Le Médecin malgré lui

the opera by Charles Gounod

Le Médecin malgré lui (lə medsɛ̃ malɡʁe lɥi; "The doctor/physician in spite of himself") is a farce by Molière first presented in 1666 (published as a manuscript in early 1667) at le théâtre du Palais Royal by la Troupe du Roi. The play is one of several plays by Molière to center on Sganarelle, a character that Molière himself portrayed, and is a comedic satire of 17th century French medicine. The music composed by Marc Antoine Charpentier is lost.

Sganarelle, a poor woodcutter, makes life a living hell for his wife and family by spending what little he earns on food and drink. As the play opens, he is seen arguing with and eventually beating his wife, Martine, who then decides to take revenge. As she is plotting, she hears two passing servants of a rich man mention their frustration at being unable to find a doctor who can cure their master's daughter's mysterious illness. She convinces the two that her husband is an eccentric but brilliant doctor, whom they must beat into admitting his identity. The servants find Sganarelle cutting wood and drinking in the woods nearby and beat him until he finally admits to being a doctor. The servants take him to meet their master, Geronte, and his daughter Lucinde who has become mysteriously mute. Sganarelle spends his first session with her frantically trying to pass as a real doctor, mainly out of fear of being beaten again. When he sees how much Geronte is willing to pay him, however, he decides to give up woodcutting and remain a "doctor" for the rest of his life. Eventually Sganarelle discovers that his patient is in fact only pretending to be ill, because she is betrothed to a rich man whom she does not love. Farcical comedy ensues, climaxing with Sganarelle being discovered and almost executed. The play ends with a classical moment of deus ex machina; with Lucinde's love, Geronte's wishes, and Sganarelle's fate being neatly and happily resolved.

Much of the play consists of Sganarelle's boastful comic monologues. Below is a translation of Sganarelle's most famous speech, which is considered one of the funniest in French theatre: