Авторлар мен композиторлар қоғамдарының халықаралық конфедерациясы

The International Confederation of Societies of Authors and Composers (, CISAC) is an international non governmental, not for profit organisation that aims to protect the rights and promote the interests of creators worldwide. It advocates for strong legal protection of copyright and authors' rights. It is the world's largest international network of authors' societies, also known as collective management organisations (CMOs), copyright / royalty collection societies, collecting societies, or performance rights organisations (PROs). As of 2024, 225 authors' societies from 119 countries are members of CISAC. Together, these authors' societies represent music publishers and approximately four million creators and publishers from all geographic regions and all artistic fields (music, audiovisual, drama, visual arts and literature). from their respective national territories. CISAC was founded in 1926. Its international headquarters are located in Neuilly sur Seine, France, with four regional offices based in Budapest, Hungary (European Affairs), Santiago, Chile (Latin American and Caribbean Affairs), Burkina Faso (African Affairs) and, since January 2013, Beijing, China (Asia Pacific Affairs). CISAC is financed by membership dues and has three official languages: English, French and Spanish.

CISAC was founded in France in 1926 by 18 authors' societies from 18 European countries, at the time representing mainly the dramatic arts (i. e. playwrights and stage directors). Authors' societies are by and large non for profit organisations that were established by creators to facilitate the management of their rights. The principle activities of authors' societies are to grant licenses, collect royalties for the use of its affiliates' creative works and distribute these royalties to rights holders. Since its inception, CISAC's mission has been to represent creators in every corner of the globe and promote their rights. CISAC initially consisted of five federations, one each for dramatic performing rights; public performing rights; mechanical rights; literary rights; and film rights. In 1966, CISAC united the five federations to form the International Confederation of Societies of Authors and Composers as it exists today.

Since 1994, CISAC has been working to improve data exchanges on creative works between authors' societies. Known as the Common Information System (CIS) project, CISAC has worked on the development of ISO certified international standards for the identification of creative works and rights holders. These include the International Standard Musical Work Code (ISWC), the International Standard Audiovisual Number (ISAN), the International Standard Text Code (ISTC) and the International Standard Name Identifier (ISNI), a unique identifying number linked to contributors (such as a songwriter or publisher) and which complements CISAC's Interested Party Information (IPI) System where more detailed information on the rights owner, accessible to authors societies, is held. CISAC released "CIS Net powered by FastTrack" in 2004, an Internet based network for sharing musical works information between authors' societies. CISAC is also in the process of developing IDA, an International Database for Audiovisual works and their rights holders. By facilitating the identification of creative works and their relevant rights holders, such tools aim to speed up the distribution of royalties to creators for use of their works. In 2004, CISAC revised its statutes, creating an annual general assembly and a board of directors to oversee CISAC's actions, allowing CISAC to impose rules on its members to ensure high professional standards and enabling CISAC to dedicate more resources to getting creators directly involved in the defence of their rights. In June 2007, CISAC's general assembly elected singer songwriter Robin Gibb (Bee Gees) as CISAC's president and Mexican film director Alfonso Cuarón as vice president. Gibb's 3 year term was renewed in June 2010. French visual artist and painter Hervé Di Rosa, co founder of the artistic movement "Figuration libre", was elected vice president in 2010. The role of CISAC president and vice president is to voice the opinion of the international community of creators and to defend the system of collective management that protects their rights. Over the years, this role has been fulfilled by several renowned creators, such as Robert de Flers, Richard Strauss, Armand Salacrou, and Leopold Sedar Senghor. From 2007 to 2013, CISAC has organised the biennial World Creators Summit, an international forum for stakeholders to discuss the future of copyright and creators' interests in the digital era. CISAC adopted a series of professional rules for all of its member societies in 2008. The professional rules are a set of criteria related to the management of rights and the collection and distribution of royalties by which CISAC member societies should abide. The objective of these rules is to ensure that CISAC's members operate according to high standards of professionalism. The initiative was developed to reflect greater transparency by authors' societies towards various stakeholder groupings and the media. The president of CISAC is Swedish songwriter Björn Ulvaeus, who was appointed in May 2020. His predecessor was French electronic music composer Jean Michel Jarre, who served as president since June 2013. In 2013, the organisation expanded its vice presidency to four new positions, allowing for the representation of more territories and a broader range of creative repertoires. The four new vice presidents were Angélique Kidjo, a Grammy Award winning performing artist and activist from Benin, Javed Akhtar, a celebrated scriptwriter, poet, lyricist from India, Marcelo Piñeyro, an Academy Award winning producer and film director from Argentina, and Ousmane Sow, a revered sculptor from Senegal. The current CISAC vice presidents are: Jia Zhang ke, Angélique Kidjo, Marcelo Piñeyro, and Miquel Barceló.

