Тас үңгірлердегі ежелгі суреттер

Paintings, often prehistoric, on cave walls and ceilings
[[File:SantaCruz CuevaManos P2210651b. jpg|thumb|upright=1.5|Cueva de las Manos, Perito Moreno, Argentina. The art in the cave is dated between 7,300 BC and 700 AD; stenciled, mostly left hands are shown. More recently, in 2021, cave art of a pig found in Sulawesi, Indonesia, and dated to over 45,500 years ago, has been reported. A 2018 study claimed an age of 64,000 years for the oldest examples of non figurative cave art in the Iberian Peninsula. Represented by three red non figurative symbols found in the caves of Maltravieso, Ardales and La Pasiega, Spain, these predate the appearance of modern humans in Europe by at least 20,000 years and thus must have been made by Neanderthals rather than modern humans. In November 2018, scientists reported the discovery of the then oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo.

[[File:Lubang Jeriji Saléh cave painting of Bull. jpg|thumb|One of the oldest known figurative paintings, a depiction of an unknown bovine, was discovered in the Lubang Jeriji Saléh cave and dated to be more than 40,000 (perhaps as old as 52,000) years old. and caves and rocky overhangs (where parietal art is found) are typically littered with debris from many time periods. But subsequent technology has made it possible to date the paintings by sampling the pigment itself, torch marks on the walls, or the formation of carbonate deposits on top of the paintings. The subject matter can also indicate chronology: for instance, the reindeer depicted in the Spanish cave of Cueva de las Monedas places the drawings in the last Ice Age. The oldest known cave painting is a red hand stencil in Maltravieso cave, Cáceres, Spain. It has been dated using the uranium thorium method and a depiction of a pig with a minimum age of 35,400 years at Timpuseng cave in Sulawesi. Some researchers believe the drawings are too advanced for this era and question this age. More than 80 radiocarbon dates had been obtained by 2011, with samples taken from torch marks and from the paintings themselves, as well as from animal bones and charcoal found on the cave floor. The radiocarbon dates from these samples show that there were two periods of creation in Chauvet: 35,000 years ago and 30,000 years ago. One of the surprises was that many of the paintings were modified repeatedly over thousands of years, possibly explaining the confusion about finer paintings that seemed to date earlier than cruder ones. thumb|left|An artistic depiction of a group of rhinoceros was completed in the Chauvet Cave 30,000 to 32,000 years ago. In 2009, cavers discovered drawings in Coliboaia Cave in Romania, stylistically comparable to those at Chauvet. An initial dating puts the age of an image in the same range as Chauvet: about 32,000 years old. In Australia, cave paintings have been found on the Arnhem Land plateau showing megafauna which are thought to have been extinct for over 40,000 years, making this site another candidate for oldest known painting; however, the proposed age is dependent on the estimate of the extinction of the species seemingly depicted. Another Australian site, Nawarla Gabarnmang, has charcoal drawings that have been radiocarbon dated to 28,000 years, making it the oldest site in Australia and among the oldest in the world for which reliable date evidence has been obtained. Other examples may date as late as the Early Bronze Age, but the well known Magdalenian style seen at Lascaux in France (c.15,000 BC) and Altamira in Spain died out about 10,000BC, coinciding with the advent of the Neolithic period. Some caves probably continued to be painted over a period of several thousands of years. The next phase of surviving European prehistoric painting, the rock art of the Iberian Mediterranean Basin, was very different, concentrating on large assemblies of smaller and much less detailed figures, with at least as many humans as animals. This was created roughly between 10,000 and 5,500 years ago, and painted in rock shelters under cliffs or shallow caves, in contrast to the recesses of deep caves used in the earlier (and much colder) period. Although individual figures are less naturalistic, they are grouped in coherent grouped compositions to a much greater degree. Over a long period of time, the cave art has become less naturalistic and has graduated from beautiful, naturalistic animal drawings to simple ones, and then to abstract shapes.

