Кіріспе
I дәрежелі ғимарат, Англияның Бат қаласында. Сэр Уолтер, оның екі қызы және миссис Клей кешке бөлмелердегі барлық топтан ең бірінші келді; ал леди Далримплді күту керек болғандықтан, олар Октагон бөлмесіндегі оттардың біріне орналасты.|автор=Джейн Остин|көздері=Қанағат (20-тарау)
text=Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady Dalrymple must be waited for, they took their station by one of the fires in the Octagon Room.|sign=Jane Austen|source=Persuasion (Chapter 20)
Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in The Pickwick Papers (published in 1837):
text=In the ball room, the long card room, the octagonal card room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music—not of the quadrille band, for it had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh—low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.|sign=Charles Dickens|source=The Pickwick Papers
George Bridgetower, an Afro Polish born virtuoso violinist, made his debut at the Assembly Rooms in 1789. In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931. The building was restored by A Mowbray Green in 1938,
The Ballroom has five chandeliers and capacity for up to 500 people. It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide. It is 60 feet (18 m) long and 42 feet (13 m) wide. It is 42 feet (13 m) across. In 1777 the Card Room was added. Philip Thicknesse in his 1778 'New Bath Guide' admired the architecture of the New or Upper Rooms but thought that 'in spite of all these Advantages, we much doubt, whether it be true that the Upper Rooms shew Female Beauty so advantageously as the Lower We have examined too, with a Degree of particular Attention, some of the most Admired Beauties of the last and present season, at both the Rooms, and, as far as we could determine, they were either best pleased, or most beautiful, under the lower than the upper lights'.
Чарльз Диккенс де бірнеше рет Батқа сапар шекті. Ол Ассамблея бөлмелерінде публично оқыды және оларды «Пиквик қағаздарында» (1837 жылы жарық көрген) атап өтті: мәтін=Бал залында, ұзақ карталар залында, сегізбұрышты карталар залында, баспалдақтарда және дәліздерде көптеген дауыстардың шуы мен көптеген аяқтардың қадамдары басылған. Кескіндер шырылдап, қауырсындары желбіреп, шамдар жарқырап, әшекейлер сәулеленді. Бұл квадриль тобының музыкасы емес, өйткені ол әлі басталмаған; бірақ жұмсақ, кішкентай қадамдардың музыкасы, кейде ашық, қуанышты күлкімен, жұмсақ және әдемі, әйел дауысында Батта немесе басқа жерде естілуге өте жағымды.|автор=Чарльз Диккенс|көздері=Пиквик қағаздары
text=Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady Dalrymple must be waited for, they took their station by one of the fires in the Octagon Room.|sign=Jane Austen|source=Persuasion (Chapter 20)
Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in The Pickwick Papers (published in 1837):
text=In the ball room, the long card room, the octagonal card room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music—not of the quadrille band, for it had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh—low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.|sign=Charles Dickens|source=The Pickwick Papers
George Bridgetower, an Afro Polish born virtuoso violinist, made his debut at the Assembly Rooms in 1789. In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931. The building was restored by A Mowbray Green in 1938,
The Ballroom has five chandeliers and capacity for up to 500 people. It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide. It is 60 feet (18 m) long and 42 feet (13 m) wide. It is 42 feet (13 m) across. In 1777 the Card Room was added. Philip Thicknesse in his 1778 'New Bath Guide' admired the architecture of the New or Upper Rooms but thought that 'in spite of all these Advantages, we much doubt, whether it be true that the Upper Rooms shew Female Beauty so advantageously as the Lower We have examined too, with a Degree of particular Attention, some of the most Admired Beauties of the last and present season, at both the Rooms, and, as far as we could determine, they were either best pleased, or most beautiful, under the lower than the upper lights'.
1789 жылы Ассамблея бөлмелерінде афро-поляк туған, виртуоз скрипкашы Джордж Бриджетоуэр өз дебютін жасады. 20 ғасырда бірнеше өзгерістер болды, Бал залы кинотеатрға айналды, 1931 жылы Ескі ғимараттарды қорғау қоғамы оның иесі болды. 1938 жылы А. Моубрей Грин ғимаратты қалпына келтірді.
text=Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady Dalrymple must be waited for, they took their station by one of the fires in the Octagon Room.|sign=Jane Austen|source=Persuasion (Chapter 20)
Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in The Pickwick Papers (published in 1837):
text=In the ball room, the long card room, the octagonal card room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music—not of the quadrille band, for it had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh—low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.|sign=Charles Dickens|source=The Pickwick Papers
George Bridgetower, an Afro Polish born virtuoso violinist, made his debut at the Assembly Rooms in 1789. In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931. The building was restored by A Mowbray Green in 1938,
The Ballroom has five chandeliers and capacity for up to 500 people. It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide. It is 60 feet (18 m) long and 42 feet (13 m) wide. It is 42 feet (13 m) across. In 1777 the Card Room was added. Philip Thicknesse in his 1778 'New Bath Guide' admired the architecture of the New or Upper Rooms but thought that 'in spite of all these Advantages, we much doubt, whether it be true that the Upper Rooms shew Female Beauty so advantageously as the Lower We have examined too, with a Degree of particular Attention, some of the most Admired Beauties of the last and present season, at both the Rooms, and, as far as we could determine, they were either best pleased, or most beautiful, under the lower than the upper lights'.
