Кіріспе
Американдық суретші (1835–1910)
суретші
the artist
John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany. La Farge rented space in the Tenth Street Studio Building at its opening in 1858, and he became a longtime presence in Greenwich Village. In 1863 he was elected into the National Academy of Design; in 1877 he co founded the Society of American Artists in frustration at the National Academy's conservatism. In 1892 La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City. and was raised bilingually. He also took private commission from wealthy patrons (e. g. Cornelius Vanderbilt) and was reputedly worth $150,000 at one point. During an 1880s renovation of the Samuel J. Tilden Mansion, now home to the National Arts Club, La Farge was one of several artisans hired by lead architect Calvert Vaux. He created stained glass panels for the interior of the mansion which remain today. La Farge traveled extensively in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886 in the company of Henry Adams, and the South Seas in 1890 and 1891, in particular spending time absorbing the culture of Samoa, Tahiti La Farge began experimenting with problems of shifting and deteriorating color, especially in the medium of stained glass. At this time, stained glass had not yet been widely adopted as a medium in the United States, making his early efforts critical to its success. Church of St. Joseph of Arimathea in Greenburgh, New York (1883)
Blessed Sacrament Church, Providence, Rhode Island The church was designed by George Lewis Heins and Christopher Grant La Farge, LaFarge's brother in law, and his eldest son. https://library. bc. edu/lafargeglass/exhibits/show/descriptions/st john/blessed sacrament
Christ Church in Lincoln, Rhode Island (1884)
Trinity Episcopal Church in Buffalo, New York (1886–89)
St. Paul's Chapel, Columbia University, NYC (1888–99)
All Saints Episcopal Church, Briarcliff Manor, New York (1889)
All Souls Unitarian Church, Roxbury, Massachusetts
First Unitarian Church of Detroit (1890)
St. Mary's in Tuxedo Episcopal Church, Tuxedo Park, New York (1890)
The Cathedral of All Saints, Albany, New York (c. 1890)
Judson Memorial Church, NYC (1890–93)
First Unitarian Church of Philadelphia (1891)
Caldwell Sisters' chapel, Newport, Rhode Island, re located to Our Lady of Mercy Chapel at Salve Regina University in Newport (1891)
Mount Vernon Church, Boston (c. 1893)
Church of the Ascension, Episcopal, (Manhattan)
Church of the Transfiguration, Episcopal, New York City (1898)
John Harvard Window, Southwark Cathedral, London, England (1907)
Several of his windows, including Peonies Blown in the Wind (1880), are in the collection of the Metropolitan Museum of Art, New York.
Джон Ла Фардж (31 наурыз 1835 – 14 қараша 1910) – американдық суретші, оның мансабы иллюстрация, монументалды суреттер, интерьер дизайны, кескіндеме және Азиядағы саяхаттары мен өнерге қатысты басқа да тақырыптар туралы танымал кітаптарды қамтыды. Ла Фардж негізінен Американың шығыс жағалауындағы шіркеулер үшін боялған шыны терезелер жасады, 1878 жылы Бостондағы Генри Хобсон Ричардсонның Тринити шіркеуіне жасаған үлкен тапсырысымен басталып, одан кейін отыз жылға созылды. Ла Фардж боялған шыныны суретші, түс шебері және техникалық инноватор ретінде жобалады, 1880 жылы шыны панельдерді бір-біріне жабыстыруға патент алды. Осы патент оның замандасы және бәсекелесі Луи Комфорт Тиффанимен болған даудың кілті болды. Ла Фардж 1858 жылы ашылған Оныншы көшедегі студия ғимаратында орын жалдады және ол Гринвич Виллиджде ұзақ жылдар бойы тұрды. 1863 жылы ол Ұлттық дизайн академиясына сайланды; 1877 жылы Ұлттық академияның консерватизміне наразылық білдіріп, Америка суретшілері қоғамын құрды. 1892 жылы Ла Фардж Нью-Йорк қаласындағы студенттерге кәсіби білім беру үшін Метрополитен өнер мектептерінде оқытушы болып жұмысқа қабылданды. Ол екі тілде тәрбиеленді. Ол сондай-ақ бай демеушілерден (мысалы, Корнелиус Вандербильттен) жеке тапсырыстар алды және бір кезде 150 000 долларға ие болды деген қауесет бар. 1880-ші жылдардағы Самуэль Дж. Тильден сарайын қайта жаңарту кезінде, қазір Ұлттық өнер клубы орналасқан, Ла Фардж бас сәулетші Калверт Вокс жалдаған бірнеше шеберлердің бірі болды. Ол сарайдың ішкі бөлігіне жасаған витраждар бүгінгі күнге дейін сақталған. Ла Фардж Азия мен Оңтүстік Тынық мұхитында кеңінен саяхаттады, бұл оның кескіндемесіне шабыттандырды. Ол 1886 жылы Генри Адамспен бірге Жапонияға, ал 1890 және 1891 жылдары Оңтүстік теңіздерге барды, әсіресе Самоа мәдениетін зерттеуге көп уақыт арнады. Таити. Ла Фардж түстердің өзгеруі және нашарлауы мәселелерін, әсіресе боялған шыны өнерінде тәжірибелеп бастады. Ол кезде боялған шыны АҚШ-та кеңінен қолданылмағандықтан, оның алғашқы күш-жігері оның табысына үлкен үлес қосты.
