Our Man Bashir

"Our Man Bashir" is the 82nd episode of the American science fiction television series Star Trek: Deep Space Nine, the tenth of the fourth season. It originally aired on November 27, 1995, in broadcast syndication. Directed by Winrich Kolbe, the story originated from a pitch by Assistant Script Coordinator Robert Gillan and was turned into a script by producer Ronald D. Moore. Both hairdressing in the episode and the score by Jay Chattaway were later nominated for Emmy Awards. The episode's plot involves the combination of two much used Star Trek plot devices: a transporter accident and a holodeck malfunction. Set in the 24th century, the series follows the adventures on Deep Space Nine, a space station located near a stable wormhole between the Alpha and Gamma quadrants of the Milky Way Galaxy. In this episode, Dr. Julian Bashir (Alexander Siddig) plays a 1960s secret agent in a holosuite game, accompanied by his friend Garak (Andrew Robinson), who is himself a former spy. After a transporter accident, the physical likenesses of several crew members are temporarily stored as characters in the holosuite memory; Bashir and Garak must prevent any of them from dying in the game or else they will be lost to the real world. The production team had deliberately avoided episodes centering on holodeck malfunctions as they felt they had been overused on Star Trek: The Next Generation. However, Gillan pitched the circumstances that caused the issue seen in the episode and Moore came up with the 1960s setting. Although the episode takes its title from Our Man Flint, a major inspiration for the story was the James Bond films. This obvious influence resulted in Metro Goldwyn Mayer complaining to the studio, and later references to Bashir's holosuite game in the episode "A Simple Investigation" were toned down. "Our Man Bashir" received Nielsen ratings of 6.8 percent, and while the episode was mostly praised by reviewers, with particular attention paid to the performance of Avery Brooks, there was some criticism levelled at the depiction of women.

Dr. Julian Bashir is playing a holosuite game in which he portrays a glamorous secret agent in 1964. His friend Elim Garak, a former spy, tags along. Meanwhile, the other officers of Deep Space Nine are rescued from the explosion of a runabout by Cmdr. Eddington, who beams them out in the nick of time. The transporter is damaged by the explosion, and Eddington must store their patterns in the station's computer memory. Their physical patterns end up in the computer controlling the holosuite, appearing as characters in Bashir's simulation. Eddington informs Bashir that he can't shut down the program or let the characters die, or else the patterns of the crew members may be deleted. Making matters worse, the holosuite safeties are disabled, meaning Bashir and Garak could be hurt or killed by the game. In the game, a Russian spy, Anastasia Komananov, appears with Major Kira's likeness. Komananov explains that a mad scientist, Dr. Noah, is kidnapping elite scientists; Bashir's orders are to rescue Professor Honey Bare (Jadzia Dax). After escaping the assassin Falcon (Miles O'Brien), Bashir, Garak and Komananov go to a casino to speak to Noah's associate Duchamps (Worf). After a game of baccarat, Duchamps drugs the trio, knocking them out. They awaken in Dr. Noah's lair on Mount Everest. Noah (Captain Sisko) explains his plan to flood the rest of the world, wiping out the human race except for his kidnapped scientists. He has Bashir and Garak handcuffed to an underground laser that will flood the chamber with lava in five minutes. As the time ticks down, Bashir flirts with Prof. Bare, and she slips him a key. Bashir frees himself and Garak, who protests that continuing the simulation is too dangerous. Garak is about to close the program, potentially killing the other crew members, when Bashir shoots him, grazing him with a bullet. Garak is shocked, but impressed, and agrees to continue. They burst into Noah's study, and Eddington tells them he will attempt to rescue Sisko and the others in two minutes. To gain time, Bashir hits the button to activate Noah's plan, flooding the Earth. As he had not expected to actually win, the shocked Dr. Noah is still about to shoot Bashir, but before he can pull the trigger, Eddington beams the crew's patterns out of the holosuite. Bashir and Garak end the program with relief, Garak commenting that Bashir "saved the day by destroying the world".

Story editor René Echevarria was keen not to have a damaged holodeck story appear, as he felt it had been overdone in Star Trek: The Next Generation. It was specified in the information sheet sent to freelance writers that Deep Space Nine was not accepting stories involving malfunctioning holodecks. Producer Ira Steven Behr explained that the show had been looking for a unique holodeck story that would be specifically for Deep Space Nine rather than Sherlock Holmes and Dixon Hill detective stories seen in The Next Generation. Whilst Bashir and O'Brien's adventures in the holosuites in the Battle of Britain and the Battle of Clontarf have been mentioned in episodes, they were simply too expensive to be shown on screen effectively. But Behr felt that the story for "Our Man Bashir" was within the budget of the show. The story was initially pitched to Echevarria by Robert Gillan, who was on the staff of Deep Space Nine as Assistant Script Coordinator. Echevarria was immediately convinced, and told Behr about the story who was equally as enthusiastic. In Gillan's original pitch, there wasn't a specific setting clearly set out, but Behr and Echevarria were sold on the idea that nothing went wrong with the holosuites — it was simply where the computer decided to store the information following a transporter accident. Producer Ronald D. Moore came up with the 1960s setting, as he felt it was appropriate since Garak was a spy for the Cardassian Obsidian Order. Some of the elements were suggested by other staff members, with Robert Wolfe naming Colonel Anastasia Komananov and Behr changing Suzie Luvsitt to Mona Luvsitt. Metro Goldwyn Mayer was later not pleased with the James Bond style approach, and when Bashir's spy program appeared in the later episode "A Simple Investigation", the references were more generic.

"Our Man Bashir" was first broadcast on November 27, 1995, in broadcast syndication. It received Nielsen ratings of 6.8 percent, placing it in eighth place in its timeslot and lower than the episode that aired the previous week, "The Sword of Kahless", which gained a rating of 6.9 percent. "Our Man Bashir" was the final new episode of Deep Space Nine to air in 1995, with repeats running until "Homefront" aired on January 1, 1996, with ratings of 6.8 percent. Handlen also praised the relationship between Bashir and Garak in the episode, and said "Our Man Bashir" demonstrates their characterisation. Keith DeCandido, writing for Tor. com, said that it was obvious that the actors enjoyed their new parts in this episode and said of the episode, "holy crap is it fun". In particular, he praised both Avery Brooks and Nana Visitor in their Bond esque roles, saying that Brooks made a villain on par with those played by Donald Pleasence, Christopher Lee, and Javier Bardem. DeCandido gave "Our Man Bashir" a rating of nine out of ten. She noted it as being one of goofiest Deep Space Nine episodes. In 2012, Den of Geek ranked this the seventh best episode of Star Trek: Deep Space Nine. A 2015 binge watching guide for Star Trek: Deep Space Nine by WIRED recommended not skipping this essential episode. In 2016, Empire ranked this the 23rd best out of the top 50 episodes of all the 700 plus Star Trek television episodes. In 2016, The Hollywood Reporter rated "Our Man Bashir" the 87th best episode of all Star Trek episodes. In 2020, Io9 said this was one of the "must watch" episodes from the series.

The episode was nominated for two Emmy Awards, in the categories "Outstanding Music Composition for a Series" (for the score by Jay Chattaway) and "Outstanding Hairstyling for a Series". followed in the United States and Canada by a single episode release on October 3, 2000. It was later released on DVD as part of the season four box set on August 5, 2003.