Микалоюс Константинас Чюрлёнис: Суретші, композитор және жазушы өмірі мен шығармашылығы

Lithuanian painter, composer and writer (1875–1911)

Mikalojus Konstantinas Čiurlionis (Mikołaj Konstanty Czurlanis; 22 September 1875 [O. S. 10 September 1875] – 10 April 1911 [O. S. 28 March 1911]) was a Lithuanian composer, painter, choirmaster, cultural figure, and writer in Polish. Čiurlionis contributed to symbolism and art nouveau, and was representative of the fin de siècle epoch. He has been considered one of the pioneers of abstract art in Europe. During his short life, he composed about 400 pieces of music and created about 300 paintings, as well as many literary works and poems. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture.

Mikalojus Konstantinas Čiurlionis was born in Senoji Varėna, a town in southeastern Lithuania which at the time was part of the Russian Empire. His mother Adelė née Radmanaitė (Radmann) (1854 1919) was descended from a Lutheran family of Bavarian origin, born in Vileikiai village (Lazdijai region). His father Konstantinas Čiurlionis (1851 1914, born in Guobiniai) was an organist and a choirmaster who briefly played the organ in Liškiava, which is where the couple met. The newly formed family moved to Senoji Varėna, where their eldest child, Mikalojus, was born. There were nine siblings altogether: Mikalojus Konstantinas (1875 1911), Marija (1879 1969), Juzė (1882 1969), Povilas (1884 1945), Stasys (1887 1944), Petras (1890 1924), Jonas (1891 1955), Valerija (1896 1955), and Jadvyga (1898 1992). Even though Čiurlionis' family spoke Polish, Mikalojus Konstantinas could understand and read Lithuanian, albeit he was not proficient and would receive assistance from his fiancée from 1907 onwards. In 1878, his family moved to Druskininkai, 30 mile (48 km) away, where his father went on to serve as the town organist. This is where Mikalojus Konstantinas, called Konstantinas or Kastukas by the family, started publicly displaying his musical proficiency he was a musical prodigy: he could play by ear at the age of five and could sight read music freely by the age of seven. He would often fill in for his father playing the organ at Mass, while he played piano at home. A family friend, doctor Jozef Markiewicz noticed his natural talent and upon Mikalojus' graduation from the folk school of Druskininkai, wrote a letter to the Lithuanian noble Michał Mikołaj Ogiński recommending to enroll M. K. Čiurlionis to the Palace Orchestra School in Plungė. M. K. Čiurlionis studied in the Plungė Palace Orchestra School from 1889 to 1893. Here he played the flute, received his first orchestra uniform and musical theory basics. He would often travel with the orchestra to play concerts in Rietavas, Palanga, Riga. He had a close relationship with M. Ogiński, and so the Duke granted him a scholarship which allowed the composer to study in Warsaw.

