Ливия соғысы: Омар әл-Мухтардың күресі

1981 film by Moustapha Akkad
Released in May 1981, the film has received positive reviews from critics, but performed poorly at the box office, gaining revenues of US$1.5 million worldwide despite having a $35 million budget. The film was banned in Italy in 1982 and was only shown on pay TV in 2009.

In 1929, Italian fascist dictator Benito Mussolini (Rod Steiger) is still faced with the 10 year long war waged by patriots in the Italian colony of Libya to combat Italian colonization and the establishment of "The Fourth Shore"—the rebirth of a Roman Empire in Africa. Mussolini appoints General Rodolfo Graziani (Oliver Reed) as his sixth governor of Libya, confident that the eminently accredited soldier and fascist Grande can crush the rebellion and restore the dissipated glories of Imperial Rome. Omar al Mukhtar (Anthony Quinn) leads the resistance to the fascists. A teacher by profession, guerrilla by obligation, Mukhtar had committed himself to a war that cannot be won in his own lifetime. Graziani controls Libya with the might of the Regio Esercito (Royal Italian Army). Tanks and aircraft are used in the desert for the first time. The Italians also committed atrocities killing of prisoners of war, destruction of crops, and imprisoning populations in concentration camps behind barbed wire. The film starts by introducing the audience to the historical context. This introductory scene is part of historic records that present the rise of fascism in Italy and how it impacted Libya tragically. The scene concludes by stating that the characters and the events in this film are real and based on historical facts. The first scene after the introduction starts with Mussolini in Italy, who created the Fascist Party in Italy, complaining about his generals’ defeats in Libya. To crush the Libyan resistance after 20 years of failure, and after losing five of the best Italian generals, Mussolini sends his most skillful general, Graziani, to Libya. This scene is then contrasted with a scene of Omar Al Mokhtar, the old teacher who turned into a fighting rebel during the Italian colonization, teaching his young students in Libya. Graziani goes to Libya and starts his campaign to crush the rebellion. The Libyans show great tenacity and make enormous sacrifices to defend their country. Despite their bravery, the Libyan Arabs and Berbers suffer heavy losses, because their relatively primitive weaponry is no match for mechanised warfare; despite all this, they continue to fight and manage to keep the Italians from achieving complete victory for 20 years. Graziani is only able to achieve victory through deceit, deception, violation of the laws of war and human rights, and by the use of tanks and aircraft. Omar Al Mokhtar shows great perseverance and wisdom in leading the resistance movement. He enters into negotiations with the Italians to liberate Libya, but never reaches a deal with them because they pretend to negotiate only to win time. They ask him for significant concessions and promise him some materialistic rewards to end the resistance movement, but Al Mukhtar never accepts any of that, even after they capture him. They hang him in public to show the Libyans that resisting them is useless, but the resistance does not stop with his death. Despite the Libyans' lack of modern weaponry, Graziani recognizes the skill of his adversary in waging guerrilla warfare. In one scene, Mukhtar refuses to kill a defenseless young officer, instead giving him the Italian flag to bring home to Italy. Mukhtar says that Islam forbids him from killing captured soldiers and demands that he only fight for his homeland, and that Muslims are taught to hate war itself. In the end, Mukhtar is captured and tried as a rebel. His lawyer, Captain Lontano, states that since Mukhtar had never accepted Italian rule, he cannot be tried as a rebel and instead must be treated as a prisoner of war (which would save him from being hanged). The judge rejects this assertion, and the film ends with Mukthar being publicly executed by hanging.

The movie was filmed largely in Libya in 1979, with the production team living in "living camps" complete with air conditioning, a restaurant, library, billiards, Ping Pong tables, discotheque, swimming pool, and movie theater. The last act of the government's intervention against the film was on April 7, 1987, in Trento; afterward, MPs from Democrazia Proletaria asked Parliament to show the movie at the Chamber of Deputies. Film critic Vincent Canby writes: "Spectacular virtually an unending series of big battle scenes." The verdict of British historian Alex von Tunzelmann about the movie is: "Omar Mukhtar has been adopted as a figurehead by many Libyan political movements, including both Gaddafi himself and the rebels currently fighting him. Lion of the Desert is half an hour too long and hammy in places, but its depiction of Italian colonialism and Libyan resistance is broadly accurate." Clint Morris describes the movie as: "A grand epic adventure that'll stand as a highpoint in the producing career of Moustapha Akkad." On the other hand, film critic C. W. Smith wrote that the "multimillion dollar spectacular turns out to be a two hour and forty minute yawn". He complained that the bias in the portrayal of characters was obvious, saying that Graziani was portrayed as a "comic book caricature of a Nazi storm trooper." The film made $1 million at the box office on its original U. S. release.