Серб тілі: Тарихы, ерекшеліктері және қолданылуы

South Slavic language of the Balkans

Serbian (, ) is the standardized variety of the Serbo Croatian language mainly used by Serbs. It is the official and national language of Serbia, one of the three official languages of Bosnia and Herzegovina and co official in Montenegro and Kosovo. It is a recognized minority language in Croatia, North Macedonia, Romania, Hungary, Slovakia, and the Czech Republic. Standard Serbian is based on the most widespread dialect of Serbo Croatian, Shtokavian (more specifically on the dialects of Šumadija Vojvodina and Eastern Herzegovina), which is also the basis of standard Croatian, Bosnian, and Montenegrin varieties and therefore the Declaration on the Common Language of Croats, Bosniaks, Serbs, and Montenegrins was issued in 2017. The other dialect spoken by Serbs is Torlakian in southeastern Serbia, which is transitional to Macedonian and Bulgarian. Serbian is practically the only European standard language whose speakers are fully functionally digraphic, using both Cyrillic and Latin alphabets. The Serbian Cyrillic alphabet was devised in 1814 by Serbian linguist Vuk Karadžić, who created it based on phonemic principles. The Latin alphabet used for Serbian (latinica) was designed by the Croatian linguist Ljudevit Gaj in the 1830s based on the Czech system with a one to one grapheme phoneme correlation between the Cyrillic and Latin orthographies, resulting in a parallel system.

Serbian is a standardized variety of Serbo Croatian, a Slavic language (Indo European), of the South Slavic subgroup. Other standardized forms of Serbo Croatian are Bosnian, Croatian, and Montenegrin. "An examination of all the major 'levels' of language shows that BCS is clearly a single language with a single grammatical system." It has lower intelligibility with the Eastern South Slavic languages Bulgarian and Macedonian, than with Slovene (Slovene is part of the Western South Slavic subgroup, but there are still significant differences in vocabulary, grammar and pronunciation to the standardized forms of Serbo Croatian, although it is closer to the Kajkavian and Chakavian dialects of Serbo Croatian).

Serbian was the official language of Montenegro until October 2007 when the new Constitution of Montenegro replaced the Constitution of 1992. Amid opposition from pro Serbian parties, Montenegrin was made the sole official language of the country, and Serbian was given the status of a language in official use along with Bosnian, Albanian, and Croatian. In the 2011 Montenegrin census, 42.88% declared Serbian to be their native language, while Montenegrin was declared by 36.97% of the population.

Standard Serbian language uses both Cyrillic (ћирилица, ćirilica) and Latin script (latinica, латиница). Serbian is a rare example of synchronic digraphia, a situation where all literate members of a society have two interchangeable writing systems available to them. Media and publishers typically select one alphabet or the other. In general, the alphabets are used interchangeably; except in the legal sphere, where Cyrillic is required, there is no context where one alphabet or another predominates. Although Serbian language authorities have recognized the official status of both scripts in contemporary Standard Serbian for more than half of a century now, due to historical reasons, the Cyrillic script was made the official script of Serbia's administration by the 2006 Constitution. The Latin script continues to be used in official contexts, although the government has indicated its desire to phase out this practice due to national sentiment. The Ministry of Culture believes that Cyrillic is the "identity script" of the Serbian nation. However, the law does not regulate scripts in standard language, or standard language itself by any means, leaving the choice of script as a matter of personal preference and to the free will in all aspects of life (publishing, media, trade and commerce, etc. ), except in government paperwork production and in official written communication with state officials, which have to be in Cyrillic. In media, the public broadcaster, Radio Television of Serbia, predominantly uses the Cyrillic script whereas the privately run broadcasters, like RTV Pink, predominantly use the Latin script. Newspapers can be found in both scripts. In the public sphere, with logos, outdoor signage and retail packaging, the Latin script predominates, although both scripts are commonly seen. The Serbian government has encouraged increasing the use of Cyrillic in these contexts. Latin script has become more and more popular in Serbia, as it is easier to input on phones and computers.

Serbian is a highly inflected language, with grammatical morphology for nouns, pronouns and adjectives as well as verbs.

Adjectives in Serbian may be placed before or after the noun they modify, but must agree in number, gender and case with the modified noun.

Serbian verbs are conjugated in four past forms—perfect, aorist, imperfect, and pluperfect—of which the last two have a very limited use (imperfect is still used in some dialects, but the majority of native Serbian speakers consider it archaic), one future tense (also known as the first future tense, as opposed to the second future tense or the future exact, which is considered a tense of the conditional mood by some contemporary linguists), and one present tense. These are the tenses of the indicative mood. Apart from the indicative mood, there is also the imperative mood. The conditional mood has two more tenses: the first conditional (commonly used in conditional clauses, both for possible and impossible conditional clauses) and the second conditional (without use in the spoken language—it should be used for impossible conditional clauses). Serbian has active and passive voice. As for the non finite verb forms, Serbian has one infinitive, two adjectival participles (the active and the passive), and two adverbial participles (the present and the past).

