Толкинның «Намариэ» поэмасы: Квеня тіліндегі Галадриэль аңырысы

Elvish poem by J. R. R. Tolkien

"Namárië" is a poem by J. R. R. Tolkien written in one of his constructed languages, Quenya, and published in The Lord of the Rings. It is subtitled "Galadriel's Lament in Lórien", which in Quenya is Altariello nainië Lóriendessë. The poem appears, too, in a book of musical settings by Donald Swann of songs from Middle earth, The Road Goes Ever On; the Gregorian plainsong like melody was hummed to Swann by Tolkien. The poem is the longest Quenya text in The Lord of the Rings and also one of the longest continuous texts in Quenya that Tolkien ever wrote.|The first line of Namárië as documented by Donald Swann for his song cycle, transcribed from the melody hummed to him by Tolkien. blockquote|In the following week I played it over many times to the Elvish words. There was no doubt that this monodic line from an early church tradition expressed the words ideally, not only the sadness of the word "Namárië", and the interjection "Ai! ", but equally the ritual mood of the Elves. Gill Gleeson, writing in Mallorn, states that it has the quality of an "improvisatory plainsong for voice and (melodic) instrument, a self contained unharmonised melody." She describes it as "finely balanced in proportion, and held in tension between two modal scales", with the reciting note C# as a "pivot". She likens the instrumental mode to a "descending melodic minor scale" in F#, with the vocal mode in A major.

In his music for The Lord of the Rings film series, composed between 2000 and 2004 to support Peter Jackson's film trilogy, Howard Shore made use of part of Namárië. The scene "The Fighting Uruk hai" is accompanied, non diegetically, by a female chorus singing the poem in Quenya, over images of the Elf lady Galadriel gazing at the remaining eight members of the Fellowship of the Ring as they leave Lothlórien.

In 2001, the Finnish composer fi wrote a setting of the poem for the musical Sagan om Ringen ("The Lord of the Rings") at the Swedish Theatre, Helsinki. In 2008, the Spanish neoclassical dark wave band es published a studio album called Namárië. Among other Tolkien inspired songs it features a track Namárië: El Llanto de Galadriel ("Namárië: Galadriel's Lament"). Kogaionon magazine called it a mature and complex album "with a medieval and forceful aura".

As the longest text in the Elvish language Quenya that Tolkien provided in The Lord of the Rings or elsewhere, Namárië has attracted the attention of linguists. Helge Fauskanger has made a word by word analysis of the text, noting that the version in The Road Goes Ever On is "nearly" identical to that in the novel: Tolkien added accent marks to indicate stronger and weaker stresses to guide the singer. Fauskanger describes the language used in the poem as the "Late Exilic" or "Third Age" variant of Quenya. Fauskanger comments that while "Valimar", named in the poem, normally denotes the city of the Valar, the poem uses it to mean the whole of Valinor, the blessed realm. The poem does not rhyme or scan conventionally; Jonathan McColl, writing in Mallorn, comments that while he prefers poems which use those devices, he finds "even the translation" of Namárië poetic, while the original Quenya with its Gregorian setting is "lovely". The Quenya word namárië is a reduced form of á na márië, meaning literally "be well", an Elvish formula used for greeting and for farewell. The earliest version of the poem was published posthumously in The Treason of Isengard. Tolkien did not provide a translation of that version, and some of the words used differ in form from those in the version that appeared in The Lord of the Rings.

The band Led Zeppelin adapted the first line of "Namárië" for the opening of their 1969 song "Ramble On" on their studio album Led Zeppelin II. The English line "Leaves are falling all around" represents Tolkien's "Ah! like gold fall the leaves in the wind". Further references to Tolkien's writing appear in the rest of the song, which mentions Gollum and Mordor.