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British surreal comedy group
the comedy group

Monty Python (also collectively known as the Pythons) were a British comedy troupe formed in 1969 consisting of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. The group came to prominence for the sketch comedy series Monty Python's Flying Circus, which aired on the BBC from 1969 to 1974. Their work then developed into a larger collection that included live shows, films, albums, books, and musicals; their influence on comedy has been compared to the Beatles' influence on music. Their sketch show has been called "an important moment in the evolution of television comedy". Monty Python's Flying Circus was loosely structured as a sketch show, but its innovative stream of consciousness approach and Gilliam's animation skills pushed the boundaries of what was acceptable in style and content. A self contained comedy unit, the Pythons had creative control which allowed them to experiment with form and content, discarding rules of television comedy. They followed their television work by making the films Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). Their influence on British comedy has been apparent for years, while it has coloured the work of the early editions of Saturday Night Live through to absurdist trends in television comedy. At the 41st British Academy Film Awards in 1988, Monty Python received the BAFTA Award for Outstanding British Contribution to Cinema. In 1998, they were awarded the AFI Star Award by the American Film Institute. Holy Grail and Life of Brian are frequently ranked on lists of the greatest comedy films. A 2005 poll asked more than 300 comedians, comedy writers, producers, and directors to name the greatest comedians of all time, and half of Monty Python's members made the top 50.

According to show director Ian MacNaughton, the first discussion over the idea for the show, Monty Python's Flying Circus, was a result of BBC's comedy advisor, Barry Took, bringing the Pythons along with John Howard Davies (director of the first four episodes) and MacNaughton together into one conference room at the BBC Television Centre. The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller, and Dudley Moore on Beyond the Fringe—seminal to the British "satire boom"—and had worked on Frost, which was similar in style. They enjoyed Cook and Moore's sketch show Not Only But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, whom they had admired on The Goon Show (a show the Pythons regard as their biggest influence, which also featured Peter Sellers, whom Cleese called "the greatest voice man of all time") recording his groundbreaking BBC series Q (1969). Not only was Q more irreverent and anarchic than any previous television comedy, but Milligan also would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate. Michael Palin recalls "Terry Jones and I adored the Q shows [Milligan] was the first writer to play with the conventions of television." After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called "Beware of the Elephants", which had intrigued him with its stream of consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled "Christmas Cards", and agreed that it represented "a way of doing things differently". Since Cleese, Chapman, and Idle were less concerned with the overall flow of the programme, Jones, Palin, and Gilliam became largely responsible for the presentation style of the Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream of consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another). Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a "writer", rather than an actor eager for screen time. When the themes for sketches were chosen, Gilliam had a free hand in bridging them with animations, using a camera, scissors, and airbrush. Gilliam's animations ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship). Gwen Dibley's Flying Circus was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. Baron Von Took's Flying Circus was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded. The name Baron Von Took's Flying Circus had the form of Baron Manfred von Richthofen's Flying Circus of WWI fame, and the new group was forming in a time when the Royal Guardsmen's 1966 song "Snoopy vs. the Red Baron" had peaked. The term 'flying circus' was also another name for the popular entertainment of the 1920s known as barnstorming, where multiple performers collaborated with their stunts to perform a combined set of acts. Differing, somewhat confusing accounts are given of the origins of the Python name, although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live at Aspen during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently mocking tribute to Field Marshal Lord Montgomery, a British general of World War II; requiring a "slippery sounding" surname, they settled on "Python". On other occasions, Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet? ", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent". An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's  ", to be then followed by the title sequence and theme music. On several occasions, the cold open lasted until mid show, after which the regular opening titles ran. Occasionally, the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion, the credits ran directly after the opening titles. On the subversive nature of the show (and their subsequent films), Cleese states "anti authoritarianism was deeply ingrained in Python". Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "anti silliness" character of "the Colonel", who walked into several sketches and ordered them to be stopped because things were becoming "far too silly". Another favourite way of ending sketches was to drop a cartoonish "16 ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and, in a rather pompous manner, make the formal and determined announcement "And now for something completely different. ", which later became the title of the first Monty Python film. The Python theme music is the Band of the Grenadier Guards' rendition of John Philip Sousa's "The Liberty Bell" which was first published in 1893. Under the Berne Convention's "country of origin" concept, the composition was subject to United States copyright law which states that any work first published prior to 1924 was in the public domain, owing to copyright expiration. This enabled Gilliam to co opt the march for the series without having to make any royalty payments. The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly and Time by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the programme. Jones specialised in playing the working class housewife, or "ratbag old women" as termed by the BBC. In some episodes, and later in the stoning scene in Monty Python's Life of Brian, they took the idea one step further by playing women who impersonated men. Many sketches are well known and widely quoted. "Dead Parrot sketch", "The Lumberjack Song", "Spam" (which led to the coining of the term email spam), "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop", "The Ministry of Silly Walks", "Argument Clinic", "The Funniest Joke in the World" (a sketch referenced in Google Translate), and Four Yorkshiremen sketch" are just a few examples. Featuring regularly in skits, Gumbys (characters of limited intelligence and vocabulary) were part of the Pythons' satirical view of television of the 1970s which condescendingly encouraged more involvement from the "man on the street".

