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British experimental black comedy sketch show

Jam is a British experimental black comedy sketch show, created, co written, produced and directed by Chris Morris. It was broadcast on Channel 4 between 23 March and 27 April 2000. It was based on the earlier BBC Radio 1 show, Blue Jam, and consists of an unconnected series of disturbing and surreal sketches, unfolding over an ambient soundtrack. Many of the sketches re used the original radio soundtracks with the actors lip synching their lines, an unusual technique which added to the programme's unsettling atmosphere, and featured unorthodox use of visual effects and sound manipulation. The sketches themselves would often begin with a simple premise, e. g. two parents showing indifference to the whereabouts of their young child, and then escalate it with ever more disturbing developments (the parents being phoned to come and identify the child's corpse, but asking if it can instead be taxied to their home, as they don't want to interrupt their evening). The cast, composed of actors Morris had worked with in his early satirical shows, such as The Day Today and Brass Eye, included Amelia Bullmore, David Cann, Julia Davis, Kevin Eldon, and Mark Heap, as well as occasional appearances from Morris himself. Morris introduced each episode in the style of a surreal compère, reading free form poetry over a nightmarish montage, often depicting someone as their life spirals out of control (for instance, one montage sees an unkempt man drinking from a bottle in a bag as he walks down the street, before being kidnapped by "dung breathed men" and forced to wrestle pigs in the Fens). Jam was co written by Peter Baynham, with additional material contributed by Jane Bussmann, David Quantick, Graham Linehan, Arthur Mathews and the cast themselves. The show perplexed audiences and critics on its initial broadcast. Some hailed it as breakthrough, daringly original television, while others dismissed it as merely sickening and juvenile.

Jam is a black comedy. The show had no opening or closing titles, the latter replaced with its now defunct web address, www. jamcredits. com. Instead, it would begin with a disturbing monologue by Morris, coupled with a corresponding montage. These would, to some degree or other, follow a character as their nightmares are made real, or their preconceptions are shattered, leaving them in a bleak reality (i. e. a woman walking her dog, only to discover it's just skeletal remains). Morris would then say: "Then welcome", followed by a nonsensical sentence (e. g. "Ooh, astonishing sod ape"), before finally announcing: "Welcome in Jam". The word "jam" would rarely be said normally; it would either be heavily distorted, spoken in a strange accent, or just screamed repeatedly at the viewer. The series consisted of six twenty minute episodes, and, unusually for a TV show on a commercial channel, had no advert break in the middle, which was the first time an entertainment show had run without ads on Channel 4. Morris has said that he asked Channel 4 to broadcast it without a break so as to not spoil the atmosphere. Sketches often had a documentary feel to them, the characters acting as if they were being interviewed about recent events. The series had a late night remix version during the 4Later slot, entitled Jaaaaam. Its audiovisual distortions of the original series introduced the musical remix concept to British television. Morris further aped music culture through the creation of a fluid sound mix, with music, speech and other sound effects, drawing on the work of ambient DJs.

Jam received a mixed reaction from critics, with views ranging from "the most radical and original television programme broadcast in years" to accusations of it being "adolescent", "sick", The show received a number of complaints and was criticised by the Broadcasting Standards Commission. It is not generally as recognised as Morris's earlier, satirical TV work, and remains a cult show. The sketches in question dealt, respectively, with a man delivering a small homemade coffin to a couple whose child was stillborn, a couple prostituting the husband's mentally disabled sister as part of a property deal, and a bereaved mother who bribes a plumber to "fix" her dead baby in the way he would a boiler. Five of the show's six episodes were classified "18" by the BBFC for very strong language and sexual content (particularly the "Gush" sketch, which depicts a prosthetic erection and fake semen, in a story about a pornographic film where the male actors die due to excessive ejaculation). Despite its content, the broadcast attracted nowhere near the controversy that the following year's Brass Eye special, "Paedogeddon", about media panic surrounding paedophilia, did. In a 2008 interview, contributor Graham Linehan admitted he felt out of place during writing, and had mixed feelings about Jam: "Jam wouldn't be my favourite thing of Chris's, and it was the one where I didn't really feel like we were contributing a lot. Its mood was so grim that I just found it difficult to join in. I think that Chris was just interested in tying people in moral knots—giving them a moral problem and then just twisting it so they have to do something awful to get out of the first moral problem. Although this is a secondary impulse for him, he's also interested in pushing buttons that haven't been pushed in comedy in people; making them laugh in a way that they're not used to. [ ] Personally, I just want to make people laugh." The show was featured on Channel 4's 100 Greatest Scary Moments. Adam Buxton and Joe Cornish parodied Jam in Channel 4's The Adam and Joe Show. Entitled "Goitre", the sketch saw the two make a very amateurish attempt at creating unsettling sketches. One such sketch involved a repair man who found a "dead baby" (actually a doll) behind a TV and insisted he would have to "bugger" it in order to fix the television. The sketch later appeared as an extra feature on the Jam DVD.

Jam was released to DVD in April, 2003, and has numerous pointless extras. For instance, each episode has both a "normal version" and a "special version". Other "versions" include a miniaturised version, a miniaturised moving version, a lava lamp version, a fast forwarded version, the first 19 seconds of the episode only, and a fast forwarded version expanded to the original running time. This last is the only one reasonably capable of being watched without extreme difficulty. In addition, the items listed under the "Extras" on the disc are, much of the time, little more than additional copies of sketches, with the occasional deleted scene or shot of an audition or rehearsal. The only exceptions are Adam and Joe's "Goitre" parody of Jam, and a link to "Undeleted Scenes", which, when selected, advises the viewer to take the DVD back to the shop they bought it from and complain "loudly and obnoxiously" about the lack of undeleted scenes. When attempting to change the audio settings to surround sound, the DVD provides the viewer a link to an MP3 file (no longer hosted) on the show's official site and advises that it should be played from behind the viewer while watching the show; the file was a mono recording of wind, thumps and distant artillery.

Selecting "Play All At Once" from the "Play All" menu reveals a large red dot; by pressing the select button on your DVD remote when this is shown, you can see an audition for a deleted scene. At the end of episode three, just before the Talkback Productions credit is shown, a dog's face is flashed up on screen for a few seconds, with a red dot. When the dot appears, pressing select will show the trailer for Morris's 2003 short film, My Wrongs 8245–8249 & 117. The film is an adaptation of a story from Blue Jam, about a dog that takes over the life of its minder. Numerous brief images depicting scenes similar to those in My Wrongs appear throughout Jam, suggesting that there had been a previous, aborted attempt to film this story as a sketch. Selecting "Play All Once" will, obviously, show the episodes in order, but at the end of episode two, just before episode three, a backstage look at the filming of the "Gush" porn film is shown. It is regarded as an outtake due to the laughter at the end. At the end of "London/Tokyo Jam Exhibition", a rehearsal for a deleted scene starring Kevin Eldon is shown. The scene is similar to the "45 year old little girl" sketch in episode six. It is an adaptation of the "Optician" sketch from episode two of Blue Jam.