Supported by Prince Ogiński' scholarship Čiurlionis studied piano and composition at Warsaw Institute of Music from 1894 to 1899. He studied piano with the guidance of , composition with the guidance of the composer Zygmunt Noskowski. Here he met the future Polish composer and director or Warsaw Conservatory Together they've discussed music and paintings, critiqued each other's compositions, went on vacation in Morawski's parents' place in Zakroczym. Here he met his friend's sister Maria Morawska. Father, after noticing the love of his young daughter and at the time unknown artist, intervened and married Maria of to a widower. M. K. Čiurlionis buried himself in work: wrote preludes, fugues, canons, variation cycles for the piano. For his graduation, in 1899, he wrote a cantata for mixed chorus and symphonic orchestra titled De Profundis, and received the diploma for composition specialty. He declined the offer to become the orchestra master for Lublin's Music Society Choir and continued creating in 1900 he finished his first symphonic poem "In the Forest", which was dedicated to E. Morawski. After receiving the approval and further scholarship from M. Ogiński, in 1901 M. K. Čiurlionis joined the Leipzig Conservatory, where he was taught composition by Carl Reinecke, contrapunto by Salomon Jadassohn. Though he was not proficient in German, he still enrolled to aesthetics, history, psychology classes. It is apparent from the letters In the School he was taught drawing by , Konrad Krzyżanowski, sculpture by Xawery Dunikowski, painting by Ferdynand Ruszczyc, went to the organized plein airs. In 1904 he has shown 19 of his works (stained glass projects, cycle of 6 paintings "The Storm", book covers) in the private exhibition of the School. In 1905 there was M. K. Čiurlionis exhibition, where he has shown the 10 painting cycle "Fantasies", in the same year he has also participated in the first annual exhibition of Warsaw School of Arts. As he was working as a private music tutor, he has acquainted himself with the family of Wolmans, who quickly became his friends. He had an especially warm relationship with Bronisława Wolman, who sponsored M. K. Čiurlionis' painting. As a thank you, M. K. Čiurlionis gifted her numerous paintings including "Friendship" (1906/1907). In 1905 B. Wolman invited M. K. Čiurlionis with a couple of his friends to resort town of Anapa, near the Black Sea. Here M. K. Čiurlionis traveled the Caucasus, painted, photographed, searched for inspiration. B. Wolman gave M. K. Čiurlionis money for his trip in Europe: he went to Prague, Dresden, Nuremberg, Munich, Vienna, the artist adored the works of Van Dyck, Rembrandt, Böcklin. In 1906 he has shown his works in the exhibition of Warsaw's School of Fine Arts in Saint Petersburg (the cycles "Creation of the World", "Day", "The Storm" and other creations). Articles started appearing in the press about M. K. Čiurlionis, the first Lithuanian article was in "Vilniaus žinios" (no. 123).

In 1906, M. K. Čiurlionis wrote to his brother Povilas: "I am going to dedicate all of my previous and future work to Lithuania". and actively involved himself in the cultural life: he was elected to the board of Lithuanian Art Society, was the choirmaster of choir "Vilniaus kanklės". During his visit to the dress rehearsal of "Blinda" by Gabrielius Landsbergis Žemkalnis he met the writer Sofija Kymantaitė (1886–1958). Together with her and the Lithuanian Art Society they prepared the Second Exhibition of Lithuanian Art, discussed the creation of "Folk Palace" (art museum). Together with Sofija (fiancée) they went to Palanga in 1908, and on 1 January 1909 they got married, later visited Sofija's parents in Kuliai, Karklėnai, Sofija's uncle in Plungė, stayed in Druskininkai.

Trying to become more known, M. K. Čiurlionis followed his friends' advice and left for Saint Petersburg in 1908. Here he met Mstislav Dobuzhinsky, who introduced the Lithuanian artist to the Russian Artist Society. To have enough money, he had to once again become a private music tutor. While being in Saint Petersburg, M. K. Čiurlionis did not forget Lithuania: he offered Lithuanian Art Society to create a music section, sent harmonized folk songs to "Vilniaus kanklės" choir, together with Sofija wrote music for their opera "Jūratė". In 1909, after the wedding and parent visits, both newlyweds came to Saint Petersburg. Here M. K. Čiurlionis paintings were exhibited in "Salon" exhibition, in the Sixth Exhibition of Russian Artist Society, among them – his newest painting – "Rex" (1909). Few of his paintings he has also sent to the First Spring Exhibition of Vilnius Artist Society, to the Thirteenth Art Lover Society "Sztuka" Exhibition in Krakow. In March, 1909, Sofija and M. K. Čiurlionis came back to Lithuania, where they helped organizing the Third Art Exhibition of Lithuanian Art, painted the "Rūta" Society hall curtain, wrote the critique essay book "In Lithuania". At the end of the year, M. K. Čiurlionis left for Saint Petersburg again. Constant work without breaks, material deprivations tired out M. K. Čiurlionis Sofija found him acting strange on Christmas Eve and brought him to a neuropathologist and psychiatrist V. Bechterev, who diagnosed him with burnout. In 1910 both came back to Druskininkai, later M. K. Čiurlionis was hospitalized in a health resort "Czerwony Dwór" (Red Manor) in Marki, Poland, northeast of Warsaw. While he was getting better, his only daughter – Danutė – was born. In 1911, he went for a walk and got pneumonia and died on 10 April 1911 at 35 years of age. He was buried at the Rasos Cemetery in Vilnius. He never saw his daughter Danutė (1910–1995). Čiurlionis felt that he was a synesthete; that is, he perceived colours and music simultaneously. Many of his paintings bear the names of musical pieces: sonatas, fugues, and preludes.

