Гарольд Бадд: Әуенші, авангардист және композитор өмірі

the Olympic rower
American avant garde composer and poet (1936–2020)

Budd was born in Los Angeles, California, and spent his childhood in Victorville, California on the southwestern edge of the Mojave Desert. Jazz saxophonist Albert Ayler was drafted at the same time and was also a member of the band. Budd's experience of the army made him determined to get an education. He switched to a course in harmony and renaissance counterpoint and his musical talent was spotted by a teacher who encouraged him to compose. Budd studied music at California State University, Northridge, under Gerald Strang (a protege of Arnold Schoenberg) and Aurelio de la Vega. He graduated from CSUN, and then went on full scholarship to the University of Southern California, under the tutelage of Ingolf Dahl, graduating in 1966. After completing his degree in composition in 1969, Budd took up a teaching position at the California Institute for the Arts. In London, he found his composing community of Eno, Gavin Bryars, Michael Nyman, and the members of the Cocteau Twins. In 2004, Budd and his wife moved to Monument House in Joshua Tree, California.

quote|The road from my first colored graph piece in 1962 to my renunciation of composing in 1970 to my resurfacing as a composer in 1972 was a process of trying out an idea and when it was obviously successful abandoning it. The early graph piece was followed by the Rothko orchestra work, the pieces for Source Magazine, the Feldman derived chamber works, the pieces typed out or written in longhand, the out and out conceptual works among other things, and the model drone works (which include the sax and organ Coeur d'Orr and The Oak of the Golden Dreams, the latter based on the Balinese 'Slendro' scale which scale I used again 18 years later on 'The Real Dream of Sails').|author=Harold Budd

The work with Eno led Budd to shift his focus to studio led projects, characterised by use of synthesisers and electronic treatments, often collaborating with other musicians. Budd developed a style of piano playing he deemed "soft pedal," which can be described as slow and sustained. His two collaborations with Eno, 1980's The Plateaux of Mirror and 1984's The Pearl, established his trademark atmospheric piano style. On Lovely Thunder, he introduced subtle electronic textures. His thematic 2000 release The Room saw a return to a more minimalist approach. In 2003, Daniel Lanois, a producer for U2 and Bob Dylan, and occasional collaborator with Brian Eno, recorded an impromptu performance of Budd playing the piano in his Los Angeles living room, unaware; it was released in 2005 as the album La Bella Vista. He had a long running collaboration with guitarist Robin Guthrie. They worked together initially when Budd worked with Guthrie's band Cocteau Twins on their 1985 collaboration The Moon and the Melodies. The record was released by 4AD under all the collaborator's names (rather than being a Cocteau Twins/Harold Budd record), with Budd being listed first as it was an alphabetical listing. In November 1986, the record charted on the UK Top 75 album chart, spending a week at number 46. Budd and Guthrie subsequently released several albums together, including two soundtracks to the Gregg Araki films Mysterious Skin (2004) and White Bird in a Blizzard (2014), with the last, 2020's Another Flower, recorded in 2013 but only released four days before Budd's death. Budd also collaborated with Andy Partridge of XTC on the album Through the Hill (1994), John Foxx on the album Translucence/Drift Music (2003) and work with Jah Wobble on the Solaris concert and live album in 2002. He composed music for the score of the 2020 miniseries I Know This Much Is True.

Brian Eno called Budd "a great abstract painter trapped in the body of a musician". The Guardian said, "The core Budd sound of yearning piano motifs and reverb laden impressionism is often called minimalism. But compared with the cyclical craft of Steve Reich and early Philip Glass, his low key, expansive forays felt deftly maximalist. This has made Budd's craft synonymous with the dreamworld. An heir to Satie and Debussy, his music was treated and poetic, never kneejerk nor incautious."

Budd was undergoing therapy at a short term rehabilitation facility after suffering a stroke on November 11, 2020. It was there he contracted COVID 19 amidst the COVID 19 pandemic in California. He died from complications of COVID 19 at a hospital in Arcadia, on December 8, 2020. He was 84.