Артур Королінің Дөңгелек Үстелі

Table in the Arthurian legend

The Round Table (y Ford Gron; ; ; Mensa Rotunda) is King Arthur's famed table in the Arthurian legend, around which he and his knights congregate. As its name suggests, it has no head, implying that everyone who sits there has equal status, unlike conventional rectangular tables where participants order themselves according to rank. The table was first described in 1155 by Wace, who relied on previous depictions of Arthur's fabulous retinue. The symbolism of the Round Table developed over time; by the close of the 12th century it had come to represent the chivalric order associated with Arthur's court, the Knights of the Round Table.

Though the Round Table is not mentioned in the earliest accounts, tales of King Arthur having a marvellous court made up of many prominent warriors are ancient. Geoffrey of Monmouth, in his Historia Regum Britanniae (composed c. 1136) says that, after establishing peace throughout Britain, Arthur "increased his personal entourage by inviting very distinguished men from far distant kingdoms to join it." The code of chivalry so important in later medieval romance figures in it as well, as Geoffrey says Arthur established "such a code of courtliness in his household that he inspired peoples living far away to imitate him." The fame of Arthur's entourage became so prominent in Welsh tradition that in the later additions to the Welsh Triads, the formula tying named individuals to "Arthur's Court" in the triad titles began to supersede the older "Island of Britain" formula. Though the code of chivalry crucial to later continental romances dealing with the Round Table is mostly absent from the Welsh material, some passages of Culhwch and Olwen seem to reference it. For instance, Arthur explains the ethos of his court, saying "[w]e are nobles as long as we are sought out: the greater the bounty we may give, the greater our nobility, fame and honour." Though no Round Table appears in the early Welsh texts, Arthur is associated with various items of household furniture. The earliest of these is Saint Carannog's mystical floating altar in that saint's 12th century Vita. In the story Arthur has found the altar and tries unsuccessfully to use it as a table; he returns it to Carannog in exchange for the saint ridding the land of a meddlesome dragon. Elements of Arthur's household figure into local topographical folklore throughout Britain as early as the early 12th century, with various landmarks being named "Arthur's Seat", "Arthur's Oven", and "Arthur's Bed chamber". A henge at Eamont Bridge near Penrith, Cumbria, is known as "King Arthur's Round Table". The still visible Roman amphitheatre at Caerleon has been associated with the Round Table, and it has been suggested as a possible source for the legend. Following archaeological discoveries at the Roman ruins in Chester, some writers suggested that the Chester Roman Amphitheatre was the true prototype of the Round Table; however, the English Heritage Commission, acting as consultants to a History Channel documentary in which the claim was made, stated that there was no archaeological basis to the story.

The Round Table first appeared in Wace's Roman de Brut, a Norman language adaptation of Geoffrey's Historia finished in 1155. Wace says Arthur created the Round Table to prevent quarrels among his barons, none of whom would accept a lower place than the others. Layamon added to the story when he adapted Wace's work into the Middle English Brut in the early 13th century, saying that the quarrel between Arthur's vassals led to violence at a Yuletide feast. In response, a Cornish carpenter built an enormous but easily transportable Round Table to prevent further dispute. The Round Table takes on new dimensions in the romances of the late 12th and early 13th century, where it becomes a symbol of the famed order of chivalry which flourishes under Arthur. In Robert de Boron's Merlin, written around 1200, the magician Merlin creates the Round Table in imitation of the table of the Last Supper and of Joseph of Arimathea's Grail Table. Made of silver, the Grail Table was used by the followers of Arimathea after he created it as directed by a vision of Christ, and was taken by him to Avalon (later identified with Glastonbury Tor, but this connection was not mentioned by Robert). This version of the Round Table, here made for Arthur's father Uther Pendragon rather than Arthur himself, has twelve seats and one empty place to mark the betrayal of Judas; this seat, must remain empty until the coming of the knight who will achieve the Grail. The Didot Perceval, a prose continuation of Robert's work, takes up the story as the knight Perceval sits in the seat and initiates the Grail quest. In the Post Vulgate, the Table is eventually destroyed by King Mark during his invasion of Logres after the deaths of Arthur and almost all of the Knights, many of whom in fact had killed each other, especially in internal conflicts at the end of the cycle.

During the Middle Ages, festivals called Round Tables were celebrated throughout Europe in imitation of Arthur's court. These events featured jousting, dancing, and feasting, and in some cases attending knights assumed the identities of Arthur's entourage.

The Winchester Round Table is a large tabletop hanging in Winchester Castle and bearing the names of various knights of Arthur's court, was probably created for a Round Table tournament. The table is in diameter and weighs The current paintwork is late; it was done by order of King Henry VIII of England. The table itself is considerably older; dendrochronology calculates the date of construction to 1250–1280—during the reign of Edward I of England—using timbers that were felled over a period of years. Edward was an Arthurian enthusiast who attended at least five Round Tables and hosted one himself in 1299, which may have been the occasion for the creation of the Winchester Round Table.

On 22 January 1344, after a tournament at Windsor Castle, King Edward III of England (r. 1327–1377) swore an oath to restore the Order of the Round Table to the same as that of King Arthur. Receiving agreement from the earls and knights present, Edward announced that the order’s first meeting would take place during Pentecost. The plan never came to fruition, but the new Order of the Garter carried connotations from this legend by the circular shape of the garter. Edward's wartime experiences during the Crécy campaign (1346–7) seem to have been a determining factor in his abandonment of the Round Table project. It has been argued that the total warfare tactics employed by the English at Crécy in 1346 were contrary to Arthurian ideals and made Arthur a problematic paradigm for Edward, especially at the time of the institution of the Garter. There are no formal references to King Arthur and the Round Table in the surviving early fifteenth century copies of the Statutes of the Garter, but the Garter Feast of 1358 did involve a round table game. Thus there was some overlap between the projected Round Table fellowship and the actualized Order of the Garter.