M. K. Čiurlionis started to form late as a painter. Even though it is known that he would paint his surroundings while studying in Plungė in 1893, he started his professional painter path only when he was 27 years old, after he joined Warsaw's Drawing School. Later M. K. Čiurlionis said "They did not teach me anything there that I wanted to learn". Already in the first paintings you could see M. K. Čiurlionis' inclination towards symbolism and abstraction, the veil of mysticism and secrecy in creating. As the most comfortable art technique for himself, the artist chose the antique painting method with tempera. Another characteristic, showing M. K. Čiurlionis attraction to antique art compositions of cycles, diptychs, triptychs, most common to art of Middle Ages. In the first M. K. Čiurlionis paintings (from 1903) there is an abundance of fantasy creatures, mystic rulers of the past, traces of Lithuanian pagan culture, elements of cosmogony Gods, planets, stars, the Sun. These elements were accompanied the painter during all of his creative life, receiving more concrete and suggestive forms. From the very beginning, M. K. Čiurlionis felt that the best form to express himself is the cyclical exploration of an idea. And thus such cycles were created like 7 painting cycle "Funeral symphony" (1903), 4 painting cycle "Day" (1904, one painting missing), 5 painting cycle "The Deluge" (1904, one painting missing), triptych "Rex" (1904, not to confuse with the culminative painting "Rex" of 1909), 13 painting cycle "Creation of the World" (1905/6), 3 painting cycle "Sparks" (1906), 12 painting cycle "Zodiac" (1906). The time between 1907 and 1909 is the most mature and productive for M. K. Čiurlionis as a painter. Paintings have clearer, more stylized forms. His 8 painting cycle "Winter" (1907) and triptych "My Road" (1907) are especially mature, verging on the border of abstraction. There are more traces of musical structure in his painting: the 4 painting cycles, repeating the musical sonata structures with parts allegro, andante, scherzo, finale. M. K. Čiurlionis painted 7 sonatas which received their associative names after his death: "Sonata I (Sonata of the Sun)" (1907), "Sonata II (Sonata of the Spring)" (1907), "Sonata no. 3 (Sonata of the Serpent)" (1908), "Sonata no. 4 (Sonata of the Summer)" (1908), "Sonata no. 5 (Sonata of the Sea)" (1908), "Sonata no. 6 (Sonata of the Stars)" (1908), "Sonata no. 7 (Sonata of the Pyramids)" (1909). There are other musical paintings such as diptych "Prelude and Fugue" (1908), "Prelude. Fugue" (1908), as well as triptych's "Fantasy" (1908) middle part of Fugue. M. K. Čiurlionis pays a lot of attention to Lithuania's past culture, nature of his homeland. Like creating music, when painting he looks for inspiration in folk art and culture. We can see that not only in the landscape triptych "Raigardas" (1907), but also in fairytale motive full paintings "The Prince's Jouurney" (1907), triptych "Fairytale" (1907), we can find ethnographic motives in the painting "Fairytale (Fairytale of the Fortress)" (1909). One of the most famous M. K. Čiurlionis painting is "Rex", created in 1909. Here the artist's experience connects with the research of C. Flammarion, Holy Scripture, Indo European myths. Some of the most popular</blockquote>In 1911, the first posthumous exhibition of Čiurlionis's art was held in Vilnius and Kaunas. During the same year, an exhibition of his art was held in Moscow, and in 1912 his works were exhibited in St. Petersburg. On 13 January 1913, Čiurlionis division was formed next to Lithuanian Art Society and one of its goals was to accumulate the late painter's works of art. The necessity to save M. K. Čiurlionis heritage rushed art lovers to take more action in creating the "Folk Palace" the art museum to house these paintings. In 1913 with the initiative of Stasys Šilingas and Antanas Žmuidzinavičius, a fund to buy M. K. Čiurlionis' paintings was created. The finances came from donations and the members of Lithuanian Art Society fees. On 14 December 1921 the law to create M. K. Čiurlionis gallery