Most Serbian words are of native Slavic lexical stock, tracing back to the Proto Slavic language. There are many loanwords from different languages, reflecting cultural interaction throughout history. Notable loanwords were borrowed from Greek, Latin, Italian, Turkish, Hungarian, English, Russian, German, Czech and French.

Serbian literature emerged in the Middle Ages, and included such works as Miroslavljevo jevanđelje (Miroslav's Gospel) in 1186 and Dušanov zakonik (Dušan's Code) in 1349. Little secular medieval literature has been preserved, but what there is shows that it was in accord with its time; for example, the Serbian Alexandride, a book about Alexander the Great, and a translation of Tristan and Iseult into Serbian. Although not belonging to the literature proper, the corpus of Serbian literacy in the 14th and 15th centuries contains numerous legal, commercial and administrative texts with marked presence of Serbian vernacular juxtaposed on the matrix of Serbian Church Slavonic. By the beginning of the 14th century the Serbo Croatian language, which was so rigorously proscribed by earlier local laws, becomes the dominant language of the Republic of Ragusa. However, despite her wealthy citizens speaking the Serbo Croatian dialect of Dubrovnik in their family circles, they sent their children to Florentine schools to become perfectly fluent in Italian. In the mid 15th century, Serbia was conquered by the Ottoman Empire and for the next 400 years there was no opportunity for the creation of secular written literature. However, some of the greatest literary works in Serbian come from this time, in the form of oral literature, the most notable form being epic poetry. The epic poems were mainly written down in the 19th century, and preserved in oral tradition up to the 1950s, a few centuries or even a millennium longer than by most other "epic folks". Goethe and Jacob Grimm learned Serbian in order to read Serbian epic poetry in the original. By the end of the 18th century, the written literature had become estranged from the spoken language. In the second half of the 18th century, the new language appeared, called Slavonic Serbian. This artificial idiom superseded the works of poets and historians like Gavrilo Stefanović Venclović, who wrote in essentially modern Serbian in the 1720s. These vernacular compositions have remained cloistered from the general public and received due attention only with the advent of modern literary historians and writers like Milorad Pavić. In the early 19th century, Vuk Stefanović Karadžić promoted the spoken language of the people as a literary norm.

Vuk Karadžić's Srpski rječnik, first published in 1818, is the earliest dictionary of modern literary Serbian. The Rječnik hrvatskoga ili srpskoga jezika (I–XXIII), published by the Yugoslav Academy of Sciences and Arts from 1880 to 1976, is the only general historical dictionary of Serbo Croatian. Its first editor was Đuro Daničić, followed by Pero Budmani and the famous Vukovian Tomislav Maretić. The sources of this dictionary are, especially in the first volumes, mainly Štokavian. There are older, pre standard dictionaries, such as the 1791 German–Serbian dictionary or 15th century Arabic Persian Greek Serbian Conversation Textbook.

Dictionary of Serbo Croatian Literary and Vernacular Language (Rečnik srpskohrvatskog književnog i narodnog jezika) is the biggest dictionary of Serbian (and Serbo Croatian as a whole) and still unfinished. Starting in 1959, 21 volumes were published as of 2020 and about 40 are expected by the time it is finished. Dictionary of Serbo Croatian Literary Language (Rečnik srpskohrvatskoga književnog jezika) in six volumes in 1967–1976, started as a common project of Matica srpska (published in Cyrillic) and Matica hrvatska (published in Latin). Only the first three volumes were published by Matica hrvatska due to negative feedback from Croatian linguists. Dictionary of the Serbian language (Rečnik srpskoga jezika; ) in one volume, published in 2007 by Matica srpska, which on more than 1500 pages in A4 format explains more than 85,000 entries.

The standard and the only completed etymological dictionary of Serbian is the "Skok", written by the Croatian linguist Petar Skok: Etimologijski rječnik hrvatskoga ili srpskoga jezika ("Etymological Dictionary of Croatian or Serbian"). I IV. Zagreb 1971–1974. There is also a new monumental Etimološki rečnik srpskog jezika (Etymological Dictionary of Serbian). So far, two volumes have been published: I (with words on A ), and II (Ba Bd). There are specialized etymological dictionaries for German, Italian, Croatian, Turkish, Greek, Hungarian, Russian, English and other loanwords (cf. chapter word origin).