Бал залында бес люстра бар және 500 адамға дейін сыяды. Оның ұзындығы 30 метрден асады, ал ені 14 метрге жуық. Оның ұзындығы 18 метр, ені 13 метр. Оның ені 13 метр. 1777 жылы карталар бөлмесі қосылды. Филипп Тикнесс өзінің 1778 жылғы «Жаңа Бат нұсқаулығында» Жаңа немесе Жоғарғы бөлмелердің архитектурасын жоғары бағалады, бірақ «Бұл артықшылықтарға қарамастан, Жоғарғы бөлмелер әйелдердің сұлулығын Төменгі бөлмелердей жақсы көрсетеді деп күмәнданамыз. Біз сондай-ақ соңғы және осы жылғы маусымның ең әдемі әйелдерін ерекше назармен екі бөлмеде де қарастырдық және біз анықтағанша, олар төменгі жарықта жоғарыдан гөрі жақсырақ немесе әдемірек болды».
text=Sir Walter, his two daughters, and Mrs Clay, were the earliest of all their party at the rooms in the evening; and as Lady Dalrymple must be waited for, they took their station by one of the fires in the Octagon Room.|sign=Jane Austen|source=Persuasion (Chapter 20)
Charles Dickens also visited Bath on several occasions. He gave public readings in the Assembly Rooms and mentions them in The Pickwick Papers (published in 1837):
text=In the ball room, the long card room, the octagonal card room, the staircases, and the passages, the hum of many voices, and the sound of many feet, were perfectly bewildering. Dresses rustled, feathers waved, lights shone, and jewels sparkled. There was the music—not of the quadrille band, for it had not yet commenced; but the music of soft tiny footsteps, with now and then a clear merry laugh—low and gentle, but very pleasant to hear in a female voice, whether in Bath or elsewhere.|sign=Charles Dickens|source=The Pickwick Papers
George Bridgetower, an Afro Polish born virtuoso violinist, made his debut at the Assembly Rooms in 1789. In the 20th century several changes took place, with the Ballroom becoming a cinema, until the Society for the Protection of Ancient Buildings became the owners in 1931. The building was restored by A Mowbray Green in 1938,
The Ballroom has five chandeliers and capacity for up to 500 people. It is over 100 feet (30 m) long and nearly 45 feet (14 m) wide. It is 60 feet (18 m) long and 42 feet (13 m) wide. It is 42 feet (13 m) across. In 1777 the Card Room was added. Philip Thicknesse in his 1778 'New Bath Guide' admired the architecture of the New or Upper Rooms but thought that 'in spite of all these Advantages, we much doubt, whether it be true that the Upper Rooms shew Female Beauty so advantageously as the Lower We have examined too, with a Degree of particular Attention, some of the most Admired Beauties of the last and present season, at both the Rooms, and, as far as we could determine, they were either best pleased, or most beautiful, under the lower than the upper lights'.
Қазіргі қолданылуы
Бүгінде бөлмелер Ұлттық қорға тиесілі және олардың басқаруында. Қазіргі уақытта олар серіктестік көрмелер мен концерттер өткізу үшін қолданылады, оның ішінде Бат халықаралық музыка фестивалінің аясындағы шаралар да бар. Ғимараттың жертөлесі 2022 жылдың қазан айында жабылғанға дейін, 2007 жылға дейін Костюм мұражайы деп аталған, Мода мұражайына орналасқан еді. Бұл жинақты 1963 жылы Бат қаласына өзінің коллекциясын сыйлаған Дорис Лэнгли Мур бастады. Онда 16 ғасырдың соңынан бастап бүгінгі күнге дейінгі ерлер, әйелдер және балаларға арналған сәнді киімдер ұсынылады және 30 000-нан астам экспонат бар. Ең көне заттар – шамамен 1600 жылға жатқан кестеленген көйлектер мен қолғаптар. Ғимараттың сәні оны Георг дәуірінде түсірілген көркем фильмдер мен телесериалдар үшін танымал орынға айналдырды. BBC 1986 жылы «Нортангер аббаттығы» адаптациясын және 1995 жылы «Persuasion» фильмін түсіру үшін оны пайдаланды. «Ассамблея бөлмелері» «Бриджертон» сериалындағы бірнеше сахнаға да орын болды.