Аллан Блум: Американ философы, классигі және ғалымы

American philosopher, classicist, and academician (1930–1992)
the American philosopher

Allan David Bloom (September 14, 1930 – October 7, 1992) was an American philosopher, classicist, and academician. He studied under David Grene, Leo Strauss, Richard McKeon, and Alexandre Kojève. He subsequently taught at Cornell University, the University of Toronto, Tel Aviv University, Yale University, the École normale supérieure, and the University of Chicago. Bloom championed the idea of Great Books education and became famous for his criticism of contemporary American higher education, with his views being expressed in his bestselling 1987 book, The Closing of the American Mind. Characterized as a conservative in the popular media, Bloom denied the label, asserting that what he sought to defend was the "theoretical life". Saul Bellow wrote Ravelstein, a roman à clef based on Bloom, his friend and colleague at the University of Chicago.

Bloom was born in Indianapolis, Indiana, to second generation Jewish parents who were both social workers. The couple had a daughter, Lucille, two years earlier. As a thirteen year old, Bloom read a Reader's Digest article about the University of Chicago and told his parents he wanted to attend; his parents thought it was unreasonable and did not encourage his hopes. Yet, when his family moved to Chicago in 1944, his parents met a psychiatrist and family friend whose son was enrolled in the University of Chicago's humanities program for gifted students. In 1946, Bloom was accepted to the same program, starting his degree at the age of fifteen, and spending the next decade of his life enrolled at the university in Chicago's Hyde Park neighborhood. In the preface to Giants and Dwarfs: Essays, 1960–1990, he stated that his education "began with Freud and ended with Plato". The theme of this education was self knowledge, or self discovery—an idea that Bloom would later write, seemed impossible to conceive of for a Midwestern American boy. He credits Leo Strauss as the teacher who made this endeavor possible for him. Bloom graduated from the University of Chicago with a bachelor's degree at the age of 18. One of his college classmates was the classicist Seth Benardete. For post graduate studies, he enrolled in the University of Chicago's Committee on Social Thought, where he was assigned classicist David Grene as tutor. Bloom went on to write his thesis on Isocrates. Grene recalled Bloom as an energetic and humorous student completely dedicated to studying classics, but with no definite career ambitions.

Bloom studied and taught in Paris (1953–55) at the École normale supérieure, and Germany (1957). Upon returning to the United States in 1955, he taught adult education students at the University of Chicago with his friend Werner J. Dannhauser, author of Nietzsche's View of Socrates. Bloom went on to teach at Yale from 1960 to 1963, at Cornell until 1970, and at the University of Toronto until 1979, when he returned to the University of Chicago. Among Bloom's former students are prominent journalists, government officials and political scientists such as Francis Fukuyama, Robert Kraynak, Pierre Hassner, Clifford Orwin, Janet Ajzenstat, John Ibbitson, James Ceaser, and Thomas Pangle. In 1963, as a professor at Cornell, Allan Bloom served as a faculty member of the Cornell Branch of the Telluride Association, an organization focused on intellectual development and self governance. The students received free room and board in the Telluride House on the Cornell University campus and assumed the management of the house themselves. While living at the house, Bloom befriended former U. S. Secretary of Labor Frances Perkins. Bloom's first book was a collection of three essays on Shakespeare's plays, Shakespeare's Politics; it included an essay from Harry V. Jaffa. He translated and commented upon Rousseau's "Letter to M. d'Alembert on the Theater", bringing it into dialogue with Plato's Republic. In 1968, he published his most significant work of philosophical translation and interpretation, a translation of Plato's Republic. Bloom strove to achieve "translation for the serious student". The preface opens on page xi with the statement, "this is intended to be a literal translation." Although the translation is not universally accepted, Bloom said he always conceptualized the translator's role as a matchmaker between readers and the texts he translated. He repeated this effort as a professor of political science at the University of Toronto in 1978, translating Jean Jacques Rousseau's Emile. Among other publications during his years of teaching was a reading of Swift's Gulliver's Travels, titled "Giants and Dwarfs"; it became the title for a collection of essays on, among others, Raymond Aron, Alexandre Kojève, Leo Strauss, and liberal philosopher John Rawls. Bloom was an editor for the scholarly journal Political Theory as well as a contributor to History of Political Philosophy (edited by Joseph Cropsey and Leo Strauss). After returning to Chicago, he befriended and taught courses with Saul Bellow. In 1987 Bellow wrote the preface to The Closing of the American Mind. Bloom's last book, which he dictated while in the hospital dying, and which was published posthumously, was Love and Friendship, an offering of interpretations on the meaning of love. There is an ongoing controversy over Bloom's semi closeted homosexuality, possibly culminating, as in Saul Bellow's thinly fictionalized account in Ravelstein, in his death in 1992 from AIDS. Bloom's friends do not deny his homosexuality, but whether he actually died of AIDS remains disputed.

