Стэнли Грэм Вайнбаум: Жизнь и творчество писателя-фантаста

American writer (1902–1935)

Stanley Grauman Weinbaum (April 4, 1902 – December 14, 1935) was an American science fiction writer. His first story, "A Martian Odyssey", was published to great acclaim in July 1934; the alien Tweel was arguably the first character to satisfy John W. Campbell's challenge: "Write me a creature who thinks as well as a man, or better than a man, but not like a man." Weinbaum wrote more short stories and a few novels, but died from lung cancer less than a year and a half later.

Weinbaum was born in Louisville, Kentucky, the son of Stella (née Grauman) and Nathan A. Weinbaum. His family was Jewish. He attended Riverside High School in Milwaukee. He was granted admission to the University of Wisconsin–Madison in Madison in July 1920. Asimov went on to describe it as one of only three stories that changed the way all subsequent stories in the science fiction genre have been written. It was the oldest short story and one of the top vote getters selected by the Science Fiction Writers of America for inclusion in The Science Fiction Hall of Fame, Volume One, 1929–1964. Most of the work that was published in Weinbaum's lifetime appeared in either Astounding or Wonder Stories. However, several of his pieces first appeared in the early science fiction fanzine Fantasy Magazine (successor to Science Fiction Digest) in the 1930s, including an "Auto Biographical Sketch" in the June 1935 issue. Despite common belief, Weinbaum was not one of the contributors to the multi authored Cosmos serial in Science Fiction Digest/Fantasy Magazine. He did contribute to the multi author story "The Challenge From Beyond", published in the September 1935 Fantasy Magazine. At the time of his death, Weinbaum was writing a novel, Three Who Danced. In this novel, the Prince of Wales is unexpectedly present at a dance in an obscure American community, where he dances with three of the local girls, choosing each for a different reason. Each girl's life is changed, happily or tragically, as a result of the unexpected attention she has received. In 1993, Weinbaum's widow, Margaret Hawtof Kay, donated his papers to the Temple University Library in Philadelphia, Pennsylvania. Included were several unpublished manuscripts, among them Three Who Danced, as well as other unpublished stories. These are mostly romance stories, but there are also a few other non fiction and fiction writings, none of them science fiction. A film version of Weinbaum's short story "The Adaptive Ultimate" was released in 1957 under the title She Devil, starring Mari Blanchard, Jack Kelly, and Albert Dekker. The story was also dramatized for television as an episode of Studio One titled "Kyra Zelas" (the name of the title character), broadcast on September 12, 1949. A radio dramatization of "The Adaptive Ultimate" was performed on the anthology show Escape in the 1950s.

A crater on Mars is named in Weinbaum's honor. On July 18, 2008, he won the Cordwainer Smith Rediscovery Award.

Lester del Rey declared that "Weinbaum, more than any other writer, helped to take our field out of the doldrums of the early thirties and into the beginnings of modern science fiction." H. P. Lovecraft stated that Weinbaum's writing was ingenious, and that he stood miles above the other pulp fiction writers in his creation of genuinely alien worlds, in contrast to Edgar Rice Burroughs and his "inane" stories of "egg laying Princesses". Frederik Pohl wrote that before Weinbaum, science fiction's aliens "might be catmen, lizard men, antmen, plantmen or rockmen; but they were, always and incurably, men. Weinbaum changed that. it was the difference in orientation – in drives, goals and thought processes – that made the Weinbaum type alien so fresh and rewarding in science fiction in the mid thirties." According to Pohl, that Weinbaum's "revolutionary idea" was to "give some sort of three dimensional reality to the characters", in contrast to Hugo Gernsback's "animated catalogue of gadgets". Isaac Asimov wrote, "Weinbaum had he lived, would surely be in first place in the list of all time favorite science fiction writers." Everett F. Bleiler, however, wrote that, although Weinbaum "was generally considered the most promising new s f author of his day," his reputation is overstated. While "Weinbaum's style was more lively than that of his genre contemporaries, and he was imaginative in background details, his work was ordinary pulp fiction, with routine plots, slapdash presentation, cardboard characterization, and much cliche of ideas." Alexei and Cory Panshin concluded that "Time has swallowed what were once Weinbaum's particular virtues. What is left seems quaint and quirky."

All of Weinbaum's nine interplanetary stories are set in a consistent solar system that was scientifically accurate by the standards of his time. The avian, botanical Martians of "A Martian Odyssey" and "Valley of Dreams", for instance, are mentioned in "Redemption Cairn" and "The Red Peri"; the quadrupedal Venusian trioptes of "Parasite Planet" and "The Lotus Eaters" are mentioned in "The Mad Moon"; the vicious, pseudomammalian pests of The Mad Moon appear in Valley of Dreams as minor antagonists; and the rock eating Pyramid Makers of Mars are mentioned in "Tidal Moon". In Weinbaum's solar system, in accordance with the then current near collision hypothesis, the gas giants radiate heat, enough to warm their satellites to Earthlike temperatures, allowing for Earthlike environments on Io, Europa, Titan, and even Uranus. Mars is also sufficiently Earthlike to allow humans to walk on its surface unprotected following training in thin air chambers.

Three of Weinbaum's short stories deal with Dixon Wells, a perpetually late playboy who runs afoul of the inventions of his friend and former instructor in "Newer Physics", Professor Haskel van Manderpootz, a supremely immodest genius who rates Albert Einstein as his equal or slight inferior. In "The Worlds of If", Wells tests an invention that reveals what might have been; in "The Ideal", the professor creates a device that can show the image of a person's ideal (in Wells' case, his perfect woman); the contrivance of "The Point of View" allows one to see the world from another's perspective. In all three, Wells finds and then loses the woman of his dreams.