Чарльз Олсон: Американдық ақын және модернизмнің буындарының жалғасы

American poet (1910–1970)

Charles Olson (27 December 1910 – 10 January 1970) was a second generation modernist American poet who was a link between earlier modernist figures such as Ezra Pound and William Carlos Williams and the third generation modernist New American poets. The latter includes the New York School, the Black Mountain School, and some of the artists and poets associated with the Beat generation and the San Francisco Renaissance. In these endeavors, Olson described himself not so much as a poet or a historian but as "an archeologist of morning."

Olson was born to Karl Joseph and Mary (Hines) Olson and grew up in Worcester, Massachusetts, where his father worked as a mail carrier. He spent summers in Gloucester, Massachusetts, which was to become his adopted hometown and the focus of his writing. At high school he was a champion orator, winning a tour of Europe (including a meeting with William Butler Yeats) as a prize. After completing his M. A., Olson continued his Melville research at Wesleyan during the 1933–1934 academic year with partial fellowship support. For two years thereafter, he taught English as an instructor at Clark University in Worcester, Massachusetts. Olson entered Harvard University as a doctoral student in English in 1936. He eventually joined the newly formed doctoral program in American Civilization as one of its first three candidates. Throughout his studies, he worked at Winthrop House and Radcliffe College as an instructor and tutor in English. Although he completed his coursework by the spring of 1939, he failed to finish his dissertation and take the degree. The death of Roosevelt and concomitant ascendancy of Harry Truman in April 1945 inspired Olson to dedicate himself to a literary career. From 1946 to 1948, Olson visited Ezra Pound at St. Elizabeths Hospital, drawn to the poet and his work though repelled by some of his political ideas. Olson's ideas came to influence a generation of poets, including writers Duncan, Dorn, Denise Levertov, and Paul Blackburn. Olson wrote copious personal letters and helped and encouraged many young writers. His transdisciplinary poetics were informed by a range of disparate and learned sources, including Mayan writing, Sumerian religion, classical mythology, Alfred North Whitehead's process philosophy (as exemplified by Process and Reality [1929]) and cybernetics. Shortly before his death, he examined the possibility that Chinese and Indo European languages derived from a common source. When Black Mountain College closed in 1956, Olson oversaw the resolution of the institution's debts over the next five years and settled in Gloucester. He participated in early psilocybin experiments under the aegis of Timothy Leary in 1961 and Henry Murray and served as a distinguished professor at the State University of New York at Buffalo (1963 1965) and visiting professor at the University of Connecticut (1969). In January 1964, Kaiser was killed by a drunk driver in a head on automobile accident, although a grieving Olson incorrectly theorized her death as a potential suicide because of her dissatisfaction with her life in the Buffalo area. Her death precipitated Olson into an existential mixture of extreme isolation, romantic longing, and frenzied work. Much of his life was affected by his heavy smoking and drinking, which contributed to his early death from liver cancer. Following his diagnosis, he was transferred to New York Hospital for a liver operation, which never occurred. He died there in 1970, two weeks past his fifty ninth birthday, while in the process of completing his epic, The Maximus Poems.

Olson's first book, Call Me Ishmael (1947), a study of Herman Melville's novel Moby Dick, was a continuation of his M. A. thesis at Wesleyan University. In Projective Verse (1950), Olson called for a poetic meter based on the poet's breathing and an open construction based on sound and the linking of perceptions rather than syntax and logic. He favored metre not based on syllable, stress, foot or line but using only the unit of the breath. In this respect Olson was foreshadowed by Ralph Waldo Emerson's poetic theory on breath. The presentation of the poem on the page was for him central to the work becoming at once fully aural and fully visual The poem "The Kingfishers" is an application of the manifesto. It was first published in 1949 and collected in his first book of poetry, In Cold Hell, in Thicket (1953). His second collection, The Distances, was published in 1960. Olson's reputation rests in the main on his complex, sometimes difficult poems such as "The Kingfishers", "In Cold Hell, in Thicket", and The Maximus Poems, work that tends to explore social, historical, and political concerns. His shorter verse, poems such as "Only The Red Fox, Only The Crow", "Other Than", "An Ode on Nativity", "Love", and "The Ring Of" are more immediately accessible and manifest a sincere, original, emotionally powerful voice. "Letter 27 [withheld]" from The Maximus Poems weds Olson's lyric, historic, and aesthetic concerns. Olson coined the term postmodern in a letter of August 1951 to Robert Creeley.

In 1950, inspired by the example of Pound's Cantos (though Olson denied any direct relation between the two epics), Olson began writing The Maximus Poems. An exploration of American history in the broadest sense, Maximus is also an epic of place, situated in Massachusetts and specifically the city of Gloucester where Olson had settled. Dogtown, the wild, rock strewn centre of Cape Ann, next to Gloucester, is an important place in The Maximus Poems. (Olson used to write outside while sitting on a tree stump in Dogtown.) The whole work is also mediated through the voice of Maximus, based partly on Maximus of Tyre, an itinerant Greek philosopher, and partly on Olson himself. The last of the three volumes imagines an ideal Gloucester in which communal values have replaced commercial ones. When Olson knew he was dying of cancer, he instructed his literary executor Charles Boer and others to organize and produce the final book in the sequence following Olson's death.

Mayan Letters, ed. Robert Creeley (Mallorca: Divers Press, 1953; London: Jonathan Cape, 1968). Letters for Origin 1950 1956, ed. Albert Glover (New York: Cape Goliard, 1970). Charles Olson and Robert Creeley: The Complete Correspondence, eds. George F. Butterick & Richard Blevins, 10 vols. (Black Sparrow Press, 1980–96). Charles Olson & Cid Corman: Complete Correspondence 1950 1964, ed. George Evans, 2 vols. (Orono, ME: National Poetry Foundation, 1987, 1991). In Love, In Sorrow: The Complete Correspondence of Charles Olson and Edward Dahlberg, ed. Paul Christensen (New York: Paragon House, 1990). Charles Olson and Frances Boldereff: A Modern Correspondence, eds. Ralph Maud & Sharon Thesen (Wesleyan University Press, 1999). Selected Letters, ed. Ralph Maud (Berkeley: U of California Press, 2001). After Completion: The Later Letters of Charles Olson and Frances Boldereff, eds. Sharon Thesen & Ralph Maud (Talonbooks, 2014). An Open Map: The Correspondence of Robert Duncan and Charles Olson, eds. Robert J. Bertholf & Dale M. Smith (Albuquerque: University of New Mexico Press, 2017). The Collected Letters of Charles Olson and J. H. Prynne, ed. Ryan Dobran (Albuquerque: University of New Mexico Press, 2017).