The Canadian Broadcasting Corporation (CBC) added Monty Python's Flying Circus to its national September 1970 fall line up. They aired the 13 episodes of series 1, which had first run on the BBC the previous autumn (October 1969 to January 1970), as well as the first six episodes of series 2 only a few weeks after they first appeared on the BBC (September to November 1970). The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Through the efforts of Python's American manager Nancy Lewis, during the summer of 1974, Ron Devillier, the programming director for nonprofit PBS television station KERA in Dallas, Texas, started airing episodes of Monty Python's Flying Circus. Ratings shot through the roof, prompting other PBS affiliates to pick up the show. The popularity on PBS resulted in the 1974 re release of the 1972 Completely Different film, with much greater box office success. The success of the show was captured by a March 1975 article headline in The New York Times, "Monty Python's Flying Circus Is Barnstorming Here". Asked what challenges were left, now that they had made TV shows, films, written books, and produced records, Chapman responded, "Well, actually world supremacy would be very nice", before Idle cautioned, "Yes, but that sort of thing has got to be done properly". With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies. In 1976, Monty Python became the top rated show in Japan. The popularity of the show in the Netherlands saw the town of Spijkenisse near Rotterdam open a 'silly walks' road crossing in 2018. Believed to be a world first, the official sign asks pedestrians to cross the road in a comical manner.

Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese and Chapman penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. In 2012, Jones spoke on Cleese's work in the third series and subsequent departure, "He was good at it, when he did it he was professional, but he'd rather not have done it. The others all loved it, but he got more and more pissed off about having to come out and do filming, and the one that really swung it, in my view, was when we had to do the day on the Newhaven lifeboat." The rest of the group carried on for one more "half" season before calling a halt to the programme in 1974. While the first three seasons contained 13 episodes each, the fourth ended after just six. The name Monty Python's Flying Circus appears in the opening animation for season four, but in the end credits, the show is listed as simply Monty Python.

The Pythons' first feature film was directed by Ian MacNaughton, reprising his role from the television series. It consisted of sketches from the first two seasons of the Flying Circus, reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self Defence Class", "How Not to Be Seen", and "Nudge Nudge". Financed by Playboys UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK, and later in the US on the "Midnight movie" circuit after their breakthrough television and film success, this being in the era before home video would make the original material much more accessible. The group did not consider the film a success.