the artist
John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany. La Farge rented space in the Tenth Street Studio Building at its opening in 1858, and he became a longtime presence in Greenwich Village. In 1863 he was elected into the National Academy of Design; in 1877 he co founded the Society of American Artists in frustration at the National Academy's conservatism. In 1892 La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City. and was raised bilingually. He also took private commission from wealthy patrons (e. g. Cornelius Vanderbilt) and was reputedly worth $150,000 at one point. During an 1880s renovation of the Samuel J. Tilden Mansion, now home to the National Arts Club, La Farge was one of several artisans hired by lead architect Calvert Vaux. He created stained glass panels for the interior of the mansion which remain today. La Farge traveled extensively in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886 in the company of Henry Adams, and the South Seas in 1890 and 1891, in particular spending time absorbing the culture of Samoa, Tahiti La Farge began experimenting with problems of shifting and deteriorating color, especially in the medium of stained glass. At this time, stained glass had not yet been widely adopted as a medium in the United States, making his early efforts critical to its success. Church of St. Joseph of Arimathea in Greenburgh, New York (1883)
Blessed Sacrament Church, Providence, Rhode Island The church was designed by George Lewis Heins and Christopher Grant La Farge, LaFarge's brother in law, and his eldest son. https://library. bc. edu/lafargeglass/exhibits/show/descriptions/st john/blessed sacrament
Christ Church in Lincoln, Rhode Island (1884)
Trinity Episcopal Church in Buffalo, New York (1886–89)
St. Paul's Chapel, Columbia University, NYC (1888–99)
All Saints Episcopal Church, Briarcliff Manor, New York (1889)
All Souls Unitarian Church, Roxbury, Massachusetts
First Unitarian Church of Detroit (1890)
St. Mary's in Tuxedo Episcopal Church, Tuxedo Park, New York (1890)
The Cathedral of All Saints, Albany, New York (c. 1890)
Judson Memorial Church, NYC (1890–93)
First Unitarian Church of Philadelphia (1891)
Caldwell Sisters' chapel, Newport, Rhode Island, re located to Our Lady of Mercy Chapel at Salve Regina University in Newport (1891)
Mount Vernon Church, Boston (c. 1893)
Church of the Ascension, Episcopal, (Manhattan)
Church of the Transfiguration, Episcopal, New York City (1898)
John Harvard Window, Southwark Cathedral, London, England (1907)
Several of his windows, including Peonies Blown in the Wind (1880), are in the collection of the Metropolitan Museum of Art, New York.
Гринбургтегі Ариматиялық Қасиетті Жүсіп шіркеуі, Нью-Йорк (1883)
Блексид Сакрамент шіркеуі, Провиденс, Род-Айленд (Дизайнын Джордж Льюис Хайнс және Кристофер Грант Ла Фардж жасаған, ЛаФарджтың қайын інісі және үлкен ұлы) https://library.bc.edu/lafargeglass/exhibits/show/descriptions/stjohn/blessed sacrament
Линкольндегі Христос шіркеуі, Род-Айленд (1884)
Буффалодағы Тринити Епископалдық шіркеуі, Нью-Йорк (1886–89)
Колумбия университетіндегі Святого Павла капелласы, Нью-Йорк қаласы (1888–99)
Брайарклифф Мэнордегі Барлық Әулиелер Епископалдық шіркеуі, Нью-Йорк (1889)
Роксберидегі Барлық Жандар Юнитарлық шіркеуі, Массачусетс
Детройттегі Бірінші Юнитарлық шіркеу (1890)
Такседодағы Святой Марии Епископалдық шіркеуі, Нью-Йорк (1890)
Олбанидегі Барлық Әулиелер соборы, Нью-Йорк (шамамен 1890)
Джадсон еске алу шіркеуі, Нью-Йорк қаласы (1890–93)
Филадельфиядағы Бірінші Юнитарлық шіркеу (1891)
Ньюпорттағы Калдвелл әпкелерінің капелласы, Сальве Регина университетіндегі Рақымды Анамыз капелласына көшірілді (1891)
Бостондағы Маунт Вернон шіркеуі (шамамен 1893)
Көтеріліс шіркеуі, Епископалдық, (Манхэттен)
Трансфигурация шіркеуі, Епископалдық, Нью-Йорк қаласы (1898)
Джон Гарвард терезесі, Саутарк соборы, Лондон, Англия (1907)
the artist
John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany. La Farge rented space in the Tenth Street Studio Building at its opening in 1858, and he became a longtime presence in Greenwich Village. In 1863 he was elected into the National Academy of Design; in 1877 he co founded the Society of American Artists in frustration at the National Academy's conservatism. In 1892 La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City. and was raised bilingually. He also took private commission from wealthy patrons (e. g. Cornelius Vanderbilt) and was reputedly worth $150,000 at one point. During an 1880s renovation of the Samuel J. Tilden Mansion, now home to the National Arts Club, La Farge was one of several artisans hired by lead architect Calvert Vaux. He created stained glass panels for the interior of the mansion which remain today. La Farge traveled extensively in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886 in the company of Henry Adams, and the South Seas in 1890 and 1891, in particular spending time absorbing the culture of Samoa, Tahiti La Farge began experimenting with problems of shifting and deteriorating color, especially in the medium of stained glass. At this time, stained glass had not yet been widely adopted as a medium in the United States, making his early efforts critical to its success. Church of St. Joseph of Arimathea in Greenburgh, New York (1883)