was passed by Constituent Assembly of Lithuania. The temporary M. K. Čiurlionis gallery was opened in Kaunas on 13 December 1925 thanks to Paulius Galaunė. On 1 November 1936, the gallery was moved to the newly built Vytautas Magnus Culture Museum palace. In 1944, this art museum was renamed M. K. Čiurlionis State Museum of Arts. In 1957, the Lithuanian community in Chicago opened the Čiurlionis Art Gallery, hosting collections of his works. In 1963, the Čiurlionis Memorial Museum was opened in Druskininkai, in the house where Čiurlionis and his family lived. This museum holds biographical documents as well as photographs and reproductions of the artist's works. In 1965, the second Čiurlionis' family home opened up. In 1964, Lithuanian alpinists climbed several peaks of the Pamir Mountains in Tajikistan and named the first one (5794 m) Čiurlionis Peak (Lithuanian: Čiurlionio viršūnė) under the suggestion of a team member, pianist Aleksandras Jurgelionis. In 1965, a sculptor, medal creator Juozas Kalinauskas created the M. K. Čiurlionis memorial medal. The National M. K. Čiurlionis School of Art in Vilnius was named after M. K. Čiurlionis in 1965. It received the National status in 2001. In 1968 the M. K. Čiurlionis quartet[lt] was formed. In 1969 M. K. Čiurlionis gallery was moved to the annex building (architect Feliksas Vitas) of the museum. Čiurlionis inspired the Lithuanian composer Osvaldas Balakauskas' work Sonata of the Mountains (1975), and every four years junior musical performers from Lithuania and neighboring countries take part in the Čiurlionis Competition. In 1975 the Crimean astrophysicist Nikolai Chernykh discovered a new asteroid (diameter of 8 km) and named him Čiurlionis asteroid. In Senoji Varėna, in the place of the house where M. K. Čiurlionis was born there is a memorial rock. From Old Varėna to Druskininkai there is "Čiurlionis route" an alley of 22 oak waycrosses, created by folk craftsmen in 1975 1976. In 1995 Druskininkai music school was named after M. K. Čiurlionis. Here the international M. K. Čiurlionis pianist and organ player competitions are held. In 1995 M. K. Čiurlionis home in Vilnius Some of his paintings are also in Lithuanian National Museum of Art, Warsaw's National Museum, State Russian museum in Saint Petersburg. Čiurlionis's works have been displayed at international exhibitions in Japan, Germany, Spain, and elsewhere. His paintings were featured at "Visual Music" fest, an homage to synesthesia that included the works of Wassily Kandinsky, James McNeill Whistler, and Paul Klee, at the Museum of Contemporary Art, Los Angeles in 2005. In 2009, Genovaitė Kazokas (lt) published Musical Paintings, a book where she argued that Theosophy, esotericism and Spiritualism were important influences on Čiurlionis' art. In 2009 LRT (Lithuanian national television) had 12 documentary episodes, dedicated to M. K. Čiurlionis, called "Code of Čiurlionis", in series "Signs of Time" (Laiko ženklai). Authors were L. Pociūnienė, P. Savickis. A commemorative plaque has been placed on the building of the former hospital in Marki, Poland where Mikalojus Konstantinas Čiurlionis died in 1911. In 2011, commemorate the artist's 100 years of death, UNESCO declared the year of M. K. Čiurlionis. The remembrance of M. K. Čiurlionis was celebrated with various events. There was a specific musical note manuscript published in Japan. Čiurlionis's life was depicted in the 2012 film Letters to Sofija, directed by Robert Mullan. In 2019 the first national sertified cultural route "M. K. Čiurlionis route" started its acitivities. Each year it unites 7 regions of Lithuania (connected to M. K. Čiurlionis) in two main events, celebrating M. K. Čiurlionis (topographic week "Lithuania of M. K.Čiurlionis" in May, and M. K. Čiurlionis birthday celebration in September).

Mikalojus had four brothers: Povilas Čiurlionis (1884 1945), lt (1887 1944), Petras Čiurlionis (1890 1924), lt (1891 1955) and four sisters: Marija Čiurlionytė (1879 1969), Juzė Čiurlionytė Stulgaitienė (1882 1966), Valerija Čiurlionytė Karužienė (1896 1982), lt (1898 1992).