In 1974, between production on the third and fourth series, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but Chapman took the lead as King Arthur. Cleese returned to the group for the film, feeling that they were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull, and Led Zeppelin, as well as UK music industry entrepreneur Tony Stratton Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums). The backers of the film wanted to cut the famous Black Knight scene (a Sam Peckinpah send up in which the Black Knight loses his limbs in a duel), but it was eventually kept in the movie. "Tis but a scratch" and "It's just a flesh wound " are often quoted. Holy Grail was selected as the second best comedy of all time in the ABC special Best in Film: The Greatest Movies of Our Time. and viewers in a Channel 4 poll placed it sixth. However, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite sharing a distrust of organised religion, they agreed not to mock Jesus or his teachings directly. They also mentioned that they could not think of anything legitimate to make fun of about him. Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by The Beatles' George Harrison, who together with Denis O'Brien formed the production company Hand Made Films for the movie. Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. In 2006 it was ranked first on a Channel 4 list of the 50 Greatest Comedy Films. Empire magazine called it "an unrivalled satire on religion". In 2013, Richard Burridge, a theologian decorated by Pope Francis, called Life of Brian an "extraordinary tribute to the life and work and teaching of Jesus—that they couldn't actually blaspheme or make a joke out of it. They did a great satire on closed minds and people who follow blindly. Then you have them splitting into factions it is a wonderful satire on the way that Jesus's own teaching has been used to persecute others. They were satirising fundamentalism and persecution of others and at the same time saying the one person who rises above all this was Jesus". The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on screen credit for Python since the end of Flying Circus) and live performances of several songs from the troupe's then current Monty Python's Contractual Obligation Album. Monty Python's 4 night stint as headliners at the Hollywood Bowl set a record for a comedy act at the venue that has since been equalled by Dave Chappelle in May 2022.

The Pythons' final film returned to something structurally closer to the style of Flying Circus. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of the group's most bizarre and disturbing moments, as well as various elaborate musical numbers, which include "Galaxy Song" (performed by Idle) and "Every Sperm Is Sacred" (performed by Palin and Jones). The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons after finally giving in to the smooth maître d' telling him to eat a mint – "It's only a wafer thin mint "). The Liver Donor scene (in which a paramedic appears at the door of a living man to take his liver) is a satire on bureaucracy, a common Python trope.

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund raisers for Amnesty—known collectively as the Secret Policeman's Ball shows—which were turned into multiple films, TV shows, videos, record albums, and books. The brainchild of John Cleese, these benefit shows in London and their many spin offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause, and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are Bob Geldof (organiser of Live Aid), U2, Pete Townshend, and Sting. Sting states, "before [the Ball] I did not know about Amnesty, I did not know about its work, I did not know about torture in the world." On the impact of the Ball on Geldof, Sting states, "he took the 'Ball' and ran with it." The Secret Policeman's Ball were the first stage shows in the UK to present comedic performers (such as Monty Python and Rowan Atkinson) in the same setting and shows as their contemporaries in rock music (which included Eric Clapton, Sting and Phil Collins).

Each member has pursued various film, television, and stage projects since the break up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably A Fish Called Wanda (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in Time Bandits (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed Jabberwocky (1977), and also directed and co wrote Brazil (1985), which featured Palin, The Adventures of Baron Munchausen (1988), which featured Idle; he followed these with writing and directing an additional six (as of 2021) films. HandMade Films, the film studio that George Harrison co founded to produce Life of Brian, contributed to British cinema in the 1980s, producing classics of the period including The Long Good Friday and Mona Lisa (both starring Bob Hoskins), Time Bandits, and Withnail and I, with the studio also launching Terry Gilliam's directorial career. Palin and Jones wrote the comedic TV series Ripping Yarns (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a nonspeaking part in the episode "Golden Gordon". Jones' film Erik the Viking also has Cleese playing a small part. In 1996 Terry Jones wrote and directed an adaptation of Kenneth Grahame's novel The Wind in the Willows. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river. The film included Steve Coogan who played Mole. Cleese has the most prolific solo career, appearing in dozens of films, several TV shows or series (including Cheers, 3rd Rock from the Sun, Q's assistant in the James Bond movies, and Will & Grace), many direct to video productions, some video games and a number of commercials. His BBC sitcom Fawlty Towers (written by and starring Cleese together with his wife Connie Booth) is the only comedy series to rank higher than the Flying Circus on the BFI TV 100's list, topping the whole poll. Cleese's character, Basil Fawlty, was ranked second (to Homer Simpson) on Channel 4's 2001 list of the 100 Greatest TV Characters. Idle enjoyed critical success with Rutland Weekend Television in the mid 1970s, out of which came the Beatles parody the Rutles (responsible for the cult mockumentary All You Need Is Cash), and as an actor in Nuns on the Run (1990) with Robbie Coltrane. In 1976 Idle directed music videos for George Harrison songs "This Song" and "Crackerbox Palace", the latter of which also featured cameo appearances from Neil Innes and John Cleese. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical Spamalot has made Idle the most financially successful of the troupe after Python. Written by Idle (and featuring a pre recorded cameo of Cleese as the voice of God), it has proved to be an enormous hit on Broadway, London's West End and Las Vegas. This was followed by Not the Messiah, which revises The Life of Brian as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone ish" part.

