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Greek mythical twins

Castor and Pollux (or Polydeuces) are twin half brothers in Greek and Roman mythology, known together as the Dioscuri or Dioskouroi. Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced (or raped) Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin, the twins are also known as the Gemini (literally gender neutral "twins") or Castores, as well as the Tyndaridae or Tyndarids. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regarded as the patrons of sailors, to whom they appeared as St. Elmo's fire. They were also associated with horsemanship, in keeping with their origin as the Indo European horse twins.

There is much contradictory information regarding the parentage of the Dioscuri. In the Homeric Odyssey (11.298–304), they are the sons of Tyndareus alone, but they were sons of Zeus in the Hesiodic Catalogue (fr. 24 M–W). The conventional account (attested first in Pindar, Nemean 10) combined these paternities so that only Pollux was fathered by Zeus, while Leda and her husband Tyndareus conceived Castor. This explains why they were granted an alternate immortality. The figure of Tyndareus may have entered their tradition to explain their archaic name Tindaridai in Spartan inscriptions, or Tyndaridai in literature, in turn occasioning incompatible accounts of their parentage. Their other sisters were Timandra, Phoebe, and Philonoe. Castor and Pollux are sometimes both mortal, sometimes both divine. One consistent point is that if only one of them is immortal, it is Pollux. In Homer's Iliad, Helen looks down from the walls of Troy and wonders why she does not see her brothers among the Achaeans. The narrator remarks that they are both already dead and buried back in their homeland of Lacedaemon, thus suggesting that at least in some early traditions, both were mortal. Their death and shared immortality offered by Zeus was material of the lost Cypria in the Epic cycle. The Dioscuri were regarded as helpers of mankind and held to be patrons of travellers and of sailors in particular, who invoked them to seek favourable winds. Their role as horsemen and boxers also led to them being regarded as the patrons of athletes and athletic contests. They characteristically intervened at the moment of crisis, aiding those who honoured or trusted them. The Dioscuri are also invoked in Alcaeus' Fragment 34a, though whether this poem antedates the Homeric Hymn to the twins is unknown. They appear together in two plays by Euripides, Helen and Elektra. Cicero tells the story of how Simonides of Ceos was rebuked by Scopas, his patron, for devoting too much space to praising Castor and Pollux in an ode celebrating Scopas' victory in a chariot race. Shortly afterwards, Simonides was told that two young men wished to speak to him; after he had left the banqueting room, the roof fell in and crushed Scopas and his guests. As they prepared to eat, the gigantic Idas suggested that the herd be divided into two parts instead of four, based on which pair of cousins finished their meal first. The brothers became the two brightest stars in the constellation Gemini ("the twins"): Castor (Alpha Geminorum) and Pollux (Beta Geminorum). As emblems of immortality and death, the Dioscuri, like Heracles, were said to have been initiated into the Eleusinian mysteries. In some myths, Poseidon rewarded them with horses to ride and power to aid shipwrecked men.

Castor and Pollux are consistently associated with horses in art and literature. They are widely depicted as helmeted horsemen carrying spears. On votive reliefs they are depicted with a variety of symbols representing the concept of twinhood, such as the dokana (δόκανα – two upright pieces of wood connected by two cross beams), a pair of amphorae, a pair of shields, or a pair of snakes. They are also often shown wearing felt caps, sometimes with stars above. They are depicted on metopes (an element of a Doric frieze) from Delphi showing them on the voyage of the Argo (Ἀργώ) and rustling cattle with Idas. Greek vases regularly show them capturing Phoebe and Hilaeira, as Argonauts, as well as in religious ceremonies and at the delivery to Leda of the egg containing Helen.

Dokana were ancient symbolical representation of the Dioscuri. It consisted of two upright beams with others laid across them transversely. The Dioscuri were worshipped as gods of war, and their images accompanied the Spartan kings whenever they took the field against an enemy. But when in the year 504 B. C. the two kings, during their invasion of Attica, failed in their undertaking on account of their secret enmity towards each other, it was decreed at Sparta, that in future only one king should command the army, and in consequence should only be accompanied by one of the images of the Dioscuri. It is not improbable that these images, accompanying the kings into the field, were the ancient δόκανα, which were now disjointed, so that one half of the symbol remained at Sparta, while the other was taken into the field by one of the kings. The name δόκανα seems that it comes from δοκός which meant beam, but Suda and the Etymologicum Magnum state that δόκανα was the name of the graves of the Dioscuri at Sparta, and derived from the verb δέχομαι. The Dioskouroi and their sisters grew up in Sparta, in the royal household of Tyndareus; they were particularly important to the Spartans, who associated them with the Spartan tradition of dual kingship and appreciated that two princes of their ruling house were elevated to immortality. Their connection there was very ancient: a uniquely Spartan aniconic representation of the Tyndaridai was as two upright posts joined by a cross bar; as the protectors of the Spartan army the "beam figure" or dókana was carried in front of the army on campaign. Sparta's unique dual kingship reflects the divine influence of the Dioscuri. When the Spartan army marched to war, one king remained behind at home, accompanied by one of the Twins. "In this way the real political order is secured in the realm of the Gods". Their herōon or grave shrine was on a mountain top at Therapne across the Eurotas from Sparta, at a shrine known as the Meneláeion where Helen, Menelaus, Castor and Pollux were all said to be buried. Castor himself was also venerated in the region of Kastoria in northern Greece. They were commemorated both as gods on Olympus worthy of holocaust, and as deceased mortals in Hades, whose spirits had to be propitiated by libations. Lesser shrines to Castor, Pollux and Helen were also established at a number of other locations around Sparta. The pear tree was regarded by the Spartans as sacred to Castor and Pollux, and images of the twins were hung in its branches. The standard Spartan oath was to swear "by the two gods" (in Doric Greek: νά τώ θεὼ, ná tō theō, in the Dual number). The rite of theoxenia (θεοξενία), "god entertaining", was particularly associated with Castor and Pollux. The two deities were summoned to a table laid with food, whether at individuals' own homes or in the public hearths or equivalent places controlled by states. They are sometimes shown arriving at a gallop over a food laden table. Although such "table offerings" were a fairly common feature of Greek cult rituals, they were normally made in the shrines of the gods or heroes concerned. The domestic setting of the theoxenia was a characteristic distinction accorded to the Dioskouroi. The Dioscuri are the inventors of war dances, which characterize the Kuretes.

