Пино́й: Филиппин азаматтарының сөйлеу тіліндегі атауы

Colloquial demonym of the Philippines

Pinoy (/p//ɪ/'/n//ɔɪ/ ) is a common informal self reference used by Filipinos to refer to citizens of the Philippines and their culture as well as to overseas Filipinos in the Filipino diaspora. A Pinoy who has any non Filipino foreign ancestry is often informally called Tisoy. Many Filipinos refer to themselves as Pinoy, sometimes the feminine Pinay (/p//ɪ/'/n//aɪ/ ), instead of the standard term Filipino. Pinoy was created to differentiate the experiences of those immigrating to the United States, but is now a slang term used to refer to all people of Filipino descent. and music (Pinoy Idol), which have played a significant role in developing national and cultural identity.

The term Pinoy was coined by expatriate Filipino Americans during the 1920s and was later adopted by Filipinos in the Philippines. According to historian Dawn Mabalon, the historical use has been to refer to Filipinos born or living in the United States and has been in constant use since the 1920s. She adds that it was reclaimed and politicized by "Filipina/o American activists and artists in the FilAm movements of the 1960s/1970s". The following are the more notable earliest usages:

In the United States, the earliest published usage known is in a Republic article written in January 1924 by Dr. J. Juliano, a member of the faculty of the Schurz school in Chicago – "Why does a Pinoy take it as an insult to be taken for a Shintoist or a Confucian?" and "What should a Pinoy do if he is addressed as a Chinese or a Jap?" According to the late Filipino American historian Dawn Bohulano Mabalon, another early attestation of the terms "Pinoy" and "Pinay" was in a 1926 issue of the Filipino Student Bulletin. The article that featured the terms is titled "Filipino Women in U. S. Excel in Their Courses: Invade Business, Politics."

In the Philippines, the earliest published usage known is from December 1926, in History of the Philippine Press, which briefly mentions a weekly Spanish Visayan English publication called Pinoy based in Capiz and published by the Pinoy Publishing Company. In 1930, the Manila based magazine Khaki and Red: The Official Organ of the Constabulary and Police printed an article about street gangs stating "another is the 'Kapatiran' gang of Intramuros, composed of patrons of pools rooms who banded together to 'protect pinoys' from the abusive American soldados."

The desire to self identify can likely be attributed to the diverse and independent history of the archipelagic country – comprising 7,107 islands in the western Pacific Ocean – which trace back 30,000 years before being colonized by Spain in the 16th century and later occupied by the United States, which led to the outbreak of the Philippine–American War (1899–1902). The Commonwealth of the Philippines was established in 1935 with the country gaining its independence in 1946 after hostilities in the Pacific Theatre of the Second World War had ended. The Philippines have over 170 languages indigenous to the area, most of which belong to the Malayo Polynesian branch of the Austronesian language family. In 1939, then president Manuel L. Quezon renamed the Tagalog language as the Wikang Pambansa ("national language"). The language was further renamed in 1959 as Filipino by Secretary of Education Jose Romero. The 1973 constitution declared the Filipino language to be co official, along with English, and mandated the development of a national language to be known as Filipino. Since then, the two official languages are Filipino and English. As of 2003 there are more than eleven million overseas Filipinos worldwide, equivalent to about 11% of the total population of the Philippines.

Pinoy is first used by Filipino poet Carlos Bulosan, in his 1946 semi autobiography, America Is in the Heart – "The Pinoys work every day in the fields but when the season is over their money is in the Chinese vaults." The book describes his childhood in the Philippines, his voyage to America, and his years as an itinerant laborer following the harvest trail in the rural West. The music was a "conscious attempt to create a Filipino national and popular culture" and it often reflected social realities and problems. "Pinoy" gained popular currency in the late 1970s in the Philippines when a surge in patriotism made a hit song of Filipino folk singer Heber Bartolome's "Tayo'y mga Pinoy" ("We are Pinoys"). This trend was followed by Filipino rapper Francis Magalona's "Mga Kababayan Ko" ("My Countrymen") in the 1990s and Filipino rock band Bamboo's "Noypi" ("Pinoy" in reversed syllables) in the 2000s. Nowadays, Pinoy is used as an adjective to some terms highlighting their relationship to the Philippines or Filipinos. Pinoy rock was soon followed by Pinoy folk and later, Pinoy jazz. Although the music was often used to express opposition to then Philippine president Ferdinand Marcos and his use of martial law and the creating of the Batasang Bayan, many of the songs were more subversive and some just instilled national pride. Perhaps because of the cultural affirming nature and many of the songs seemingly being non threatening, the Marcos administration ordered radio stations to play at least one – and later, three – Pinoy songs each hour. Pinoy music was greatly employed both by Marcos and political forces who sought to overthrow him.