Since The Meaning of Life, their last project as a team, the Pythons have often been the subject of reunion rumours. The final appearance of all six together occurred during the 1989 Parrot Sketch Not Included – 20 Years of Monty Python TV special. The death of Chapman in October 1989 put an end to the speculation of any further reunions. However, there were several occasions after 1989 when the remaining five members gathered together for appearances — albeit not formal reunions. In 1996 Jones, Idle, Cleese, and Palin were featured in a film adaptation of The Wind in the Willows, which was later renamed Mr. Toad's Wild Ride. In 1997 Palin and Cleese rolled out a new version of the "Dead Parrot sketch" for Saturday Night Live. In 1998 during the US Comedy Arts Festival, where the troupe were awarded the AFI Star Award by the American Film Institute, the five remaining members, along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live at Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches. On 9 October 1999, to commemorate 30 years since the first Flying Circus television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. In an interview to publicise the DVD release of The Meaning of Life, Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of busyness rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members "together" in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques. Idle responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms." The Pythons Autobiography by The Pythons (2003), compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to Holy Grail that had been conceived by Idle, may have resulted in the group's split. Cleese's feeling was that The Meaning of Life had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man like central roles in the Grail and Brian films had been considered to be an essential anchoring performance). The book also reveals that Cleese saw Chapman as his "greatest sounding board. If Graham thought something was funny, then it almost certainly was funny. You cannot believe how invaluable that is.' Ultimately it was Cleese who ended the possibility of another Python movie. A full, if nonperforming, reunion of the surviving Python members appeared at the March 2005 premiere of Idle's musical Spamalot. Based on Monty Python and the Holy Grail, it also spoofs popular musicals, including those of Andrew Lloyd Webber. It opened in Chicago and has since played in New York on Broadway, London, and numerous other major cities across the world. In 2004, Spamalot was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols, and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. The original Broadway cast included Tim Curry as King Arthur, Michael McGrath as Patsy, David Hyde Pierce as Sir Robin, Hank Azaria as Sir Lancelot and other roles (e. g., the French Taunter, Knight of Ni, and Tim the Enchanter), Christopher Sieber as Sir Galahad and other roles (e. g., the Black Knight and Prince Herbert's Father). Cleese played the voice of God, a role played in the film by Chapman. Owing in part to the success of Spamalot, PBS announced on 13 July 2005 that it would begin to re air the entire run of Monty Python's Flying Circus and new one hour specials focusing on each member of the group, called Monty Python's Personal Best. Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material. In 2009, to commemorate the 40th anniversary of the first episode of Monty Python's Flying Circus, a six part documentary entitled Monty Python: Almost the Truth (Lawyers Cut) was released, featuring interviews with the surviving members of the team, as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films. Each episode opens with a different re recording of the theme song from Life of Brian, with Iron Maiden vocalist and Python fan Bruce Dickinson performing the sixth. Also in commemoration of the 40th anniversary, Idle, Palin, Jones, and Gilliam appeared in a production of Not the Messiah at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009, where the team received a Special Award from the British Academy of Film and Television Arts. In June 2011, it was announced that A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman, an animated 3D movie based on the memoir of Graham Chapman, was in the making. The memoir A Liar's Autobiography was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity, and the tolls of surreal comedy. Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing  it's all a downright, absolute, blackguardly lie." The film uses Chapman's own voice—from a reading of his autobiography shortly before he died of cancer—and entertainment channel Epix announced the film's release in early 2012 in both 2D and 3D formats. Produced and directed by London based Bill Jones, Ben Timlett, and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style. John Cleese recorded dialogue which was matched with Chapman's voice. Michael Palin voiced Chapman's father and Terry Jones voiced his mother. Terry Gilliam voiced Graham's psychiatrist. They all play various other roles. Among the original Python group, only Eric Idle was not involved. On 26 January 2012, Terry Jones announced that the five surviving Pythons would reunite in a sci fi comedy film called Absolutely Anything. The film would combine computer generated imagery and live action. It would be directed by Jones based on a script by Jones and Gavin Scott, and in addition to the Python members it would also star Simon Pegg, Kate Beckinsale and Robin Williams (in his final film role). The plot revolves around a teacher who discovers aliens (voiced by the Pythons) have given him magical powers to do "absolutely anything". Eric Idle responded via Twitter that he would not, in fact, be participating, although he was later added to the cast.