The ancient city of Dioscurias or Dioskurias (Διοσκουριάς) on the Black Sea coast, modern Sukhumi, was named after them. In addition, according to legend the city was founded by them. According to another legend, the city was founded by their charioteers, Amphitus and Cercius of Sparta.

The island of Socotra, located between the Guardafui Channel and the Arabian Sea, was called by the Greeks Dioskouridou (Διοσκουρίδου νήσος), meaning "the island of the Dioscuri".

The heavenly twins appear in Indo European tradition as the effulgent Vedic brother horsemen called the Ashvins, Lithuanian Ašvieniai, and possibly Germanic Alcis.

The Etruscans venerated the twins as Kastur and Pultuce, collectively as the tinas cliniiaras, "Sons of Tinia", Etruscan counterpart of Zeus. They were often portrayed on Etruscan mirrors. As was the fashion in Greece, they could also be portrayed symbolically; one example is seen in the Tomb of the Funereal Bed at Tarquinia where a lectisternium is painted for them. Another is symbolised in a painting depicted as two pointed caps crowned with laurel, referring to the Phrygian caps.

From the 5th century BCE onwards, the brothers were revered by the Romans, probably as the result of cultural transmission via the Greek colonies of Magna Graecia in southern Italy. An archaic Latin inscription of the 6th or 5th century BCE found at Lavinium, which reads Castorei Podlouqueique qurois ("To Castor and Pollux, the Dioskouroi"), suggests a direct transmission from the Greeks; the word "qurois" is virtually a transliteration of the Greek word κούροις, while "Podlouquei" is effectively a transliteration of the Greek Πολυδεύκης. The construction of the Temple of Castor and Pollux, located in the Roman Forum at the heart of their city, was undertaken to fulfill a vow (votum) made by Aulus Postumius Albus Regillensis in gratitude at the Roman victory in the Battle of Lake Regillus in 495 BCE. The establishment of a temple may also be a form of evocatio, the transferral of a tutelary deity from a defeated town to Rome, where cult would be offered in exchange for favor. According to legend, the twins fought at the head of the Roman army and subsequently brought news of the victory back to Rome. The Romans believed that the twins aided them on the battlefield. Castor and Pollux are also represented in the Circus Maximus by the use of eggs as lap counters. In translations of comedies by Plautus, women generally swear by Castor, and men by Pollux; this is exemplified by the slave woman character Staphyla in A Pot of Gold (act i, ll. 67–71) where she swears by Castor in line 67, then the negative prefix in line 71 denotes a refutation against swearing by Pollux. Photius wrote that Polydeuces was a lover of Hermes, and the god made him a gift of Dotor (Δώτορ), the Thessalian horse.

Even after the rise of Christianity, the Dioskouroi continued to be venerated. The 5th century pope Gelasius I attested to the presence of a "cult of Castores" that the people did not want to abandon. In some instances, the twins appear to have simply been absorbed into a Christian framework; thus 4th century CE pottery and carvings from North Africa depict the Dioskouroi alongside the Twelve Apostles, the Raising of Lazarus or with Saint Peter. The church took an ambivalent attitude, rejecting the immortality of the Dioskouroi but seeking to replace them with equivalent Christian pairs. Saints Peter and Paul were thus adopted in place of the Dioskouroi as patrons of travelers, and Saints Cosmas and Damian took over their function as healers. Some have also associated Saints Speusippus, Eleusippus, and Melapsippus with the Dioskouroi. MacDonald cites the origin of this identification to 1913 when J. Rendel Harris published his work Boanerges, a Greek version probably of an Aramaic name meaning "Sons of Thunder", thunder being associated with Zeus, father of Pollux, in what MacDonald calls a form of early Christian Dioscurism. More directly, the Acts of the Apostles mentions the Dioskouroi in a neutral context, as the figurehead of an Alexandrian ship boarded by Paul in Malta (Acts 28:11).

The iconography of Castor and Pollux influenced or has close parallels with depictions of divine male twins in cultures with Greco Roman relations.