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1982 film by Frank Henenlotter

Basket Case is a 1982 American horror film written and directed by Frank Henenlotter in his feature directorial debut. Produced by Edgar Ievins, the film stars Kevin Van Hentenryck as Duane Bradley, a young man who seeks vengeance on the doctors and nurses who performed an unwanted surgery that separated him from his deformed conjoined twin brother Belial, whom Duane hides in a large wicker basket. Basket Case was shot on 16 mm in New York City, on a budget of around $35000. The film was blown up to 35 mm for its original theatrical release in April 1982. Receiving mixed reviews upon release, it has since become considered a cult film, and has spawned two sequels, Basket Case 2 (1990) and Basket Case 3: The Progeny (1991), both of which were also directed by Henenlotter. In 2017, Basket Case was selected for preservation by the Museum of Modern Art (MoMA), who oversaw a restoration of the film from its original 16 mm camera negative. The 4K restoration was released on Blu ray and DVD by Arrow Video in 2018.

Dr. Julius Lifflander is frightened by something outside his country home near Glens Falls, NY. A shadowed creature then cuts his phone line and power before killing Lifflander by tearing at his face. Duane Bradley arrives in New York City with a locked wicker basket. He gets a room at a cheap hotel right down the hall from a sex worker named Casey. He takes some hamburgers and feeds them to a creature in his basket which talks to him telepathically. When Duane is out the next day, a man named Brian O'Donovan looks through Duane's keyhole in order to steal Duane's wad of money. Casey scares him off and informs Duane about it. Duane takes his basket to see Dr. Harold Needleman and befriends his assistant Sharon. Needleman contacts Dr. Judith Kutter and tells her about Duane's visit and Lifflander's death, but she ignores him. Duane goes back to Needleman's that night and empties the creature, who is revealed to be his twin brother Belial, onto the floor. Belial kills Needleman by gutting him with his claws. The next day, Duane goes to meet Sharon at the Statue of Liberty and they kiss. Belial senses this and trashes the hotel room in a temper tantrum. He hides when the hotel manager opens the door to see what the commotion is. O'Donovan sneaks back inside to steal Duane's money but is killed by Belial when he opens the basket. Duane senses the attack telepathically and hurries back. Duane tells Belial that he deserves some time for himself. Duane, with the basket, runs into Casey at a bar and drunkenly tells her that Belial is his twin brother. A flashback relates their backstory. They were conjoined at birth and their aunt was the only one who would take care of them. However, the twins were surgically separated at an early age by Dr. Lifflander, Dr. Needleman and Dr. Kutter, which explains their hatred for the doctors. They then murdered their father, which was ruled an accident, and lived with their aunt before she died. They then went to murder the doctors who had separated them. Belial deeply resents being cut off from his normal looking brother, and Duane equally resents how heartless everyone acts towards his brother. Back in the present day, Belial sneaks into Casey's bedroom and scares her out before stealing her panties. The next day, Duane and Belial go to Dr. Kutter's office. She tries to dismiss them, but Duane reveals who he is before Belial kills Kutter by shoving her face into a drawer of sharp objects. Sharon goes to Duane's apartment seeking safety after Needleman's death and they start to make love before a jealous Belial starts screaming and Duane is forced to toss Sharon outside. That night Belial goes out to find Sharon while Duane has a dream that tells him about it. Belial sneaks into Sharon's apartment and tries to rape her. He attacks and kills her when she wakes up and screams. Enraged at his brother for his actions, Duane takes Belial back to the apartment in a scene that attracts several people to his apartment, which exposes the existence of Belial. Belial attacks Duane which results in the two brothers falling from a hotel window. They are knocked out as everyone surrounds their unconscious bodies.

The special effects for Belial consist largely of a puppet in some scenes and stop motion in others. When Belial's hand is seen attacking his victims, it is really a glove worn by Henenlotter. The puppet is used in scenes with an actor and where the eyes glow red. The sequence for Belial's rampage used stop motion animation.

Basket Case was released theatrically in the United States by Analysis Film Releasing Corporation beginning in April 1982. Though filmed in 16 mm film, it was blown up to 35 mm for its original theatrical release. It played as a midnight movie for several years after this.

Diane Haithman of the Detroit Free Press gave Basket Case a score of seven out of ten, writing that, despite it being "gratuitously bloody", as well as "occasionally much, much sicker" in its themes than other low budget horror films of the time, "somehow, there's something likable, even touching about it. And that's scary enough in itself. [ ] It's like E. T. as written and directed by a psychopath." A reviewer for Variety called Basket Case "an ultra cheap monster film [ ] with a tongue in cheek approach", commending the performances but criticizing the audio recording, "grainy blowup from 16 mm", and score. John Stark, writing for the San Francisco Examiner, lamented Basket Case as a "crudely made, low budget work [that] lacks the outrageousness and campiness that an underground film needs." He characterized the film as "too preoccupied with its monster, a badly constructed special effect", and wrote that "the gore and hokey looking beast keep deflating the film's clever premise."

On the review aggregator website Rotten Tomatoes, Basket Case holds a 77% approval rating based on 26 critic reviews, with an average rating of 6.3/10. The consensus reads: "While Basket Case definitely delivers all the gonzo gore promised by its cracked premise, it's really set apart by its rich vein of genuine pathos." In 2001, G. Noel Gross of DVD Talk gave Basket Case a rating of five out of five stars, calling it "an undeniable, unavoidable and unforgettable clasSICK". In 2003, author Scott Aaron Stine wrote of the film: "The innovation and verve this movie displays surpasses its innumerable shortcomings, all products of a film that qualified as destitute before the cameras even started rolling. The fact that most of the 'actors' had probably never stepped foot in front of a camera prior to this only adds to the movie's squalid charm; their talents may be slim, but their presence is priceless." That same year, Heather Wixson of Dread Central gave the film three and a half out of five stars, referring to it as an "insane masterpiece that lovingly celebrates the sometimes schlocky and sleazy side of cinema". Patrick Naugle of DVD Verdict wrote, "The movie is just pure shock value" but "a heck of a lot of fun."

quote box|align=right|width=20%|quote="I'm both humbled and proud to announce that Basket Case is now part of the permanent film collection of the Museum of Modern Art. (And, yes, I asked them if they actually watched the film and they assured me they did. )"|source= – writer director Frank Henenlotter, 2017 Henenlotter provided MoMA with the film elements required for the restoration, In addition to the film's footage being restored in 4K resolution, its audio also underwent a restoration, using the original magnetic tracks of the sound mix as the source. by Media Home Entertainment. It was released on DVD in the United States by Image Entertainment in 1998. In 2001, a special edition DVD release of the film was issued by Something Weird Video. On September 27, 2011, Something Weird Video released the film on Blu ray. Henenlotter supervised the Blu ray release himself, which features a restoration of the film taken from a 35 mm interpositive, with the original 16 mm negative (which had initially been thought lost) used as a reference. In November 2017, it was announced that Arrow Video would be releasing Basket Case on Blu ray and DVD, featuring the 4K restoration of the film overseen by MoMA. The release includes such bonus features as an audio commentary by Henenlotter and Van Hentenryck, interviews with members of the cast, a making of featurette, and the 1972 Henenlotter directed short film Slash of the Knife. The Arrow Video release was issued on February 27, 2018.