In 2013, the Pythons lost a legal case to Mark Forstater, the film producer of Monty Python and the Holy Grail, over royalties for the derivative work Spamalot. They owed a combined £800,000 in legal fees and back royalties to Forstater. They proposed a reunion show to pay their legal bill. On 19 November 2013, a new reunion was reported, following months of "secret talks". The original plan was for a live, one off stage show at the O2 Arena in London on 1 July 2014, with "some of Monty Python's greatest hits, with modern, topical, Pythonesque twists" according to a press release. The tickets for this show went on sale in November 2013 and sold out in just 43 seconds. Nine additional shows were added, all of them at the O2, the last on 20 July. They have said that their reunion was inspired by South Park creators Trey Parker and Matt Stone, who are massive Monty Python fans. Mick Jagger and Charlie Watts featured in a promotional video for the shows: "Who wants to see that again, really? It's a bunch of wrinkly old men trying to relive their youth and make a load of money—the best one died years ago!" Michael Palin stated that the final reunion show on 20 July 2014 would be the last time that the troupe would perform together. It was screened to 2,000 cinemas around the world. The last show was broadcast in the UK on Gold TV and internationally in cinemas by Fathom Events through a Dish Network satellite link.

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practise as a doctor. Chapman is best remembered for the lead roles in Holy Grail, as King Arthur, and Life of Brian, as Brian Cohen. He died of metastatic throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the "Dead Parrot" sketch, which they had written. Chapman's comedic fictional memoir, A Liar's Autobiography: Volume VI, was adapted into an animated 3D film in 2012.

John Cleese is the oldest Python. He met his future Python writing partner, Chapman, in Cambridge. Outside of Python, he is best known for setting up the Video Arts group and for the sitcom Fawlty Towers (co written with Connie Booth, whom Cleese met during work on Python and to whom he was married for a decade). In Fawlty Towers Cleese starred as hotel owner Basil Fawlty, and received the 1980 British Academy Television Award for Best Entertainment Performance. Cleese has also co authored several books on psychology and wrote the screenplay for the award winning A Fish Called Wanda, in which he starred with Michael Palin, and was nominated for the Academy Award for Best Original Screenplay.

Terry Gilliam, an American by birth, is the only member of the troupe of non British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's Help! magazine, one issue of which featured Cleese. Moving from the US to England, he animated features for Do Not Adjust Your Set and was then asked by its makers to join them on their next project: Monty Python's Flying Circus. He co directed Monty Python and the Holy Grail and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before The Meaning of Life).

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, as well as Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in Idle's contributions were elaborate wordplay and musical numbers. After Flying Circus, he hosted Saturday Night Live four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film Splitting Heirs (written, produced by, and starring him) and 1998's An Alan Smithee Film: Burn Hollywood Burn (in which he starred). He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. Idle wrote the Tony Award winning musical Spamalot, based on Holy Grail. Following the success of the musical he wrote Not the Messiah, an oratorio derived from the Life of Brian. Representing Monty Python, Idle featured in a one hour symphony of British Music when he performed at the London 2012 Olympic Games closing ceremony.

Terry Jones has been described by other members of the team as the "heart" of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should "[you] speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China  in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often under rated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in Life of Brian, "He's not the Messiah, he's a very naughty boy! ", a line voted the funniest in film history on two occasions. Jones died on 21 January 2020 from complications of dementia.

Sir Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series Ripping Yarns together. Palin and Jones originally wrote face to face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After Flying Circus, Palin hosted Saturday Night Live four times in the first 10 seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled Michael Palin Diaries 1969–1979, published in 2007. Palin was awarded a knighthood in the 2019 New Year Honours, which was announced by Buckingham Palace in December 2018.