CISAC works to protect the rights and promote the interests of creators across all regions of the world and artistic fields; music, audiovisual, drama, literature and visual arts. It enables collective management organisations to seamlessly represent creators internationally and ensure that royalties flow to authors for the use of their works anywhere in the world. CISAC provides business, legal, and IT support to protect creators' rights and to foster the development of the international network of collective management societies (CMOs).

As of June, 2015 CISAC's a membership organisation includes 230 authors' societies from 120 countries, indirectly representing around four million creators. There are three membership categories, depending on a society's status and operations: Member, Provisional and Associate. Authors' societies are largely non profit organisations that are established by creators to facilitate the management of their rights. As it is very difficult for an individual creator to monitor all uses of their work and negotiate payment for these uses, many choose to entrust their rights to an authors' society. An authors' society's primary activities is to grant licenses and collect royalties and distribute royalties to the right holders for the use of their works.

CISAC's budget comes from annual membership dues, which are based on a percentage of the gross royalties collected annually by each member society.

Revolving around the General Assembly, CISAC's highest representative entity, CISAC is composed of different administrative bodies that guide its operations and strategy.

CISAC's general assembly is composed of delegates from all of CISAC's Member societies. The general assembly elects the board of directors and CISAC's president and vice president, and endorses the main resolutions, decisions and plans put forth by the board of directors. Only members have the right to vote at the general assembly.

The role of CISAC's president and vice president is to represent the international community of creators and to defend the system of collective management that protects their rights.

A board of directors composed of representatives from 20 of CISAC's member societies and elected by the General Assembly for a three year period to govern CISAC's activities. The Board's composition reflects CISAC's geographical diversity and the multitude of artistic repertoires it represents. The current chairman of the board is Eric Baptiste, CEO of SOCAN, a music authors' society in Canada ; the vice chairmen are Javier Gutiérrez Vicen, CEO of Visual Entidad de Gestión de Artistas Plásticos (VEGAP), a visual arts authors' society in Spain, and Marisa Gandelman, CEO União Brasileira de compositores (UBC), a music authors' society in Brazil.

CISAC's director general is Gadi Oron, who was appointed in September, 2014. A lawyer by trade and an expert in international copyright law, Oron has been working with the creative industry for over 15 years. He joined CISAC in 2012 as General Counsel of the organisation.

CISAC has created a variety of committees that address a wide range of legal, strategic, technical, regional or creative issues related to authors' rights and serve to provide guidance on the operational aspects of the organisation.

CISAC's main activities are: setting professional standards for authors' societies; implementing information systems to facilitate the identification of creative works and their relevant rights holders in order to precipitate the distribution of royalties to creators; contributing to the development of authors' societies around the world; advocating for authors' rights internationally; and building strategies to help societies deal with the changes brought on by the digital era. CISAC is an active participant within the international intellectual property community and collaborates with the UN's World Intellectual Property Organization (WIPO) and the UNESCO on matters of mutual interest.

Reciprocal representation principles are the basis of the international network of authors' societies. They make it possible for one society to represent the worldwide creative repertoire in their home territory. For example, if a Spanish society and an Australian society have signed a "reciprocal representation" agreement, the Spanish society can represent the Australian society's repertoire in Spain and the Australian society can represent the Spanish society's repertoire in Australia. They grant licenses for uses of each other's repertoires and collect royalties for these uses. Through this system of agreements, a content user (e. g. a radio broadcaster or a night club) can obtain a single license from their local authors' society for use of the worldwide repertoire of creative works. This makes it possible for creators to receive royalties for uses of their works all over the world.

In 2008, CISAC implemented a set of Professional Rules – binding principles with which all of CISAC's members must comply. They include best practices in governance, financial management, communication, administration, and the management and exchange of information relating to creative works and their relevant right holders.

CISAC manages an international information system (called the Common Information System or CIS) for the exchange of information about works, their usage and the relevant rights holders between authors' societies.

In 2015, CISAC published a survey prepared by Ernst & Young, that quantifies the global economic and social contribution of the creative sector, analyzing 11 Cultural and Creative Industries (CCI): advertising, architecture, books, gaming, movies, music, newspapers/magazines, performing arts, radio, television and visual arts.

CISAC publishes an annual report on its members' royalty collections. The report analyses royalty collections by region, repertoire and type of rights and looks at market trends affecting the use of creative works and the payment of royalties.