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Garden enclosed in high walls

A walled garden is a garden enclosed by high walls, especially when this is done for horticultural rather than security purposes, although originally all gardens may have been enclosed for protection from animal or human intruders. In temperate climates, especially colder areas, such as Scotland, the essential function of the walling of a garden is to shelter the garden from wind and frost, though it may also serve a decorative purpose. Kitchen gardens were very often walled, which segregated them socially, allowing the gardeners, who were usually expected to vanish from the "pleasure gardens" when the occupants of the house were likely to be about, to continue their work. The walls, which were sometimes heated, also carried fruit trees trained as espaliers. Historically, and still in many parts of the world, nearly all urban houses with any private outside space have high walls for security, and any small garden was thus walled by default. The same was true of many rural houses and other buildings, for example religious ones. In palaces and most country houses, the whole plot, including even a very large garden, was also walled or at least fenced, sometimes with (much more expensive) metal railings along those parts of the boundary giving the best views to show off the splendour of the residence, as at the Palace of Versailles, Buckingham Palace and many others. In some cases there was originally a fence or hedging, but a wall was added later when funds allowed. In particular, hiring local labour to build a wall was considered a praiseworthy method of famine relief for the rich, and many walls round the grounds of country houses in the British Isles date to the famine years of the 1840s. The horticultural, and also social, advantages of a walled garden meant that kitchen gardens often form or formed a walled compand within a larger walled compound. Sometimes this was for the security of the plants; in the 1630s the royal botanical garden of France (now the Jardin des plantes), itself walled all round, had an inner walled off tulip garden, as the bulbs were valuable and prone to thefts. Metaphorically, "walled garden" may be used in many contexts (often pejoratively) to indicate a space, usually not a literal physical location, which is or is seen as closed to outsiders. One example is the closed platform in computing.

A number of walled gardens in Britain have a hot wall or fruit wall, a hollow wall with a central cavity, or openings in the wall on the side facing towards the garden, so that fires could be lit inside the wall to provide additional heat to protect the fruit growing against the wall. Heat would escape into the garden through these openings, and the smoke from the fires would be directed upwards through chimneys or flues. This kind of hollow wall is found at Croxteth Hall in Liverpool (England), and Eglinton Country Park and Dunmore House, both in Scotland. At Croome Court an 18th century cavity wall had a number of small furnaces to supply gentle heat (see below). In the 1800s, such walls were lined with pipes and connected to a boiler, as at Bank Hall in Bretherton.

The traditional design of a walled garden, split into four quarters separated by paths, and a wellhead or pool at the centre, dates back to the very earliest gardens of Persia. The hortus conclusus or "enclosed garden" of High Medieval Europe was more typically enclosed by hedges or fencing, or the arcades of a cloister; though some protection from weather and effective protection from straying animals was afforded, these were not specifically walled gardens.

In the United Kingdom, many country houses had walled kitchen gardens which were distinct from decorative gardens. One acre of a kitchen garden was expected to provide enough produce to feed twelve people, and these gardens ranged in size from one acre up to twenty or thirty acres depending on the size of the household. Kitchen gardens received their greatest elaboration in the second half of the nineteenth century. Many of these labor intensive gardens fell into disuse in the twentieth century, but some have been revived as decorative gardens, and others used to produce fruits, vegetables or flowers. Susan Campbell, in a book devoted to walled kitchen gardens, mentions several factors which contribute to how productive a kitchen garden is. Productivity depended upon the suitability of the situation, and successful gardens depended on the availability of water, manure, heat, wall space, storage space, workrooms, and most importantly, a dedicated team of gardeners.

British examples of walled gardens can be found at Alnwick Castle, Castle Bromwich Hall Gardens, Fulham Palace, Goodnestone Park, Luton Hoo, Osborne House, Polesden Lacey, Shugborough Hall, and Trengwainton Garden in England; Bodysgallen Hall (Wales); Edzell Castle, Muchalls Castle and Myres Castle (Scotland). The walled kitchen garden at Croome Court, Worcestershire is reputedly the largest 18th century walled kitchen garden in Europe. It is in private ownership and has been restored by the current owners. In about 1806, a 13 feet (4 m) high free standing east–west hot wall was built, slightly off centre, serviced by five furnaces; this is historically significant as it is one of the first such structures to be built. The walled kitchen garden at Chilton Foliat, Wiltshire, was the subject of the 1987 television documentary series The Victorian Kitchen Garden.

In the story of Susanna and the Elders, a walled garden is the scene of both an alleged tryst and an attempted rape. Because of the walls, the community is unable to determine which actually occurred. In John William Waterhouse's interpretation of the myth of Cupid and Psyche, Psyche lived in Cupid's walled garden. Much of the storyline of Frances Hodgson Burnett's children's story The Secret Garden revolves around a walled garden which has been locked for ten years. The author was inspired by Great Maytham Hall in Kent. "Rappaccini's Daughter", a short story by Nathaniel Hawthorne, takes place almost entirely within the confines of a walled garden in which Beatrice, the lovely daughter of a mad scientist, lives alongside gorgeous but lethal flowers. In The Last Enchantment, the third book in Mary Stewart's novels of the Arthurian legend, Merlin constructs a heated wall for his garden at Applegarth.