Козимо I де Медичи әйелі: Элеонора Толедская

the wife of Cosimo I de' Medici

Eleanor of Toledo (lang es, ; 11 January 1522 – 17 December 1562) was a Spanish noblewoman who became a Duchess of Florenceefn|Her husband wasn't elevated to the status of Grand Duke of Tuscany until after her death.

Eleanor was born in Alba de Tormes, Salamanca, Spain, on 11 January 1522. She was the second daughter of Pedro Álvarez de Toledo, Viceroy of Naples, and Maria Osorio y Pimentel, 2nd Marquise of Villafranca. Her father was the lieutenant governor of Emperor Charles V and the uncle of the Duke of Alba. On her paternal side, Eleanor was the third cousin of the Emperor since their great grandmothers were daughters of Fadrique Enríquez de Mendoza, a great grandson of King Alfonso XI of Castile. In May 1534, two years after her father's appointment as Viceroy of Naples, Eleanor, her mother, and siblings joined him in Italy. The children were brought up in the strict and closed surroundings of the Spanish viceregal court. 13 year old Eleanor seems not to have attracted much attention, except for the furtive glances of the visiting page Cosimo de' Medici in 1535, when he accompanied his cousin Alessandro, Duke of Florence, on a visit to Naples.

Three years later, Cosimo, now Duke of Florence, was searching for a wife who could help strengthen his political position since the Medici were still new to their ducal status. He initially asked to marry Margaret of Austria, illegitimate daughter of Charles V and Alessandro's widow, but she displayed enormous reluctance at the idea to serve her father's own plans for her. Not wanting to antagonize Cosimo though, the Emperor offered him one of the daughters of the rich Viceroy of Naples. The bride would provide the Medici with a powerful link to Spain, at that time ultimately in control of Florence, offering the opportunity to show sufficient loyalty and trust to Spain so that its troops would retire from the province. Remembering Eleanor, Cosimo firmly refused the Viceroy's first offer of his eldest and duller daughter, Isabella. Her father agreed and provided a large amount of money for Eleanor as dowry. Eleanore and Cosimo were married by proxy on 29 March 1539. No sooner was the agreement reached than the couple began to correspond. In May, Florencian agent Jacobo de' Medici was in Naples and informed the ducal secretary, Pierfrancesco Riccio, that "The Lady Duchess says she is happy and filled to the brim with satisfaction, and I want to assure of this." Riccio then added that when Eleanor received letters from her fiancé "she took pride in having understood them on her own, without anyone's help." She was quickly working on her reading knowledge of Italian, something she probably hadn't been interested in developing while living in a Spanish court. who was assassinated by another member of the Medici family without leaving legitimate heirs and consolidating the dynasty's strength in Tuscany after years of politically damaging speculation about his excesses and sexual irregularities. He was reputed to have been the son of a black serving woman and Cardinal Giulio de' Medici, later Pope Clement VII, illegitimate son of Giuliano de' Medici, who was assassinated in the Pazzi conspiracy against the reigning family. Before her marriage, the Medici line had been in danger of extinction. Both Eleanor and Cosimo heard reports of their children's progress and offered directions for their education, living arrangements, and clothing. The birth of male heirs and daughters who could be married into other ruling families inaugurated another era of stability and strength in Tuscany. Their royal ancestors provided the Medici with the blue blood they had lacked and began the process of placing them on equal footing with other European sovereigns. The couple had eleven children, though only five sons and three daughters reached maturity:
Maria (3 April 1540 – 19 November 1557): Engaged to Alfonso II d'Este, but died before the marriage. Franceso (25 March 1541 – 19 October 1587): Succeeded his father as Grand Duke of Tuscany. Isabella (31 August 1542 – 16 July 1576): Married, Paolo Giordano I Orsini, Duke of Bracciano. Giovanni (28 September 1543 – 20 November 1562): Became Bishop of Pisa and cardinal. Lucrezia (7 June 1545 – 21 April 1561): Married Alfonso II d'Este, Duke of Ferrara and Modena. Died at the age of 16. Pietro (10 August 1546 – 10 June 1547): Known as "Pedricco". Died in infancy. Garzia (5 July 1547 – 12 December 1562): Died of malaria at the age of 15. Antonio (1 July 1548 – July 1548): Died in infancy. Ferdinando (30 July 1549 – 17 February 1609): Succeeded his brother as Grand Duke of Tuscany. Anna (19 March 1553 – 6 August 1553): Died in infancy. Pietro (3 June 1554 – 25 April 1604): Murdered his wife and cousin, Eleonora di Garzia di Toledo.

Eleanor's high profile in Florence as ducal consort was initially a public relations exercise promoted by her husband, who needed to reassure the public of the stability and respectability of not only his family, but the new reign. Her motto was cum pudore laeta fecunditas (meaning "happy fruitfulness with chastity"), making reference to the plentiful harvests of her lands, her marital fidelity, and numerous children. Eventually, Eleanor gained considerable influence in Florence through her involvement in politics, to the point that Cosimo often consulted with her. So great was his trust in her political skills that in his frequent absences, the Duke made his wife regent, a station which established her position as more than just a pretty bearer of children. Eleanor ruled during Cosimo's military campaigns in Genoa in 1541 and 1543, his illness from 1544 to 1545, and again at times when the war for the conquest of Siena (1551–1554) required either his absence or greater focus on military matters.