Bloom attempted to preserve a philosophical way of life for future generations through both scholarly and popular writing. His writings may be placed into two categories: scholarly (e. g., Plato's Republic) and popular political commentary (e. g., The Closing of the American Mind).

Bloom's translation and essay on the Republic is radically different in many important aspects from the previous translations and interpretations of the Republic. Most notable is Bloom's discussion of Socratic irony. In fact, irony is the key to Bloom's understanding of the Republic (see his discussion of Books II–VI of the Republic.) Allan Bloom says a philosopher is immune to irony because he can see the tragic as comic and comic as tragic. Bloom refers to Socrates, the philosopher par excellence, in his Interpretative Essay stating, "Socrates can go naked where others go clothed; he is not afraid of ridicule. He can also contemplate sexual intercourse where others are stricken with terror; he is not afraid of moral indignation. In other words he treats the comic seriously and the tragic lightly". Thus irony in the Republic refers to the "Just City in Speech", which Bloom looks at not as a model for future society, nor as a template for the human soul; rather, it is a city presented ironically, an example of the distance between philosophy and every potential philosopher. Bloom follows Strauss in suggesting that the "Just City in Speech" is not natural; it is man made.

Some reviewers, such as Norman Gulley, criticized the quality of both the translation and the essay itself.

The Closing of the American Mind was published in 1987, five years after Bloom published an essay in National Review about the failure of universities to serve the needs of students. With the encouragement of Saul Bellow, his colleague at the University of Chicago, he expanded his thoughts into a book "about a life I've led", it became an unexpected best seller, eventually selling close to half a million copies in hardback and remaining at number one on The New York Times Bestseller List for nonfiction for four months. The book is a critique of the contemporary university and how Bloom sees it as failing its students. In it, Bloom criticizes the modern movements in philosophy and the humanities. Philosophy professors involved in ordinary language analysis or logical positivism disregard important "humanizing" ethical and political issues and fail to pique the interest of students. Literature professors involved in deconstructionism promote irrationalism and skepticism of standards of truth and thereby dissolve the moral imperatives which are communicated through genuine philosophy and which elevate and broaden the intellects of those who engage with them. To a great extent, Bloom's criticism revolves around his belief that the "great books" of Western thought have been devalued as a source of wisdom. Bloom's critique extends beyond the university to speak to the general crisis in American society. The Closing of the American Mind draws analogies between the United States and the Weimar Republic. The modern liberal philosophy, he says, enshrined in the Enlightenment thought of John Locke—that a just society could be based upon self interest alone, coupled by the emergence of relativism in American thought—had led to this crisis. For Bloom, this created a void in the souls of Americans, into which demagogic radicals as exemplified by 1960s student leaders could leap. (In the same fashion, Bloom suggests, the Nazi brownshirts once filled the gap created in German society by the Weimar Republic.) In the second instance, he argued, the higher calling of philosophy and reason understood as freedom of thought, had been eclipsed by a pseudo philosophy, or an ideology of thought. Relativism was one feature of modern liberal philosophy that had subverted the Platonic–Socratic teaching. Bloom's critique of contemporary social movements at play in universities or society at large is derived from his classical and philosophical orientation. For Bloom, the failure of contemporary liberal education leads to the sterile social and sexual habits of modern students, and to their inability to fashion a life for themselves beyond the mundane offerings touted as success. Bloom argues that commercial pursuits had become more highly valued than love, the philosophic quest for truth, or the civilized pursuits of honor and glory. In one chapter, in a style of analysis which resembles the work of the Frankfurt School, he examined the philosophical effects of popular music on the lives of students, placing pop music, or as it is generically branded by record companies "rock music", in a historical context from Plato's Republic to Nietzsche's Dionysian longings. Treating it for the first time with genuine philosophical interest, he gave fresh attention to the industry, its target marketing to children and teenagers, its top performers, its place in the late capitalist bourgeois economy, and its pretensions to liberation and freedom. Some critics, including the popular musician Frank Zappa, argued that Bloom's view of pop music was based on the same ideas that critics of pop "in 1950s held, ideas about the preservation of 'traditional' white American society". Bloom, informed by Socrates, Aristotle, Rousseau, and Nietzsche, explores music's power over the human soul. He cites the soldier who throws himself into battle at the urging of the drum corps, the pious believer who prays under the spell of a religious hymn, the lover seduced by the romantic guitar, and points towards the tradition of philosophy that treated musical education as paramount. He names the pop star Mick Jagger as a cardinal representative of the hypocrisy and erotic sterility of pop rock music. Pop music employs sexual images and language to enthrall the young and to persuade them that their petty rebelliousness is authentic politics, when, in fact, they are being controlled by the money managers whom successful performers like Jagger quietly serve. Bloom claims that Jagger is a hero to many university students who envy his fame and wealth but are really just bored by the lack of options before them. Along with the absence of literature in the lives of the young and their sexual but often unerotic relationships, the first part of The Closing tries to explain the current state of education in a fashion beyond the purview of an economist or psychiatrist—contemporary culture's leading umpires.

