Құрбан болғандарды еске алуға арналған әрікше тігілген көрпе

Memorial quilt project honoring lives lost to AIDS related causes

The NAMES Project AIDS Memorial Quilt, often abbreviated to AIDS Memorial Quilt or AIDS Quilt, is a memorial to celebrate the lives of people who have died of AIDS related causes. Weighing an estimated 54 tons, it is the largest piece of community folk art in the world as of 2020. It was conceived in 1985, during the early years of the AIDS pandemic, when social stigma prevented many AIDS victims from receiving funerals. It has been displayed on the Mall in Washington, D. C., several times. In 2020, it returned to San Francisco, where it is now cared for by the National AIDS Memorial. It can be seen virtually.

The idea for the NAMES Project Memorial Quilt was conceived on November 27, 1985, by AIDS activist Cleve Jones during the annual candlelight march, in remembrance of the 1978 assassinations of San Francisco Supervisor Harvey Milk and Mayor George Moscone. For the march, Jones had people write the names of loved ones that were lost to AIDS related causes on signs, and then they taped the signs to the old San Francisco Federal Building. All the signs taped to the building looked like an enormous patchwork quilt to Jones, and he was inspired. The NAMES Project officially started in 1987 in San Francisco by Jones, Mike Smith, and volunteers Joseph Durant, Jack Caster, Gert McMullin, Ron Cordova, Larkin Mayo, Steve Kirchner, and Gary Yuschalk. Lacking a memorial service or grave site, the Quilt was often the only opportunity survivors had to remember and celebrate their loved ones' lives. Volunteers created hundreds and later thousands of panels in a storefront on Market Street. The Quilt is a memorial to and celebration of the lives of people lost to the AIDS pandemic which marks it as a prominent forerunner of the twentieth century shift in memorial design that moved towards celebrating victims or survivors.

The Quilt made its first public appearance on October 11, 1987, during the Second National March on Washington for Lesbian and Gay Rights on the National Mall. Comprising 1,920 panels and covering an area larger than a football field, 48 volunteers ceremonially unfolded the Quilt at sunrise. Participants read aloud the names represented in the Quilt, establishing a tradition followed at subsequent displays. The event drew half a million visitors that weekend.

The inaugural national tour of The Quilt took place in spring and summer 1988, raising nearly half a million dollars. Assisted by over 9,000 volunteers, a seven person crew traveled, displayed, and expanded The Quilt. Local panels added in each city tripled its size from 1,920 to over 6,000 panels by the tour's conclusion. The 1989 Quilt North America Tour visited 19 U. S. cities, including 7 in Canada, coinciding with local LGBT events in June and July, laying the groundwork for the Canadian AIDS Memorial Quilt. By October, the Quilt featured over 12,000 panels and was once again exhibited on The Ellipse in Washington, D. C.

In October 1992, the entire Quilt, featuring panels from every state and 28 countries, was displayed on Washington's National Mall. The quilt, more than 10 times its original size, with over 21,000 handmade panels, stretched from the base of the Washington Monument to the Lincoln Memorial in Presidents Park. During President Clinton's inaugural parade on January 20, 1993, the NAMES Project participated with over 200 volunteers marching down Pennsylvania Avenue, carrying 90 Quilt panels. Spanning the National Mall from the Washington Monument to the U. S. Capitol in Washington, The Quilt attracted nearly 1.2 million visitors in October 1996. Over the three day event, more than 40,000 panels were displayed. In June 2004, The Quilt featured over 8,000 new panels created since the 1996 exhibit. The display took place on The Ellipse in Washington, in observance of National HIV Testing Day. For the AIDS Memorial Quilt's 25th anniversary in July 2012, comprising over 48,000 panels honoring 94,000 lives lost to AIDS, it returned to the National Mall and 50 sites around D. C. during the XIX International AIDS Conference. Due to its size, organizers rotated 1,500 panels daily at the Smithsonian Folklife Festival. This event marked the quilt's last full exhibition since 1996. As of 2020, the AIDS Memorial Quilt is available online, featuring 50,000 panels with nearly 110,000 names sewn into them. The collection is searchable by block number or name, allowing users to read the stories stitched into each panel. A guide is provided for navigating the collection if required. In June 2022, the National AIDS Memorial commemorated the 35th anniversary of the AIDS Memorial Quilt with a significant outdoor display in Golden Gate Park's Robin Williams Meadow. The exhibition showcased 3,000 panels, offering a poignant tribute to lives affected by AIDS.