Eleanor was very keen and interested in business, especially regarding agriculture. She owned great tracts of grain crops and livestock, such as beekeeping and silkworm farming. An additional business she took part in was mining. Her harvests were plentiful and products were shipped as far as Spain. The Duchess managed and sold her goods wisely, which helped to considerably expand and increase the profitability of the vast Medici estates. Through her charitable interests, the lot of the peasantry obtained many economical benefits as well. Eleanor not only made solid donations to Florentine charities but to their policies. She financially supported Cosimo's policies to restore the duchy's independence from foreign lands and helped people unable to gain audiences with the Duke realize that through the Duchess their causes could at least be pleaded. A pious woman, Eleanor made donations to and visited several convents. In 1547, Juan Polanco, sent by Ignatius de Loyola to preach in Pistoia, approached the Duchess and asked for her patronage to founding a Jesuit college. She refused Polanco's petition, but later undertook negotiations with Diego Laínez that eventually led to the first Jesuit school in Florence. Laínez eventually gained her affection, to the point that she became a constant intercessor to Cosimo on the order's behalf and founded many new churches in the city. However, she didn't completely embrace the entire Jesuit society nor their devotion.

Like her husband, Eleanor was a notable patron to many of the most artists of the age like Agnolo Bronzino, Giorgio Vasari, and Niccolò Tribolo and very notable buildings still standing today. Eleanor's private chapel in the Palazzo Vecchio was decorated by Bronzino. From 1559 to 1564, she commissioned Vasari to make a new fresco in her apartments about famous women whose actions, in his words, have equalled or surpassed men, such as Queen Esther, Penelope, and Florentine heroine Gualdrada. It is thought that the redecorations were a concerted effort on the middle age Eleanor's part to reshape her public persona away from fecundity and towards other her virtues – wisdom, valour, and prudence. In the earlier part of her marriage, the Medici family lived in Florence's Via Larga at what is now the Palazzo Medici Riccardi and later at the Palazzo Vecchio. Raised in the luxurious courts of Naples, Eleanor purchased the Pitti Palace across the Arno river in 1549 as a summer retreat for the Medici. In 1550, she commissioned and supervised Tribolo to create the Pitti's famous Boboli Gardens, which possess an openness and expansive view unconventional for its time. The gardens were very lavish and no access was allowed to anyone outside the immediate Medici. Part of Eleanor's final will and testament was the creation and funding of the prestigious but exclusive convent Santissima Concezione, the daughter house of one of her favorite convents, Le Murate. It was built around the Sale del Papa of the prominent Dominican monastery Santa Maria Novella, which once functioned as quarters for visiting popes.

An emphasis on domestic healthcare, largely spearheaded by women, was common practice during the early modern period until the nineteenth century. Women acquired both practical and technical medical knowledge through hands on experience and the oral tradition of passing down medical knowledge. Not confined to the common household however, noblewomen like Eleanora and her mother in law Maria Salviati played an influential role in court medicine, bringing family recipes to the courts they married into. Knowledgeable in daily care routines and rituals, standard medical practices, and newer medicines originating in Asia, Eleanora could be found at the center of medicine in the early Medici court. Eleanora was instrumental in constructing a formal medical court denoted by a system of hierarchy. Her knowledge and rank often put her in regular contact with court physicians and allowed her to influence important medical decisions. highlighting the wide breadth of medical knowledge Eleanora possessed. Eleanora made household medicine political by bartering healthcare for favors both within and outside the court, contributing to the long established patronage system. How medicine was employed at the court reinforced a ranking system marked by status, but Eleanora also extended access to healthcare for many relatives, visitors, and courtiers. The early Medici court held an account at the Canto del Giglio apothecary for the benefit of its courtiers, which helped secure future political support. Similar to her mother in law, Eleanora demonstrated proficient pharmaceutical ability and knowledge, as a number of correspondences indicate her proclivity for ordering or instructing the creation of medicinal remedies and recipes. Eleanora's name is attached to a popular face tonic made and distributed by the court provisioner Stefano Roselli. Scholars are unsure if Eleanora created the recipe or if her name was merely attached to Roselli's product for marketing purposes. Nevertheless, attaching people of nobility to products became standard practice among producers. Though Eleanor was sick for much of her adult life, suffering from a "chronic cough" and recurring fever, she was considered very charming, loved to gamble and was a devoted traveler, moving endlessly throughout her palazzi and villas. Although she didn't support the Spaniards gaining control of Florence, Eleanor showed pride in her birthplace and preferred to write in Spanish than Italian, which sometimes causes communication problems in letters with her husband. Jesuits sent Spanish priests to negotiate with the Duchess, as "she doesn't wish to speak with any of our men who isn't Spanish." and continually employed both gold and silver weavers for her clothes.

40 year old Eleanor and two of her sons, 19 year old Giovanni and 15 year old Garzia, got sick from malaria while travelling to Pisa in 1562. Her sons died before her and within weeks of each other. Weakened by her pulmonary tuberculosis, Eleanor died after on 17 December, in the presence of her disconsolate husband and a Jesuit confessor. Her funeral was held in 28 December, before she was buried in the Medici crypts in the Basilica of San Lorenzo. The palazzo is now the largest museum complex in Florence as later generations amassed paintings, jewelry, and luxurious possessions. Her iconic dress is today in the care of Pitti's Galleria del Costume. Eleanor's founding of Santissima Concezione contributed to her legacy since the convent's artistic commissions further reinforce the fact that she was the patron. They include "a bust of [Eleanor] and the coat of arms of the Duke and Duchess painted on the communion window between the sisters and the altar".