"Және анаң да" фильмі туралы

2001 film by Alfonso Cuarón
the Mexican film

Y tu mamá también (Spanish for And Your Mother Too) is a 2001 Mexican road film directed by Alfonso Cuarón and co written by him and his brother Carlos. It stars Mexican actors Diego Luna and Gael García Bernal and Spanish actress Maribel Verdú. The film tells a coming of age story about two teenage boys who take a road trip with a woman in her late twenties. It is set in 1999 against the backdrop of Mexico's political and economic realities, specifically at the end of the uninterrupted seven decades of presidents from the Institutional Revolutionary Party and the rise of the opposition led by Vicente Fox. The film's explicit depiction of sex, nudity, and drug use caused complications in the film's rating. In Mexico, the film earned $2.2 million its first weekend in June 2001, setting a new record for the highest box office opening in Mexican cinema.

After working on Great Expectations and A Little Princess, Alfonso Cuarón envisioned a film that was not influenced by production techniques used in Hollywood cinema. Cuarón wanted to reject commercial production techniques he had used in his previous films, like dollies, close ups, and dissolves. Instead he embraced a documentary realist style of filmmaking for Y tu mamá también. Before making the film, Cuarón had worked for some time in Hollywood, prior to return to his roots in Mexican cinema. Instead of using high tech equipment, the entire film was shot with a handheld camera to create a documentary realist look that mimicked candid footage. In an interview, Cuarón said it all went "back to our original idea of 15 years ago, in which we would do a low budget road movie that would allow us to go with some young actors and semi improvise scenes and have a bare storyline but not be afraid of adding things as we went."

Y tu mamá también was released on VHS in 2003 by Paramount Home Entertainment, and DVD in 2004 by Metro Goldwyn Mayer on MGM DVD, and also on DVD in 2006 by Paramount Home Entertainment and released on Blu ray in 2012 by Paramount Pictures. The film was later released as part of The Criterion Collection.

Y tu mamá también was produced by Anhelo Producciones, a company co founded by Cuarón and Jorge Vergara, a well known Mexican businessman and the film's producer. The company provided sufficient funding to make the film and launch an impressive marketing campaign. The $5 million film budget was substantial by Mexican film standards. Advertisement and publicity appeared across Mexico. Along with the help of Anhelo Producciones, the ratings board controversy gave the film a lot of free publicity in Mexico.

A box office success both domestically and abroad, Y tu mamá también grossed $2.2 million in its first week, breaking Mexico's box office records for domestic films. It went on to gross a record $12 million in Mexico. The film became a global success after its distribution by U. S. independent companies Good Machine and IFC Films. The film grossed $13.8 million in the US and Canada, making it the second highest grossing Spanish language film in the United States at the time, and poised Bernal for crossover success into American markets (Bernal's 2004 performance in The Motorcycle Diaries would go on to break this record). It grossed $33.6 million worldwide. On Metacritic, which assigns a numbered rating out of 100 based on reviews from mainstream critics, the film received an average score of 89 out of 100 based on 36 reviews, indicating "universal acclaim". Roger Ebert gave the film four stars out of four, saying, "Beneath the carefree road movie that the movie is happy to advertise is a more serious level—and below that, a dead serious level." Y tu mamá también won the Best Screenplay Award at the Venice Film Festival. It was also a runner up at the National Society of Film Critics Awards for Best Picture and Best Director and earned a nomination for Best Original Screenplay at the 2003 Academy Awards. The film made its US premiere at the Hawaii International Film Festival.

The film was released without a rating in the US because a market limiting NC 17 was unavoidable. The MPAA's presumed treatment of the film based on the graphic depiction of sex, nudity and drug use in comparison to its much more accepting standards regarding violence, prompted critic Roger Ebert to question why movie industry professionals were not outraged: "Why do serious film people not rise up in rage and tear down the rating system that infantilizes their work?"