Соғыс және бейбітшілік (1956) фильмі

1956 film by King Vidor
the 1956 film

War and Peace is a 1956 epic historical drama film based on Leo Tolstoy's 1869 novel of the same name. It is directed and co written by King Vidor and produced by Dino De Laurentiis and Carlo Ponti for Paramount Pictures. The film stars Audrey Hepburn as Natasha, Henry Fonda as Pierre, and Mel Ferrer as Andrei, along with Oskar Homolka, Vittorio Gassman, Herbert Lom, Jeremy Brett, John Mills and Anita Ekberg in one of her first breakthrough roles. The musical score was composed by Nino Rota and conducted by Franco Ferrara. War and Peace opened on August 21, 1956, to a mixed reception, with some reviewers critical with the film truncating much of Tolstoy's novel, and the casting of 50 year old Henry Fonda as the 20 year old Pierre Bezukhov. It received Academy Awards nominations for Best Director, Best Cinematography (Color), and Best Costume Design (Color). It was also nominated for four Golden Globes, including Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama (Audrey Hepburn), and won for Best Foreign Film. In February 2020, the film was shown at the 70th Berlin International Film Festival as part of a retrospective dedicated to King Vidor's career.

In 1805, most of Europe is torn apart by Napoleon Bonaparte's drive to conquer more and more territory. In Moscow, many young men have joined the army, including Nicholas Rostov, the son of Count Ilya Rostov and his wife Nataly, and the brother of young Petya and the flighty but devoted Natasha. The Rostovs' friend Pierre, the illegitimate son of the ailing, wealthy Count Bezukhov, has recently returned from Paris and believes that Napoleon is a "cleansing force" who can establish equality and liberty. Despite his pacifism, Pierre wishes Nicholas well and then visits his friend, army officer Dolokhov, a notorious rake. There, the comrades indulge in drinking games but are interrupted by Prince Andrei Bolkonsky, an officer of much finer character than Dolokhov. Andrei informs Pierre that his estranged father, who is near death, is calling for him, and Pierre goes to his father's mansion, where various relatives snub him. Their derision changes to hypocritical concern, however, after the old count dies and it is discovered that he has accepted Pierre as legitimate and named him his sole heir. The scheming Hélène Kuragina immediately sets her sights on Pierre and soon he falls in love with her, while her father, Prince Vasily Kuragin, insinuates himself as the administrator of Pierre's vast estates. One day, Pierre runs into Andrei in the country as Andrei is escorting his pregnant wife Lise to his father's house. Andrei, who feels trapped by the clinging Lise, had earlier advised Pierre never to marry, and now Pierre refuses to accept his warnings. After Andrei takes Lise to live with his sister Mary and gruff father, Prince Nicholas Bolkonsky, he leaves for the front and is made an adjutant to the commander of the army, Field Marshal Mikhail Kutuzov. At the Battle of Austerlitz, Andrei attempts to rally the retreating men by grabbing their banner and rushing the enemy, but he is wounded and left for dead. While surveying the battlefield, Napoleon comes across Andrei and, admiring his courage, orders that he be tended to by his personal physician. In Moscow, when Pierre learns that the Russians are suing for peace, Hélène persuades him to return to the country alone so that she can spend the season in the city, welcoming the soldiers. Nicholas comes home safely, much to the delight of Natasha. Meanwhile, Andrei returns to his family, just as Lise goes into labor. Although their son Kolya survives, Lise dies after giving birth, and the grieving Andrei blames himself for not offering her enough comfort and love. As time passes, Hélène begins a flirtation with Dolokhov, and when Pierre learns of the rumors about them, he insults Dolokhov and accepts his challenge of a duel. Although Pierre is woefully unskilled with firearms, he manages to shoot and wound Dolokhov, while the soldier's shot goes wide and Pierre is unharmed. Infuriated that he was provoked into acting in such an uncivilized manner, Pierre separates from Hélène and agrees to accompany the Rostovs to their country estate. One day, while they are hunting, they meet Andrei, who is enchanted by Natasha. Later, Andrei dances with Natasha when she attends her first ball and realizes that he wants to marry her. Prince Bolkonsky urges Andrei to wait a year, as Natasha is so young and the Rostovs are not their social equals, but promises to consent if Andrei still wishes to marry her then. With Natasha's promise to wait for him, Andrei then joins the mission to Prussia, where Czar Alexander and Napoleon sign a peace treaty in June 1807. While Andrei is gone, however, Natasha is seduced by Anatole Kuragin, Hélène's brother, who is as cold hearted and debauched as his sister. Even though he is secretly married, Anatole persuades Natasha to elope with him, but their plans are foiled by Natasha's cousin Sonya and Pierre, who threatens Anatole with exposure of his marriage if he ruins Natasha's reputation. Pierre's threats come too late, however, and soon all of Moscow is gossiping about Natasha, who falls ill after Andrei ends their relationship. After several months, she begs Pierre to convey her regret to Andrei, and Pierre, who is in love with her, assures her that she is blameless, and that if he were free, he would ask for her hand. In 1812, Napoleon crosses the River Neman into Russia, despite the peace treaty. Faced with the superiority of the French Army, Kutuzov orders his men to retreat, and as they fall back, the soldiers and peasants set fire to the countryside so that the French will be without provisions. Although his officers protest his strategy, Kutuzov insists that the only way to save Russia is by letting the French wear themselves out. Soon the city of Smolensk is abandoned and Kutuzov decides to make a stand at Borodino. Determined to see war firsthand, to decide if his hatred of it is valid, Pierre travels to Borodino, where he finds Andrei's camp on the eve of the battle. Although Pierre urges Andrei to forgive Natasha, Andrei states that he cannot. The next morning, Pierre watches with mounting horror as the fighting rages around him and the French slaughter the Russians. Finally realizing that his hero is just a tyrant, Pierre damns Napoleon. Kutuzov then decides to fall back beyond Moscow, leaving the ancient capital city to the French. In Moscow, the Rostovs are among the many families preparing to flee when some wounded Russian soldiers arrive, hoping to be billeted at their home after their departure. Natasha insists that the men cannot be left behind to be captured, however, and they are loaded into the Rostov wagons and taken to a distant village. Napoleon is infuriated to learn that the government has fled, leaving no one behind to surrender to him. Although Pierre lies in wait one day, hoping to assassinate the French emperor, he cannot do it and is taken prisoner. Meanwhile, Natasha has learned that Andrei is among the wounded in their care and reunites with him. While Pierre is befriended by a fellow prisoner, the peasant Platon, the Rostovs take Andrei to a monastery to convalesce. Andrei's wounds prove fatal, however, and he dies just after Mary and Kolya arrive to bid him farewell. Napoleon realizes that he has been outmaneuvered by Kutuzov, and, fearing being trapped in Russia during the winter, orders his men to retreat. The prisoners, including Pierre and Platon, are forced to accompany the soldiers during their march, and many of them die. The Russian soldiers follow behind the French, allowing them little rest and picking off stragglers. Petya, who has joined the army against his parents' wishes, is sent with a dispatch to Dolokhov, ordering his platoon to join the main regiment. Eager for one last fight, Dolokhov insists on attacking the French the next morning and allows Petya to accompany him. Petya is killed during the engagement, and although Pierre is freed, he is too overcome by the boy's death to rejoice. Dolokhov informs Pierre that Hélène has died, and later, joins the other Russian soldiers as they attack the French, who are fleeing back across the Neman. The Rostovs return to Moscow and find their mansion a burned out shell, with only one wing remaining intact. Natasha rallies her family to make the best of what they have, however, and as the others settle in, Natasha sadly remembers happier times. She then sees Pierre in the doorway and rushes to embrace him. Telling him that he is like their house, which suffers and shows its wounds but still stands, Natasha kisses Pierre, and they walk together in the garden.

