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Cultural activity with old video games

Retrogaming, also known as classic gaming and old school gaming, is the playing and collection of obsolete personal computers, consoles, and video games. Usually, retrogaming is based upon systems that are outmoded or discontinued, although ported retrogaming allows games to be played on modern hardware via ports or compilations. It is typically for nostalgia, preservation, or authenticity. A new game could be retro styled, such as an RPG with turn based combat and pixel art in isometric camera perspective. Retrogaming has existed since the early years of the video game industry, and was popularized with the Internet and emulation technology. It is argued that the main reasons players are drawn to retrogames are nostalgia for different eras, the idea that older games are more innovative and original,

The distinction between retro and modern is heavily debated, but it usually coincides with either the shift from 2D to 3D games (making the fourth the last retro generation, and the fifth the first modern), the turn of the millennium and the increase in online gaming (making the fifth the last retro generation, and the sixth the first modern), or the switch from analog to digital for audiovisual output and from 4:3 to 16:9 aspect ratio (making the sixth the last retro generation, and the seventh the first modern). They can be played on original hardware or in modern emulation.

With increasing nostalgia and success of retro compilations in the fifth, sixth, and seventh generations of consoles, retrogaming has become a motif in modern games. Modern retrogames impose limitations on color palette, resolution, and memory well below the actual limits of the hardware, to mimic the look of old hardware. These may be based on a general concept of retro, as with Cave Story, or an attempt to imitate a specific piece of hardware, as with MSX color palette of La Mulana. This concept, known as deliberate retro and NosCon, gained popularity due part to the independent gaming scene, where the short development time was attractive and commercial viability was not a concern. Major publishers have embraced modern retrogaming with releases such as Mega Man 9 which mimics NES hardware; Retro Game Challenge, a compilation of new games on faux NES hardware; and Sega's Fantasy Zone II remake, which uses emulated System 16 hardware running on PlayStation 2 to create a 16 bit reimagining of the 8 bit original.

Vintage retrogaming can involve collecting original cartridge and disc media and arcade and console hardware, which can be expensive and rare. Most are priced lower than their original retail prices. The popularity of vintage retrogaming has led to counterfeit media, which generally lack collectible value.

Retrogaming may involve older game systems being emulated on modern hardware. It bypasses the need to collect older consoles and original games. Read only memory (ROM) files are copied by third parties, directly from the original media. They are then typically put online through file sharing sites. The accessibility of emulation popularized and expanded on retrogaming.

Ported retrogaming involves original games being converted to native on new systems, just as emulation but without original ROM files.]] When remakes are created by an individual or a group of enthusiasts without commercial motivation, such games sometimes are also called fangames. These are often motivated by the phenomenon of abandonware, which is the discontinuation of sales and support by the original producers. Examples of fan made remakes are King's Quest I: Quest for the Crown, King's Quest II: Romancing the Stones, and Freeciv. The nostalgia based revival of past game styles has also been accompanied by the development of the modern chiptune genre of game music. Chiptunes are characterized by severe limitations of sound imposed by the author's self restriction to using only the original sound chips from 8 bit or 16 bit games. These compositions are featured in many retro style modern games and are popular in the demoscene.

With the new possibility of the online distribution in mid 2000, the commercial distribution of older games became feasible, as deployment and storage costs dropped significantly: we can put something up on Steam [a digital distributor], deliver it to people all around the world, make changes. We can take more interesting risks Retail doesn't know how to deal with those games. On Steam there's no shelf space restriction. It's great because they're a bunch of old, orphaned games|Gabe Newell|Rock, Paper, Shotgun

A digital distributor specialized in bringing older games out of abandonware is GOG. com (formerly called Good Old Games) who started 2008 to search for copyright holders of older games to re release them legally and DRM free. Other companies have also been established to rerelease retro games, including Limited Run Games and iam8bit. Online platforms for older video games re releases include Nintendo's Virtual Console and Sony's PlayStation Network. Mobile application developers have been purchasing the rights and licensing to re release older arcade games on iOS and Android operating systems. Some publishers are creating spinoffs to their older games, keeping the core gameplay while adding new features, levels, and styles of play.

Plug and play systems have been released or licensed by companies such as Atari, Sega, and Nintendo. These systems include stand alone game libraries and plug directly into the user's television. Some fighting games have continued to receive arcade releases after the end of the arcade era. Face to face competition of Super Street Fighter II Turbo has been featured in the Evolution Championship Series.

Events typically include vendors, gameplay, tournaments, costumes, and live music. The Classic Tetris World Championship has been streamed online to millions of views and recaps have been broadcast on ESPN2.

Retrogaming is recognized by museums worldwide. For example, the RetroGames arcade museum of Karlsruhe, Germany was founded in 2002 and the Computerspielemuseum Berlin was founded in 1997. Some classical art museums bear a video gaming retrospective, as with 2012's Smithsonian American Art Museum exhibition titled The Art of Video Games or as part of the Museum of Modern Art "Applied Design" exhibition in 2013. Starting in 2015, The Strong National Museum of Play adds games annually to the World Video Game Hall of Fame. In 2016, the first museum dedicated solely to the history of the videogame industry, The National Videogame Museum, was opened in Frisco, Texas.

An exemption in the United States' Digital Millennium Copyright Act allows consumers to modify video games they already own to make them playable. However, the duration of copyright on creative works in most countries is far longer than the era of home computing, leading to criticism that software piracy is the only way to preserve some titles. In some cases, such as No One Lives Forever, the rights remain ambiguous, preventing legal distribution. Emulators are typically created by third parties, and the software they run is often taken directly from the original games and put online for free download. Some companies have made public statements, such as Nintendo, stating that "the introduction of emulators created to play illegally copied Nintendo software represents the greatest threat to date in the intellectual property rights of video game developers". However, video game developers and publishers typically ignore emulation.

Nintendo sued the owner of LoveROMs. com and LoveRETRO. co in 2018 for hosting copyrighted game files and facilitating piracy. The court awarded Nintendo $12,230,000 in damages, leading to the shutdown of the sites.

In 1999, Sony sued Connectix, the court issued a preliminary injunction against Connectix for copyright infringement on their Virtual Game Station, an emulator enabling PC users to play PlayStation games, violating Sony's BIOS copyright.

Sega Enterprises sued Accolade in 1992 for reverse engineering Sega's technology to develop compatible games for the Sega Genesis console. The court sided with Accolade, supporting certain reverse engineering efforts for compatibility.

In 1992, Lewis Galoob Toys was sued by Nintendo over the Game Genie, a device allowing game modifications for personal use. The 9th District Court of Appeals ruled in favor of Lewis Galoob Toys, stating such modifications did not infringe copyright, permitting the continued sale of the Game Genie.