Several people have been accorded unofficial "associate Python" status over the years. Occasionally such people have been referred to as the 'seventh Python', in a style reminiscent of George Martin (or other associates of the Beatles) being dubbed "the Fifth Beatle". The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. [[File:10.18.09CarolClevelandByLuigiNovi. jpg|thumb|upright|Carol Cleveland (in 2009), commonly called "Python girl", or "Seventh Python". Gilliam once noted that if anyone qualified for the title of the seventh Python, it would be Innes. He was one of the creative talents in the off beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need Is Cash (1978), a mockumentary film co directed by Idle. By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight to DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that Innes and he go back "too far. And no further." Innes died of a heart attack on 29 December 2019 near Toulouse, where he had lived for several years. Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as "the female Python". She was originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus. The Pythons then pushed to make Cleveland a permanent recurring performer after producer/director Ian MacNaughton brought in several other actresses who were not as good as she was. Cleveland went on to appear in about two thirds of the episodes, as well as in all of the Python films, and in most of their stage shows, as well. According to Time, her most recognisable film roles are playing Zoot and Dingo, two maidens in the Castle Anthrax in Holy Grail. Douglas Adams was "discovered" by Chapman when a version of Footlights Revue (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch—a satire on mind boggling bureaucracy—a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill in numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode "The Light Entertainment War", Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of "Mr. Neutron", Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron  "). Adams and Chapman also subsequently attempted a few non Python projects, including Out of the Trees. He also contributed to a sketch on the soundtrack album for Monty Python and the Holy Grail. Other than Carol Cleveland, the only other non Python to make a significant number of appearances in the Flying Circus was Ian Davidson. He appeared in the first two series of the show, and played over 10 roles. While Davidson is primarily known as a scriptwriter, it is not known if he had any contribution toward the writing of the sketches, as he is only credited as a performer. In total, Davidson is credited as appearing in eight episodes of the show, which is more than any other male actor who was not a Python. Despite this, Davidson did not appear in any Python related media subsequent to series 2, though footage of him was shown on the documentary Python Night – 30 Years of Monty Python. Stand up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of Flying Circus, the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted The Life of Python (1999), a history of the group that was part of Python Night and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as Live at Aspen). Izzard has said that Monty Python was a significant influence on her style of comedy and Cleese has referred to her as "the lost Python". Series director of Flying Circus, Ian MacNaughton, is also regularly associated with the group and made a few on screen appearances in the show and in the film And Now for Something Completely Different. Apart from Neil Innes, others to contribute musically included Fred Tomlinson and the Fred Tomlinson Singers. They made appearances in songs such as "The Lumberjack Song" as a backup choir. Other contributors and performers for the Pythons included John Howard Davies, John Hughman, Lyn Ashley, Bob Raymond, John Young, Rita Davies, Stanley Mason, Maureen Flanagan, and David Ballantyne.

[[File:Monty Python Live 02 07 14 13 00 13 (14415341590). jpg|thumb|"Argument Clinic" sketch with Palin (standing) and Cleese in 2014. CNN states, "Monty Python has been called The Beatles of comedy". A similar point is made in a 2006 book on the relationship between Python and philosophy: "It is remarkable, after all, not only that the utterly bizarre Monty Python's Flying Circus was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence." Ron Devillier, the PBS programming director who put Monty Python's Flying Circus on US television, states, "they brought through a kind of phony baloney surface ethic that we all lived under and shot right through it and split it in half. If you really let it happen, you could laugh at yourself. All the things that they were doing were really funny like playing on our sensibilities and making fun of them in a very funny way, pointing out how pompous we can be and making fun of themselves at the same time."