Blessed Sacrament Church, Providence, Rhode Island The church was designed by George Lewis Heins and Christopher Grant La Farge, LaFarge's brother in law, and his eldest son. https://library. bc. edu/lafargeglass/exhibits/show/descriptions/st john/blessed sacrament
Christ Church in Lincoln, Rhode Island (1884)
Trinity Episcopal Church in Buffalo, New York (1886–89)
St. Paul's Chapel, Columbia University, NYC (1888–99)
All Saints Episcopal Church, Briarcliff Manor, New York (1889)
All Souls Unitarian Church, Roxbury, Massachusetts
First Unitarian Church of Detroit (1890)
St. Mary's in Tuxedo Episcopal Church, Tuxedo Park, New York (1890)
The Cathedral of All Saints, Albany, New York (c. 1890)
Judson Memorial Church, NYC (1890–93)
First Unitarian Church of Philadelphia (1891)
Caldwell Sisters' chapel, Newport, Rhode Island, re located to Our Lady of Mercy Chapel at Salve Regina University in Newport (1891)
Mount Vernon Church, Boston (c. 1893)
Church of the Ascension, Episcopal, (Manhattan)
Church of the Transfiguration, Episcopal, New York City (1898)
John Harvard Window, Southwark Cathedral, London, England (1907)
Several of his windows, including Peonies Blown in the Wind (1880), are in the collection of the Metropolitan Museum of Art, New York.
Оның көптеген терезелері, соның ішінде «Желде соққан пиондар» (1880) Метрополитен өнер музейінің (Нью-Йорк) коллекциясында сақталған.
the artist
John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany. La Farge rented space in the Tenth Street Studio Building at its opening in 1858, and he became a longtime presence in Greenwich Village. In 1863 he was elected into the National Academy of Design; in 1877 he co founded the Society of American Artists in frustration at the National Academy's conservatism. In 1892 La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City. and was raised bilingually. He also took private commission from wealthy patrons (e. g. Cornelius Vanderbilt) and was reputedly worth $150,000 at one point. During an 1880s renovation of the Samuel J. Tilden Mansion, now home to the National Arts Club, La Farge was one of several artisans hired by lead architect Calvert Vaux. He created stained glass panels for the interior of the mansion which remain today. La Farge traveled extensively in Asia and the South Pacific, which inspired his painting. He visited Japan in 1886 in the company of Henry Adams, and the South Seas in 1890 and 1891, in particular spending time absorbing the culture of Samoa, Tahiti La Farge began experimenting with problems of shifting and deteriorating color, especially in the medium of stained glass. At this time, stained glass had not yet been widely adopted as a medium in the United States, making his early efforts critical to its success. Church of St. Joseph of Arimathea in Greenburgh, New York (1883)
Blessed Sacrament Church, Providence, Rhode Island The church was designed by George Lewis Heins and Christopher Grant La Farge, LaFarge's brother in law, and his eldest son. https://library. bc. edu/lafargeglass/exhibits/show/descriptions/st john/blessed sacrament
Christ Church in Lincoln, Rhode Island (1884)
Trinity Episcopal Church in Buffalo, New York (1886–89)
St. Paul's Chapel, Columbia University, NYC (1888–99)
All Saints Episcopal Church, Briarcliff Manor, New York (1889)
All Souls Unitarian Church, Roxbury, Massachusetts
First Unitarian Church of Detroit (1890)
St. Mary's in Tuxedo Episcopal Church, Tuxedo Park, New York (1890)
The Cathedral of All Saints, Albany, New York (c. 1890)
Judson Memorial Church, NYC (1890–93)
First Unitarian Church of Philadelphia (1891)
Caldwell Sisters' chapel, Newport, Rhode Island, re located to Our Lady of Mercy Chapel at Salve Regina University in Newport (1891)
Mount Vernon Church, Boston (c. 1893)
Church of the Ascension, Episcopal, (Manhattan)
Church of the Transfiguration, Episcopal, New York City (1898)
John Harvard Window, Southwark Cathedral, London, England (1907)
Several of his windows, including Peonies Blown in the Wind (1880), are in the collection of the Metropolitan Museum of Art, New York.
Тиффанимен айтыс
Ла Фарж шамамен 1870-жылдардың ортасында Тиффаниге опалесцентті шыныны жаңа түрде қолдануды ұсынған, өзінің тәжірибелерін көрсеткен.