alt=Cave of Pettakere, Bantimurung district (kecamatan), South Sulawesi, Indonesia. Hand stencils estimated between 0,000 years old|thumb|Caves in the Maros Pangkep karst (Sulawesi, Indonesia). Hand stencils estimated between 35,000–40,000 BP. In Indonesia the caves in the district of Maros in Sulawesi are famous for their hand prints. About 1,500 negative handprints have also been found in 30 painted caves in the Sangkulirang area of Kalimantan; preliminary dating analysis as of 2005 put their age in the range of 10,000 years old. A 2014 study based on uranium–thorium dating dated a Maros hand stencil to a minimum age of 39,900 years. A painting of a babirusa was dated to at least 35.4 ka, placing it among the oldest known figurative depictions worldwide. And more recently, in 2021, archaeologists announced the discovery of cave art at least 45,500 years old in Leang Tedongnge cave, Indonesia. According to the journal Science Advances, the cave painting of a warty pig is the earliest evidence of human settlement of the region. It has been reported that it is rapidly deteriorating as a result of climate change in the region. Originating in the Paleolithic period, the rock art found in Khoit Tsenkher Cave, Mongolia, includes symbols and animal forms painted from the walls up to the ceiling. Stags, buffalo, oxen, ibex, lions, Argali sheep, antelopes, camels, elephants, ostriches, and other animal pictorials are present, often forming a palimpsest of overlapping images. The paintings appear brown or red in color, and are stylistically similar to other Paleolithic rock art from around the world but are unlike any other examples in Mongolia. The Padah Lin Caves of Burma contain 11,000 year old paintings and many rock tools.

Cave paintings found at the Apollo 11 Cave in Namibia are estimated to date from approximately 25,500–27,500 years ago. In 2011, archaeologists found a small rock fragment at Blombos Cave, about east of Cape Town on the southern cape coastline in South Africa, among spear points and other excavated material. After extensive testing for seven years, it was revealed that the lines drawn on the rock were handmade and from an ochre crayon dating back 73,000 years. This makes it the oldest known rock painting.

Significant early cave paintings, executed in ochre, have been found in Kimberley and Kakadu, Australia. Ochre is not an organic material, so carbon dating of these pictures is often impossible. The oldest so far dated at 17,300 years is an ochre painting of a kangaroo in the Kimberley region, which was dated by carbon dating wasp nest material underlying and overlying the painting. Sometimes the approximate date, or at least, an epoch, can be surmised from the painting content, contextual artifacts, or organic material intentionally or inadvertently mixed with the inorganic ochre paint, including torch soot.

In the Philippines at Tabon Caves the oldest artwork may be a relief of a shark above the cave entrance. It was partially disfigured by a later jar burial scene. The Edakkal Caves of Kerala, India, contain drawings that range over periods from the Neolithic as early as 5,000 BC to 1,000 BC.

thumb|right|Cave painting at the Tassili n'Ajjer UNESCO World Heritage Site in southeast Algeria. Many cave paintings are found in the Tassili n'Ajjer mountains in southeast Algeria. A UNESCO World Heritage Site, the rock art was first discovered in 1933 and has since yielded 15,000 engravings and drawings that keep a record of the various animal migrations, climatic shifts, and change in human inhabitation patterns in this part of the Sahara from 6000 BC to the late classical period. Other cave paintings are also found at the Akakus, Mesak Settafet and Tadrart in Libya and other Sahara regions including: Ayr mountains, Niger and Tibesti, Chad. The Cave of Swimmers and the Cave of Beasts in southwest Egypt, near the border with Libya, in the mountainous Gilf Kebir region of the Sahara Desert. The Cave of Swimmers was discovered in October 1933 by the Hungarian explorer László Almásy. The site contains rock painting images of people swimming, which are estimated to have been created 10,000 years ago during the time of the most recent Ice Age. In 2020, limestone cave decorated with scenes of animals such as donkeys, camels, deer, mule and mountain goats was uncovered in the area of Wadi Al Zulma by the archaeological mission from the Tourism and Antiquities Ministry. Rock art cave is 15 meters deep and 20 meters high.

thumb|right|San rock paintings from the Western Cape in South Africa. At uKhahlamba / Drakensberg Park, South Africa, now thought to be some 3,000 years old, the paintings by the San people who settled in the area some 8,000 years ago depict animals and humans, and are thought to represent religious beliefs. Human figures are much more common in the rock art of Africa than in Europe.

The National Institution of Anthropology and History (INAH) established in Mexico recorded over 1,500 rock art related archaeological monuments in Baja California. A little under 300 of the sites were connected to Native American Tribes. Throughout these 300 sites, 65% have paintings, 24% have petroglyphs, 10% have both paintings and petroglyphs, and 1% have geoglyphs. Five of these sites located in Baja California show hand designs or paintings, and they all spread out in that area. These sites include Milagro de Guadalupe (23 imprints), Corral de Queno (6 imprints), Rancho Viejo (1 drawing), Piedras Gordas (5 imprints), and finally Valle Seco (3 imprints). Most of the hands are "left hands" (that is, with thumb on the right, even though this pattern can be obtained as easily with both right and left hands, depending on whether the back or front is used) which has been used as an argument to suggest that painters held the spraying pipe with their right hand.