quote box|align=right|width=27%|bgcolor=#FFFFF0|"Everything I've ever done can be distilled to at least one Python sketch. If comedy had a periodic element table, Python would have more than one atom on it. "|source=—Mike Myers. David Cross, Rowan Atkinson, Seth MacFarlane, Seth Meyers, Trey Parker, Matt Stone, Vic and Bob, Mike Myers, Robin Williams, Jerry Seinfeld, Eddie Izzard, and "Weird Al" Yankovic. Matt Groening, creator of The Simpsons, was influenced by Python's "high velocity sense of the absurd and not stopping to explain yourself", and pays tribute through a couch gag used in seasons five and six. Appearing on Monty Python's Best Bits (Mostly), Jim Carrey—who refers to Monty Python as the "Super Justice League of comedy"—recalled the effect on him of Ernest Scribbler (played by Palin) laughing himself to death in "The Funniest Joke in the World" sketch. Nick Park, creator of Wallace and Gromit, was inspired by Gilliam's animation in Monty Python "to be a bit wacky and off the wall." Simon Pegg, co writer of the Three Flavours Cornetto trilogy of British comedy films (from Shaun of the Dead to The World's End), stated his "love of comedy was hugely informed by Monty Python." Jerry Seinfeld told Parade, "Monty Python was a gigantic influence on me. They were just about silly, funny things that meant nothing, and that's the stuff I love. There's a wonderful childlike freedom in those kinds of things." Comedian John Oliver states, "Writing about the importance of Monty Python is basically pointless. Citing them as an influence is almost redundant. It's assumed. This strange group of wildly talented, appropriately disrespectful, hugely imaginative and massively inspirational idiots changed what comedy could be for their generation and for those that followed." On how Python's freeform style influenced sketch comedy, Tina Fey of the US television show Saturday Night Live states, "Sketch endings are overrated. Their key was to do something as long as it was funny and then just stop and do something else." Stephen Merchant, co creator of The Office with Ricky Gervais, stated, "I don't remember where I got this grand idea that I could somehow be John Cleese. That was my overriding passion from my mid teens. Cleese had grown up in Weston Super Mare, not far from Bristol where I grew up, and he was tall and he was very funny and very British and it's almost like I thought 'well if they want tall people from the west country I can do that.'"

Beyond a dictionary definition, Python terms have entered the lexicon in other ways. thumb|Menu from the "Spam" sketch, from where the junk term is derived. Spam is included in almost every dish, much to the consternation of a customer. The term "spam" in reference to bulk, unsolicited email is derived from the show's 1970 "Spam" sketch. As the waitress recites the Spam filled menu, a chorus of Viking patrons drown out all conversations with a song, repeating "Spam, Spam, Spam, Spam Spammity Spam! Wonderful Spam!". The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. The default integrated development environment of the programming language is named IDLE, an alternative one is named eric, both in honour of Eric Idle. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Its package index is also known as the "Cheese Shop" after the sketch of the same name. There is also a python refactoring tool called bicyclerepair named after Bicycle Repair Man sketch. In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of Montypythonoides riversleighensis in honour of the Monty Python team. In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the line up "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavour. In 1999, in connection with the group's 30th anniversary, a beer named "Holy Grail Ale" was released by the Black Sheep Brewery in North Yorkshire. The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese. Geneticists discovered a mutant gene which caused mutant flies to live twice as long as normal ones. They dubbed the gene "Indy," which is an acronym for the line of dialogue: "I'm not dead yet! ", from the film Monty Python and the Holy Grail. The band Toad the Wet Sprocket took its name from the Rock Notes sketch on the comedy album, Monty Python's Contractual Obligation Album.

thumb|Gumby flower arranging. A character of limited intelligence and vocabulary (a satire on the condescending use of the "man on the street" on TV), he is played here by Terry Gilliam in 2014. On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip clopping" in time to the Python classic, "Always Look on the Bright Side of Life", for the Guinness World Records attempt. On 5 October 2019, to mark the 50th anniversary of Monty Python's first show, the "first official Monty Python Guinness world record attempt" tried to break the record for "the largest gathering of people dressed as Gumbys." A recurring character on the show, a Gumby wears a handkerchief on their head, has spectacles, braces, a knitted tank top, and wellington boots. The shirt sleeves and trouser legs are always rolled up, exposing their socks and knees. Dimwitted, their most famous catchphrases are "My brain hurts!" and repeated shouts of "Hello!" and "Sorry! ".

Monty Python's Flying Circus (1969–1974): The show that started the Python phenomenon, see also List of Monty Python's Flying Circus episodes. Monty Python's Fliegender Zirkus (1972): Two 45 minute specials were made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing. Monty Python's Personal Best (2006): Six one hour specials, each episode presenting the best of one member's work.