Нацистік идеологиядағы неміс ақыны және драматургі Ханс Йост

German National Socialist poet and playwright

Hanns Johst (8 July 1890 – 23 November 1978) was a German poet and playwright, directly aligned with Nazi philosophy, as a member of the officially approved writers’ organisations in the Third Reich. The statement “When I hear the word culture, I reach for my gun”, variously misattributed to Heinrich Himmler, Joseph Goebbels and Hermann Göring, was in fact a corrupted version of a line in his play Schlageter.

Hanns Johst was born in Seerhausen (now part of Stauchitz) in the Kingdom of Saxony as the son of an elementary school teacher. He grew up in Oschatz and Leipzig. As a juvenile he planned to become a missionary. When he was 17 years old he worked as an auxiliary in a Bethel Institution. In 1910 he earned his Abitur in Leipzig and then started studying medicine and philosophy and—later—history of art. He volunteered for the army in 1914. In 1918 he settled down in Allmannshausen (part of Berg) at the Starnberger See.

His early work is influenced by Expressionism. Examples include Der Anfang (The Beginning) (1917) and Der König (The King) (1920). Later, he turned to a naturalist philosophy in plays such as Wechsler und Händler (Money changers and Traders) (1923) and Thomas Paine (1927). Bertolt Brecht's first play Baal was written in response to Johst's play Der Einsame (The Lonely), a dramatization of the life of playwright Christian Dietrich Grabbe. In 1928 Johst joined Alfred Rosenberg's "Kampfbund für deutsche Kultur" (Militant League for German Culture) designed to combat Jewish influence in German culture. In 1932 he joined the Nazi party, explaining his agreement with Hitler's ideology in the essay "Standpunkt und Fortschritt" ("Standpoint and Progress") in 1933.

After the war Johst was interned, and on 7 July 1949 a Munich denazification tribunal classified him as a "fellow traveler". An appeal process ended in 1949 with his reclassification as a "main culprit" and a three and a half year labor camp sentence (the time Johst had already served). After his release from prison and further denazification proceedings in 1951, he was classified as “incriminated”. In 1955, Johst obtained an overturning of this decision and the termination of the proceedings at the public expense. He was thus effectively rehabilitated. In the Soviet Occupation Zone, many of his works were placed on the banned books list, with the exception of Der Anfang. Roman (1917), Der Ausländer (1916), Ave Eva (1932), Lieder der Sehnsucht. Gedichte (1924), Der junge Mensch. Szenarium (1916), Mutter. Gedichte (1921), Mutter ohne Tod. Begegnung (1933), Stroh (1916), Die Stunde der Sterbenden (1914), Torheit einer Liebe. Roman (1931) and Wegwärts. Gedichte (1916). In the Federal Republic of Germany, Johst could no longer gain publication as a writer but, after 1952, he wrote poems under the pseudonym "Odemar Oderich" for the Edeka supermarkets customer magazine, "Die kluge Hausfrau". Johst attempted to publish a book in 1953, which he had completed and revised at the end of 1943, but failed to find a publisher. He died on 23 November 1978 in an old people's home in Ruhpolding.