The book met with early critical acclaim including positive reviews in The New York Times, Time, Newsweek, the Chronicle of Higher Education, and The Washington Post. A second round of reviews was generally more critical. Martha Nussbaum, a political philosopher and classicist, and Harry V. Jaffa, a conservative, both argued that Bloom was deeply influenced by 19th century European philosophers, especially Friedrich Nietzsche. Nussbaum wrote that, for Bloom, Nietzsche had been disastrously influential in modern American thought. In a passage of her review, Nussbaum wrote: "How good a philosopher, then, is Allan Bloom? The answer is, we cannot say, and we are given no reason to think him one at all." David Rieff called Bloom "an academic version of Oliver North: vengeful, reactionary, antidemocratic". The book, he said, was one that "decent people would be ashamed of having written." The tone of these reviews led James Atlas in The New York Times Magazine to conclude that "the responses to Bloom's book have been charged with a hostility that transcends the usual mean spiritedness of reviewers." Some critics embraced Bloom's argument. Norman Podhoretz noted that the closed mindedness in the title refers to the paradoxical consequence of the academic "open mind" found in liberal political thought—namely "the narrow and intolerant dogmatism" that dismisses any attempt, by Plato or the Hebrew Bible for example, to provide a rational basis for moral judgments. Podhoretz continued, "Bloom goes on to charge liberalism with vulgarizing the noble ideals of freedom and equality, and he offers brilliantly acerbic descriptions of the sexual revolution and the feminist movement, which he sees as products of this process of vulgarization." In a 1989 article, Ann Clark Fehn discusses the critical reception of the book, noting that it had eclipsed other titles that year dealing with higher education—Ernest Boyer's College and E. D. Hirsch's Cultural Literacy—and quoting Publishers Weekly which had described Bloom's book as a "best seller made by reviews." Camille Paglia, a decade after the book's release, called it "the first shot in the culture wars". An early New York Times review by Roger Kimball called the book "an unparalleled reflection on the whole question of what it means to be a student in today's intellectual and moral climate." In an article on Bloom for The New Republic in 2000, conservative commentator Andrew Sullivan wrote that "reading [Bloom] one feels he has not merely understood Nietzsche; he has imbibed him. But this awareness of the abyss moved Bloom, unlike Nietzsche, toward love and political conservatism. Love, whether for the truth or for another, because it can raise us out of the abyss. Political conservatism because it best restrains the chaos that modernity threatens". More recently, Bloom's book also received a more positive re assessment from Jim Sleeper in The New York Times. Of the work, Andrew Sullivan wrote "you cannot read [Bloom] on Romeo and Juliet or Antony and Cleopatra without seeing those works in a new light. You cannot read his account of Rousseau's La nouvelle Heloise without wanting to go back and read it—more closely—again Bloom had a gift for reading reality—the impulse to put your loving face to it and press your hands against it".

Bloom was gay. His last book, Love and Friendship, was dedicated to his companion, Michael Z. Wu. Whether or not he died of AIDS is a subject of controversy.

Bloom, Allan, and Harry V. Jaffa. 1964. Shakespeare's Politics. New York: Basic Books. Bloom, Allan. 1968 (2nd ed 1991). The Republic of Plato. (translated with notes and an interpretive essay). New York: Basic Books. Bloom, Allan, Charles Butterworth, Christopher Kelly (Edited and translated), and Jean Jacques Rousseau. 1968. Letter to d'Alembert on the theater in politics and the arts. Ithaca, NY: Cornell University Press; Agora ed. Bloom, Allan, and Jean Jacques Rousseau. 1979. Emile (translator) with introduction. New York: Basic Books. Alexandre Kojève (Raymond Queneau, Allan Bloom, James H. Nichols). Introduction to the reading of Hegel. Cornell, 1980. Bloom, Allan. 1987. The Closing of the American Mind. New York: Simon & Schuster. Bloom, Allan, and Steven J. Kautz ed. 1991. Confronting the Constitution: The challenge to Locke, Montesquieu, Jefferson, and the Federalists from Utilitarianism, Historicism, Marxism, Freudism. Washington, DC: American Enterprise Institute for Public Policy Research. Bloom, Allan. 1991. Giants and Dwarfs: Essays, 1960–1990. New York: Touchstone Books. Bloom, Allan. 1993. Love and Friendship. New York: Simon & Schuster. Bloom, Allan. 2000. Shakespeare on Love & Friendship. Chicago: University of Chicago Press. Plato, Seth Benardete, and Allan Bloom. 2001. Plato's Symposium: A translation by Seth Benardete with commentaries by Allan Bloom and Seth Benardete. Chicago: University of Chicago Press.