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1933 American apocalyptic science fiction film directed by Felix E. Feist
the American science fiction film

Deluge is a 1933 American apocalyptic science fiction film, directed by Felix E. Feist, and released by RKO Radio Pictures. The film is very loosely based on the 1928 novel of the same name by S. Fowler Wright, with the setting changed from the United Kingdom to the United States. It follows a small group of survivors after a series of unexplained natural disasters erupt around the world and destroy civilization, including a massive tsunami which inundates New York City.

Scientists discover that a violent storm is heading toward New York City and begin the warning process throughout the city. They believe that something is wrong with the natural barometric patterns and that an unprecedented event is imminent. A sudden eclipse of the sun verifies their speculations, and it seems that global destruction is near. Telegraph messages from Rome and London explain days of unending earthquakes and state "The End of the World is at Hand." Tremendous earthquakes hit the United States West Coast, killing millions, and it is reported that the entire west coast of the United States has been destroyed. The earthquakes have also caused major tsunamis in the world's oceans and disaster is just moments away. Martin Webster and his wife Helen prepare for the oncoming disaster by gathering their children, Ronny and Mary Ann, and some essentials and head for a high rock formation to escape the floods. Martin leaves Helen and goes back to their house to get more food and clothes, but the destruction of New York begins while he is on his journey. Buildings crumble from earthquakes and large tsunamis strike the city. Martin returns to find his wife and daughters are nowhere to be found. Isolated on a newly formed island near the former site of New York City in the aftermath of the disaster, the grief stricken Martin, who believes that Helen and the children died in the disaster, builds a cabin and tries to survive on his own, hiding supplies in a tunnel. Surviving in a cabin on the outskirts of another island in what had been New York City are two ruffians, Jephson and Norwood. They find world class swimmer Claire Arlington unconscious and washed up on the shore outside their cabin. As she recovers, the men start feuding over her and become very possessive of her. When she is attacked, Claire flees and swims away, leaving the men angry and vengeful. Jephson kills Norwood and begins to search for her in a boat, vowing to bring her back. Claire reaches Martin's island in a state of exhaustion and collapses. Martin finds her, takes her back to his cabin, and nurses her back to health. Martin and Claire become good friends and eventually fall in love. The independent, Admiral/K. B. S. Productions, produced the film with a budget of $171,000, equivalent to approximately 3.51 million in 2020. Wright later watched the final scenes being shot and was disappointed to learn that producers had made changes and chose to not use the ending of the book as the film's ending. He later wrote in his diary that he felt the film was "ghastly" and advised his children not to see it. Many films have since continued to use New York as the center for their apocalyptic and post apocalyptic storylines. A scene in Deluge that features a tidal wave that leaves New York submerged in water with nearly all inhabitants drowned later was recreated in the 2004 disaster film The Day After Tomorrow. The special effects were done by Ned Mann, Russell E. Lawson, and Billy Williams. Mann later worked on the H. G. Wells scripted film Things to Come (1936). Part of the stock footage of ships and planes returning to port under severe storm warnings includes actual footage of the large United States Navy rigid airship Macon, which later was lost at sea in 1935.

Deluge received mixed but mostly positive reviews upon its release. It was a modest hit for RKO. using some of the scenes of destruction in S. O. S. Tidal Wave (1939), Dick Tracy vs Crime Inc (1941), and King of the Rocket Men (1949). For many years, Deluge was considered a lost film. In 1981, Forrest J Ackerman discovered a print, dubbed in Italian (La distruzione del mondo), in a film archive in Italy. Kansas City film distributor and collector Wade Williams claimed to have discovered an Italian language nitrate film print in the basement of an old mansion in Rome in 1981. It belonged to Williams' friend and Italian film producer Luigi Cozzi (aka Lewis Coates). Ackerman, his wife Wyndane, and Williams were guest speakers at a science fiction festival in Rome. Ackerman verified it was a lost film in the U. S. After Williams bought the access rights, he made a dupe preservation negative and 35mm print. It was subtitled in English for its first VHS release by Englewood Entertainment. The 35mm print was re released theatrically and played at the Film Forum in New York City and at other revival houses and archives. A 35mm nitrate dupe negative with its original English soundtrack was discovered in 2016. A 2K restoration scan was made by Lobster Films. This restoration was picked up for a limited theatrical re release by Kino Repertory. A home media blu ray release by Kino Lorber Studio Classics appeared in February 2017.