Жоби Талбот: британдық композитордың өмір және шығарма жолы

British composer

Joby Talbot (born 25 August 1971) is a British composer. He has written for a wide variety of purposes, with a broad range of styles, including instrumental and vocal concert music, film and television scores, pop arrangements and works for dance. He is known, to sometimes disparate audiences, for quite different works. Prominent compositions include the a cappella choral works The Wishing Tree (2002) and Path of Miracles (2005); orchestral works Sneaker Wave (2004), Tide Harmonic (2009), Worlds, Stars, Systems, Infinity (2012) and Meniscus (2012); the theme and score for the popular BBC Two comedy series The League of Gentlemen (1999–2002); silent film scores The Lodger (1999) and The Dying Swan (2002) for the British Film Institute; film scores The Hitchhiker's Guide to the Galaxy (2005), Son of Rambow (2007) and Penelope (2008). Works for dance include shorter works Chroma (2006), Genus (2007), Fool's Paradise (2007), and Chamber Symphony (2012); and three full length narrative ballet scores, commissioned by The Royal Ballet and the National Ballet of Canada, Alice's Adventures in Wonderland (2011, revived 2012 and 2013), The Winter's Tale (2014), and Like Water for Chocolate (2022).

Talbot was born in August 1971 in Wimbledon, London. He grew up in Mitcham, South London, and attended King's College School, Wimbledon, on a music scholarship from the age of eight. Talbot played the piano and oboe, studied composition privately with Brian Elias and after receiving a Bachelor of Music from Royal Holloway University of London, he completed a Master of Music (Composition) at Guildhall School of Music and Drama under Simon Bainbridge.

Though classically trained, Talbot's early career centred on film and television scores and pop arrangements. His work as arranger and keyboardist with Neil Hannon's band The Divine Comedy continued from 1993 until 2002. and which he would continue to score throughout its three series and film, The League of Gentlemen's Apocalypse (2005). Talbot was commissioned, also in 1999, by the British Film Institute to provide a new score for Alfred Hitchcock's 1927 silent film The Lodger, and again in 2002 the BFI had Talbot write a piano trio to accompany Evgenii Bauer's The Dying Swan (1917).

Among the pieces composed as part of Talbot's Classic FM residency are A Yellow Disc Rising from the Sea, Transit of Venus and Cloudpark, all of which went on to form part of Talbot's score for the Royal Ballet production Chroma (2005), his first collaboration with current Royal Ballet Resident Choreographer Wayne McGregor C. B. E. McGregor had heard Talbot's 2004 orchestral work Hovercraft and approached him about creating a larger score around this. The remaining elements of the Chroma score are the tracks 'Aluminum', 'Blue Orchid' and 'Hardest Button to Button' from Talbot's 2005 instrumental covers album of songs by The White Stripes, entitled Aluminium, a project conceived and executed in partnership with XL Recordings founder Richard Russell, and Talbot's long time collaborator, the conductor and orchestrator Christopher Austin. Chroma won the South Bank Show Award for Dance and an Olivier Award for Best New Dance Production, and continues to be staged by numerous companies internationally, including the Bolshoi Ballet, San Francisco Ballet, Royal Danish Ballet, National Ballet of Canada, Boston Ballet, The Australian Ballet and Alvin Ailey American Dance Theater. Following Chroma, McGregor and Talbot collaborated on two further works, Genus (2007) for the Paris Opera Ballet, for which Talbot produced an electro acoustic score with LA based electronic musician Deru; and Entity (2008) for McGregor's company Random Dance, a score divided between electro acoustic string works by Talbot, and an electronic score by Jon Hopkins. Talbot's half was adapted from his string quartet Manual Override, originally commissioned in 2007 by Singapore's T'ang Quartet; and from the 2005 cello work Motion Detector, written for cellist Maya Beiser. Alice's Adventures in Wonderland, commissioned jointly by the Royal and the National Ballet of Canada, premiered at the Royal Opera House Covent Garden on 28 February 2011, and at the Four Seasons Performing Arts Centre, Toronto, on 4 June 2011. The production has had its third consecutive run with The Royal Ballet in March 2013 and has thus far been successfully toured to Los Angeles and Washington D. C. by the National Ballet of Canada. The New York Times stated in 2011: "Mr. Talbot's score is the trump card for Alice." The 2012 and 2013 productions received very good to excellent reviews. Talbot was praised for his "sublimely witty score, which seems to use every instrument to match the sounds from the pit to the action on the stage, creating a lush soundscape that drives the action." A suite from Alice's Adventures in Wonderland, along with the score from the duo's first collaboration Fool's Paradise, was recorded in London in November 2012 by the Royal Philharmonic Orchestra under Christopher Austin and released in January 2013. In May 2013, Wheeldon choreographed sections of an orchestral version of Talbot's 2009 work Tide Harmonic for Pacific Northwest Ballet, under the same title. In London in April 2014, the pair premiered a second full length narrative work for The Royal Ballet and National Ballet of Canada, an adaptation of Shakespeare's The Winter's Tale. Talbot commented that he spent two years thinking about 'nothing else.' The project proved especially challenging as he was composing music to be played by unusual instruments and the contrasting nature of each act from one to three made it feel he had to 'start again' twice more. The critical reception was favourable with five stars from The Times and The Telegraph and four from the Financial Times and The Guardian, which called the work 'a ballet to keep'. The Winter's Tale was premiered in North America by the National Ballet of Canada in Toronto in November 2015 and returned to Covent Garden the following year. With some amendment it was performed again at the Royal Opera House in 2018. In 2023 Talbot received an Ivor Novello Award nomination at The Ivors Classical Awards 2023. Like Water for Chocolate was nominated for Best Stage Work.

French choreographers Carolyn Carlson and Medhi Walerski have both created works to specially commissioned scores by Talbot. Carlson's production Eau for CCN Roubaix and the Orchestre National de Lille had its premiere in Lille in 2008, and Talbot later adapted the score as Tide Harmonic, a five movement chamber work released on Signum Classics in 2011. Walerski's Chamber was choreographed to Talbot's Chamber Symphony (2012) for Netherlands Dance Theatre and the Norwegian National Opera and Ballet, and premiered in The Hague in October 2012. The piece formed part of a worldwide programming focus on the 100th anniversary of Igor Stravinsky's The Rite of Spring (1913).

Talbot has continued to write for film and television, with notable scores including The Hitchhiker's Guide to the Galaxy (Garth Jennings, 2005); Penelope (Mark Palansky, 2006); Son of Rambow (Garth Jennings, 2007); Is Anybody There? (John Crowley, 2008); Franklyn (Gerald McMorrow, 2008); Burke and Hare (John Landis, 2010); and Hunky Dory (Marc Evans, 2011), for which Talbot developed orchestral arrangements of pop songs with the film's young actors and musicians, alongside writing the largely electronic score. In 2016, Talbot provided the score for animated movie Sing and received an Annie Award for Outstanding Achievement, Music in an Animated Feature Production.