"Құпия күйдіргіш шіркеу әні"

Latin sequence, liturgical hymn

"Dies irae" (; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas (the Angelicum) in Rome. The sequence dates from the 13th century at the latest, though it is possible that it is much older, with some sources ascribing its origin to St. Gregory the Great (d. 604), Bernard of Clairvaux (1090–1153), or Bonaventure (1221–1274). "Dies irae", slightly edited, remains in use ad libitum as a hymn in the Liturgy of the Hours on All Souls' Day and during the last week before Advent, for which it is divided into three parts for the Office of Readings, Lauds and Vespers, with the insertion of a doxology after each part.

In the Roman Catholic Church there was formerly an indulgence of three years for each recitation and a plenary indulgence for reciting the prayer daily for a month. This indulgence was not renewed in the Manual of Indulgences.

Walter Scott used the first two stanzas in the sixth canto of his narrative poem "The Lay of the Last Minstrel" (1805). Johann Wolfgang von Goethe used the first, the sixth and the seventh stanza of the hymn in the scene "Cathedral" in the first part of his drama Faust (1808). Oscar Wilde's "Sonnet on Hearing the Dies Iræ Sung in the Sistine Chapel" (Poems, 1881), contrasts the "terrors of red flame and thundering" depicted in the hymn with images of "life and love". In Gaston Leroux's 1910 novel The Phantom of the Opera, Erik (the Phantom) has the chant displayed on the wall of his funereal bedroom. It is the inspiration for the title and major theme of the 1964 novel [[Deus Irae by Philip K. Dick and Roger Zelazny. The English translation is used verbatim in Dick's novel Ubik two years later.