The film script had to be greatly condensed from the extensive original novel. It is primarily focused on Natasha, Pierre, and Andrei, their complex relationship and personal maturation on the backdrop of the historical events of the Napoleonic invasion. In Moscow, most of the scenes take place at the Rostov residence, and episodes at the country estates are curtailed, with some exceptions such as the hunt where Natasha first meets Andrei. This is a condensation of two scenes at the Rostov country estate, since in the novel Andrei, who by then is already Natasha's fiancé, is not present at the hunt. There are no scenes in St. Petersburg. The relationship between Nicholas, Sonya and Maria is toned down. Historical figures retained are General Kutuzov and Napoleon. Minor battles are omitted, while Napoleon's crossing of the Berezina, not depicted in the novel, is added. The concept of the inner dialogue is retained, notably in regard to Natasha, but the extensive use of French is not retained in the film. Events of the epilogue are not included, nor are Tolstoy's discourses about history.

British producer Alexander Korda announced interest in adapting Tolstoy’s novel for the screen as early as 1941, with Orson Welles directing, Merle Oberon and Agnes Moorehead, with a screenplay by Lillian Hellman. Korda's production was never realized, due to an inability to strike a deal with the Soviet government. In the 1950s, Mike Todd began actively pursuing a film adaptation, even arranging with Soviet and Yugoslavian officials for filming locations and the massive number of required extras, and hiring Fred Zinnemann to direct. The production was abandoned by Todd in order to focus on Around the World in Eighty Days. De Laurentiis felt that Paramount improperly handled distribution and that it should have made two or three times as much. By April 1958, it had earned over $6 million in France, Italy and Germany. It was one of the most popular films of all time in Italy with admissions of 15.7 million.

Upon its release there in August 1959, the film inspired the Soviet Union to produce a film adaptation of Tolstoy's novel, directed by Sergei Bondarchuk (who played Pierre Bezukhov) and co starring Vyacheslav Tikhonov and Ludmila Savelyeva as Prince Andrei Bolkonsky and Natasha Rostova. This four part adaptation is critically acclaimed for its realistic battle scenes, for which it won an Academy Award for Best Foreign Language Film.