Метро: Құқық қорғаушының кек алуы

1997 film directed by Thomas Carter
Metro is a 1997 American action comedy drama film directed by Thomas Carter, written by Randy Feldman, and produced by Roger Birnbaum. It stars Eddie Murphy, Michael Rapaport, and Michael Wincott. The plot follows Scott Roper (Murphy), a hostage negotiator and inspector for the San Francisco Police Department who seeks revenge against a psychotic jewel thief, Michael Korda (Wincott), who murdered Roper's best friend. Metro was released on January 17, 1997 in the United States and grossed $74 million worldwide.

SFPD Inspector Scott Roper is the best hostage negotiator in his department. He is called in to deal with a bank robber, Earl, demanding a getaway vehicle and police escort. He manages to defuse the situation, shooting Earl non fatally in the shoulder and rescuing his 17 hostages. That night, Scott accompanies his friend and former partner, Lt. Sam Baffert, to the apartment of Michael Korda, a jewel thief involved in Baffert's investigation. After Sam questions Korda about his involvement, Korda stabs him to death and leaves his corpse inside an elevator for Scott to find. Despite demanding to go after Korda, Captain Frank Solis refuses to let him take the case due to the probable conflict of interest. Scott resolves to bring Korda to justice, but in the meantime he must adjust to his new partner, SWAT sharpshooter Kevin McCall. Scott and Kevin are called to a hostage situation at a downtown jewelry store, with Korda as the hostage taker. When Scott and Korda see each other, the latter grabs a hostage and makes a getaway in a truck. Scott and Kevin use Solis' car to pursue him. Korda wrecks the truck, and boards a cable car, shooting the operator. Scott and Kevin manage to stop the cable car and chase Korda into a parking garage, where they apprehend him. During visitation at the jail with his cousin Clarence Teal, Korda orders Teal to kill Ronnie, Scott's ex girlfriend, as a way to seek revenge on Scott. Teal attacks Ronnie at her apartment, but Scott intervenes and chases Teal down the fire escape, where, after a chase, Teal is struck and killed by a passing car. An angry Scott visits Korda in jail and warns him to stay away from Ronnie, showing him an autopsy picture of Teal, which enrages Korda. The next morning, Korda escapes from the jail and kidnaps Ronnie, leading Scott and Kevin into a confrontation at an abandoned shipyard. Korda threatens to kill Ronnie by decapitating her on the cutting machine she is pinned to if Scott does not follow his instructions. Korda charges toward Scott in a sports car, but is shot from a vantage point by Kevin, causing him to swerve and crash through the warehouse entrance. Scott frees Ronnie, while Kevin engages Korda in a shootout where the former is shot in the upper leg. Korda tries to escape in Scott's truck, but Scott fights for control of it. Scott leaps out of the way while Korda, who is unable to escape due to Scott ramming a steel pipe into the door and on the gas pedal continues on, trapped in the truck. As Korda struggles to get the door open, the truck crashes into a stack of explosive barrels and Korda is killed in a massive explosion. The movie finishes with Scott and Ronnie relaxing on vacation at a Tahitian beach resort.

In February 1995, Caravan Pictures bought the script for Metro in a preemptive bid of $1 million. Eddie Murphy entered negotiations for the lead role in May 1995. Roger Ebert gave the film a favorable review; he said "[t]he big action scenes are cleverly staged and Eddie Murphy is back on his game again, with a high energy performance and crisp dialogue." A negative review came from Stephen Holden of The New York Times, who called the film "aimless" and stated that "[t]he vehicular pirouettes and ski jumps are so exaggerated that they correspond neither to the urban geography nor to the laws of physics. And the jiggling camera can't blur the careless mechanical stitching in a sequence that tries to make up for in length what it lacks in inventiveness. After all, when you've seen one spinning car, haven't you seen them all? And hasn't this demolition derby been staged several times before on the same streets with infinitely more pizazz and zest for destruction?" Michael Wilmington agreed, saying "If it weren't for all the jokes [ ] the movie might be unintentionally funny," and that "For most of the people who made "Metro," shamelessness is probably a virtue, like good muscle tone. At the end, writer Feldman has actually dreamed up a variation on the old silent movie chestnut, where the mustache twirling villain has the heroine tied to a sawmill plank. I'm not even sure this scene is intended humorously; the actors and director all milk it dry. And, except for Murphy's rapid fire badinage, "Metro" has the kind of writing that suggests a mind filled with heroines tied to sawmill planks." Padraig Cotter from Screen Rant ranked Metro number four out of the nine Eddie Murphy action films, explaining that "Metro feels like the kind of grounded, mature thriller Murphy tried (and failed) to make with Beverly Hills Cop III. It runs through many of the clichés of the genre but offers enough tweaks to keep them interesting." Bill Coswell from Laughing Place praised the film's dialogue and the performances of Murphy and Wincott, while criticizing the plot as "riddled with action movie cliches" and describing the scene where Korda breaks out of jail as laughably preposterous. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Director Thomas Carter said that one of the biggest mistakes he made in his career was to make Metro as a rated R movie. He also blamed the rating for the lukewarm reception. About working with Eddie Murphy, Actress Carmen Ejogo said: “He was utterly charming but did he tell me this? He gets told, "There's this script, it's a bit shitty, are you interested?" "No, not really." "Well, you know, we're going to give you $30 million to do it." "Yeah, all right then." And that's where he's at. He's not doing it to be the next Poitier. It is what it is for him, and that's what he's like on set. He's just showing up and getting paid, whereas I was like, "What's the motivation here? "“ In his podcast, Michael Rappaport was very critical of the movie and said it was “wack“: “It was really disappointing to me. The banter, the shit talking that you hear me doing here, we were trying to that but the director was trying to do some other s— He thought he was making Seven.“

The movie debuted with $9.3 million. Metro eventually brought in $32,000,301 in the United States and Canada and grossed $42.4 million internationally for a worldwide gross of $74.4 million compared to its $55 million budget.