In 1997, the NAMES Project headquarters moved from San Francisco to Washington, D. C., and in 2001 the quilt panels were moved from San Francisco to Atlanta, Georgia. The NAMES Project Foundation was headquartered in Atlanta. In 2019, the organization announced that the Quilt would be relocating to San Francisco under the permanent care and stewardship of the National AIDS Memorial. In 2020, its archives were relocated to the American Folklife Center at the Library of Congress. The AIDS Memorial Quilt is warehoused in San Francisco when not being displayed, and continues to grow, consisting of more than 50,000 individual memorial panels (to over 110,000 people) and weighing an estimated 54 tons as of 2022.

Those who submit panels do not have to know the person, but they do have to feel some sort of connection with the individual that they want people to recognize. For example, to memorialize Queen lead singer Freddie Mercury, there were many panels made, two of which were a solid white background with a blue and black guitar, and "Freddy Mercury" written down the sides in black, with the AIDS ribbon above his name, and a purple silk with "Freddie Mercury", "Queen", and "1946–1991" in silver applique, along with two pictures of Mercury with Queen. Many panels were also made for the actor Rock Hudson, one of which consisted of a navy blue background with silver "Rock Hudson" and stars, above a rainbow with the word "Hollywood". Other panels are made by loved ones and then attached to make one large block. Some are flamboyant and loud, whereas some are more muted and simple.

Panels have been accessioned into the collection of the Smithsonian Institution National Museum of American History (accession number 1998.0254.01) and featured in the book The Smithsonian's History of America in 101 Objects.

The NAMES Project was nominated for a Nobel Peace Prize in 1989. In 2002 the NAMES Project Chicago Chapter was inducted into the Chicago Gay and Lesbian Hall of Fame.

The Quilt is the subject of the 1989 Peabody Award and Academy Award winning documentary film, Common Threads: Stories from the Quilt, produced by Rob Epstein and Bill Couturié, and narrated by Dustin Hoffman. Never to Be Forgotten is a Philo T. Farnsworth Award winning 54 minute video created by Karen Peper which documents the Quilt's June 1988 visit to Detroit, Michigan. This display was part of a 20 city tour initiated immediately after the 1987 Washington, DC inaugural showing. The video begins with footage of the opening ceremony from the Washington DC display and then moves to coverage of the Detroit event. Included are the opening and closing ceremonies at Cobo Hall along with a look at the set up and take down of the display. Volunteers share their feelings about participating in the event and the viewer is given a close up look at the individual panels. Peper also shot extensive footage of the Quilt's visit to Columbus, OH; Chicago, IL; and the 1987, 1993, and 1996 Washington, D. C., showings. (All video footage is archived at ONE Archives at the USC Libraries in Los Angeles, CA.)

Songwriter Tom Brown wrote the song "Jonathan Wesley Oliver, Jr." about the Quilt in 1988. In 1990, John Corigliano's Symphony No. 1, inspired by The AIDS Memorial Quilt, premiered in New York. Elegies for Angels, Punks and Raging Queens, a song cycle developed in the late 1980s with music by Janet Hood and lyrics and additional text by Bill Russell, features songs and monologues inspired by The Quilt. In 1992 The AIDS Quilt Songbook premiered, a collection of new musical works about the devastation of AIDS compiled by lyric baritone William Parker, who solicited them from composers with whom he had previously worked. Washington D. C.'s Different Drummers (DCDD) and the Lesbian and Gay Chorus of Washington (LGCW) commissioned Quilt Panels from composer Robert Maggio, and the piece premiered in 2003. The NAMES Project was the basis for the musical Quilt, A Musical Celebration.

The Quilt was displayed on the ABC Soap Opera "One Life to Live" in 1992. The AIDS Memorial Quilt was mentioned and shown during the years that General Hospital held their Nurses Ball (1994–2001) and raised money for AIDS research. The show's fictional character, Michael "Stone" Cates, was celebrated with a quilt block in 1996. In A&E's Biography of the 100 Most Influential People of the Millennium, the 94th individual featured is "Patient Zero," recognized as the first AIDS victim. The AIDS Memorial Quilt is showcased at 9:17 within the program, which aired in 1999 and includes footage from the National Mall. The Quilt is displayed in the last scene of the Showtime miniseries Fellow Travelers in 2023.

Cartoonist Gerard Donelan, specializing in single panel comics depicting gay men and women in everyday life, contributed cartoons, pamphlets, and posters to the NAMES Project. These pieces were meant to spread awareness about safe sex practices for gay people and to garner support for the NAMES Project.

In November 2019 the NAMES Project Foundation and House Speaker Nancy Pelosi announced that the quilt would relocate to San Francisco under the permanent care and stewardship of the National AIDS Memorial starting in 2020. The Project's archives were gifted to the joint care with the American Folklife Center at the U. S. Library of Congress, allowing for greater public access. This action returns the quilt to San Francisco, where the project began.