp", which did take place. The story of Aladdin was featured in Alif Laila, an Indian TV series directed by Ramanand Sagar in 1994 and telecasted on DD National. Aladdin – Jaanbaaz Ek Jalwe Anek (2007–2009), an Indian fantasy television series based on the story of Aladdin that aired on Zee TV, starring Mandar Jadhav in the title role of Aladdin. Aladdin Naam Toh Suna Hoga (2018–2021), a live action Indian fantasy television show on SAB TV starring Siddharth Nigam as Aladdin and Avneet Kaur/Ashi Singh as Yasmine.

Sega Sammy have released a line of pachinko machines based on Aladdin since 1989. Sega Sammy have sold over 570,000 Aladdin pachinko machines in Japan, as of 2017. At an average price of about $5,000, this is equivalent to approximately in pachinko sales revenue.