Жизнь с Дживсом: Мюзикл о Берти Вустере и его камердинере

Musical

By Jeeves, originally Jeeves, is a musical with music by Andrew Lloyd Webber, and lyrics and book by Alan Ayckbourn. It is based on the series of novels and short stories by P. G. Wodehouse that centre around the character of Bertie Wooster and his loyal valet, Jeeves. Premiering on April 22, 1975, at Her Majesty's Theatre in London, the show flopped initially, running for only a month. After an extensive rewrite, the show was produced in 1996 in both London and America, and premiered on Broadway in 2001.

Tim Rice conceived the idea of turning P. G. Wodehouse's Jeeves stories into a musical. Originally, he was to work with his then partner, Andrew Lloyd Webber, but Rice backed out of the project. Eventually Lloyd Webber teamed up with famed British playwright Alan Ayckbourn, and the two of them began work with the personal blessing of Wodehouse. Ayckbourn utilised characters and plot lines from several Jeeves and Wooster stories, notably The Code of the Woosters. The action takes place at the East London Club for Unmanageable Boys, where Bertie Wooster is playing a banjo concert; his banjo keeps breaking down, so he is forced to tell stories to pass the time while Jeeves is sent off to fetch new strings. Bertie recounts how he managed to become engaged to three ladies simultaneously and how his valet Jeeves (through ingenious intervention) unravelled the complications. Tryout performances were held at the Bristol Hippodrome between 20 March and 5 April 1975. According to the programme, the Bristol show was presented by David Land and Guy Bolton. Unfortunately, the loyalty to the Wodehouse material made for an epic length (four and three quarter hours at the Bristol tryouts), and reducing the duration made for creative tensions. Rows broke out about the presence of an all male singing sextet accompanying Bertie Wooster and the realization that the first woman did not appear on stage until thirty five minutes had passed. Lloyd Webber wrote a period score that eschewed all traces of the pop inflections of his work on Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar. The sound of trumpets, banjos and saxophones for this score were written by a group of arrangers: Keith Amos, Don Walker, Lloyd Webber himself and his future orchestrator, David Cullen. The show opened in London on 22 April 1975 at Her Majesty's Theatre, starring David Hemmings as Bertie Wooster and Michael Aldridge as Jeeves. The role of Madeleine Bassett was performed by T. V. actress Gabrielle Drake. Other cast members included Debbie Bowen, Gordon Clyde, Angela Easterling, John Turner, Bill Wallis and David Wood. Actress Betty Marsden was cast as Aunt Dahlia, but the role and the accomplished actress were released before opening night. The director Eric Thompson (father of actress Emma Thompson) was fired just before the opening, so Ayckbourn himself stepped in, aided by choreographer Christopher Bruce. The production received poor reviews and closed after little over a month and 38 performances, on 24 May. Several critics noted that the authors failed to develop the title character, Jeeves not even having a solo song. The original cast album (MCA Cat. No. MCF 2726) was recorded and released, but it is extremely hard to find. Lloyd Webber, reportedly acting on the advice of American theatre director Harold Prince, withdrew the recording in order to be able to reuse some of the musical material in subsequent shows.

The following is a list of the roles in the 1975 musical, with the original cast. The list includes Betty Marsden, who was cast as Aunt Dahlia. The role was included in some of the Bristol performances, and Marsden's name was featured prominently in promotional materials, but the role was cut before the London production. The songs "Food of Love", sung by Aunt Dahlia, and "Song of Spode", sung first by Spode and again in a reprise by Aunt Dahlia, were cut before the London production and not recorded. Another song that was not recorded was "Literary Men" sung by Bertie, Jeeves & Gussie, the melody of which was later reused in Song and Dance – first as the finale "When You Want to Fall in Love" and later as a new song in the first act "Unexpected Song". In the song "Eulalie", Jeeves advises Bertie to use the word Eulalie to subdue the villainous Spode. Unlike in the novels, the reason that this word affects Spode is not explained in the musical, which ends with the curtain closing as Jeeves is apparently about to explain all. A song similar to "Female Of The Species", sung by Stiffy, was originally planned to be incorporated in the 1996 revival, but was eventually replaced with "Love's Maze". Some of the songs from the score managed to find a life after the original production: "Half a Moment" was later recorded by Lloyd Webber's second wife, Sarah Brightman, on the album The Songs That Got Away and the track "Summer Day" was re written and appeared in new chordal disguise as "Another Suitcase in Another Hall" in Evita. A small section of "Half a Moment" was cut from the song and reused in Sunset Boulevard as part of the song "As if We Never Said Goodbye". The melody of "Female of the Species" appeared earlier than its Jeeves incarnation, with lyrics written and sung by Tim Rice as "The Ballad of Robert and Peter" in 1973 (for private recording purposes). "Travel Hopefully" is a melody originally written as "Love Is Here" for the first ever Lloyd Webber/Rice project, The Likes of Us.

In 1996, Lloyd Webber and Ayckbourn decided to revisit the show, jettisoning most of the score and the entire original book. Retitled By Jeeves (so as to dispel all previous associations with the original production), the character of Roderick Spode and his fascistic intentions were eliminated from the plot. The character list was whittled down from 22 to 10, and the original orchestrations also underwent a reduction to a small band. Only three songs from the original show remained lyrically intact: "Banjo Boy", "Half a Moment" and "Travel Hopefully", as well as the chorus for Code of the Woosters. The other songs and musical interludes were mostly new or reworked compositions by Lloyd Webber.