Жұмақтың бір түні

1983 film by John G. Avildsen

A Night in Heaven is a 1983 American romantic drama film directed by John G. Avildsen, starring Christopher Atkins as a college student and Lesley Ann Warren as his professor. The film's screenplay was written by Joan Tewkesbury. Film critics widely panned the film, but the film itself became better known for Bryan Adams' chart topping single "Heaven".

Outspoken and overconfident Rick Monroe is a jock and a popular guy in college in Titusville, Florida. At the end of his final report for his class, Rick cracks a joke and his prim and proper speech professor, Faye Hanlon, is not amused. After chiding him for his joke, she decides to fail him and make him take the course over again. Faye is going through a slump in her marriage to Whitney Hanlon, a rocket scientist who has just been laid off. Faye's free spirited sister Patsy, visiting from Chicago, takes her to a male strip club to cheer her up. The show features a performer called "Ricky the Rocket", who is none other than Faye's student Rick. When he notices Faye in the crowd, he gives her a very special lap dance, kissing her in the process. The next day, Faye and Rick run into each other at a school function. Initially, Rick is interested only in convincing Faye to allow him another chance at his final and is rebuffed. He realizes that she is attracted to him and begins flirting. Faye arranges to meet Patsy near her hotel, only to discover that she has been tricked into seeing another performance by "Ricky the Rocket". Since Patsy has to return home a day early, she turns over use of her hotel room to Faye, who calls Whitney and lies that she and Patsy are staying at Patsy's hotel together. Coincidentally, Rick's mother works in the same hotel, and while visiting his mother, Rick runs into Faye again; they return to Faye's room and have sex. Faye must leave and in her absence, Rick invites his girlfriend Slick to the room where she has sex with him as well. Faye catches them in the shower and, humiliated, flees; she realizes that she has been deceived. Whitney, returning home from an unsuccessful job interview, discovers that Patsy has gone home. Whitney travels to the hotel, where he catches Rick as the latter is exiting. He kidnaps Rick at gunpoint, takes Rick to a skiff at a small dock, and forces him to strip. Rick, sobbing, complies. Whitney threatens Rick repeatedly, but ultimately only shoots holes in the skiff, leaving a naked Rick aboard as it sinks. Faye returns home to find Whitney waiting for her; she apologizes, and he forgives her. At the end, the couple talk about their problems and resolve them.

Development on the film began in 1980 at United Artists. The story, which was originally titled Ladies' Night, was conceived by choreographer Deney Terrio and was said to be set in the world of male exotic dancers. and was eventually titled A Night in Heaven. An early version of the song "Obsession", performed on the soundtrack by its co writers, Holly Knight and Michael Des Barres, would be re recorded and released as a single by the band Animotion. The film also featured the song "Dirty Creature" by New Zealand/Australian group Split Enz.

A Night in Heaven received largely negative reviews from critics, who cited its confusing plot and unresolved story lines. Roger Ebert wrote, "I’ve rarely seen a movie with more interior evidence of compromise than 'A Night in Heaven'. You can sit in this brief, unsatisfying feature and put your finger on the places where important scenes are missing. Afterward, you can ask a lot of questions that the movie should have answered." He added the film starts off "by talking about love and fidelity, quitting a job for ethical reasons, and, in the words of the song, looking, for love in all the wrong places", but ultimately "doesn't pay off on any of them". Ebert argued, "The director, John Avildsen, is a serious and good director; his credits include 'Rocky,' 'Joe,' 'Save the Tiger' and 'Neighbors.' It is impossible to believe this is the movie he wanted to make." In his review, Vincent Canby of The New York Times wrote "all boredom breaks loose", and similarly to Ebert, posited "whether what is on the screen is what [Tewkesbury] wrote". He concluded: "it’s an outright joke to pretend that we can cobble together the dog ends of ignored subplots into a treatise on economic tension in the early years of the Reagan presidency. It’s not sordid enough to be decent junk and other than offering the unusual sight of male objectification in a Hollywood studio picture, there’s nothing about it that justifies so much as a sidelong glance."