Уолтер Сэвидж Лэндор: Ағылшын жазушысы, ақыны және белсендісі

English writer, poet, and activist (1775–1864)

Walter Savage Landor (30 January 177517 September 1864) was an English writer, poet, and activist. His best known works were the prose Imaginary Conversations, and the poem "Rose Aylmer," but the critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equalled by his rumbustious character and lively temperament. Both his writing and political activism, such as his support for Lajos Kossuth and Giuseppe Garibaldi, were imbued with his passion for liberal and republican causes. He befriended and influenced the next generation of literary reformers such as Charles Dickens and Robert Browning. 'Some of the best poets, Yeats, Ezra Pound and Robert Frost among them, steered by his lights'. Landor's prose is best represented by the Imaginary Conversations. He drew on a vast array of historical characters from Greek philosophers to contemporary writers and composed conversations between pairs of characters that covered areas of philosophy, politics, romance and many other topics. These exercises proved a more successful application of Landor's natural ability for writing dialogue than his plays. Although these have many quotable passages the overall effect suffered because he never learned the art of drama. Landor wrote much sensitive and beautiful poetry. The love poems were inspired by a succession of female romantic ideals – Ione, Ianthe, Rose Aylmer and Rose Paynter. Equally sensitive are his "domestic" poems about his sister and his children. In the course of his career Landor wrote for various journals on a range of topics that interested him from anti Pitt politics to the unification of Italy. He was also a master of the epigram which he used to good effect and wrote satirically to avenge himself on politicians and other people who upset him. Landor wrote over 300 Latin poems, political tracts and essays, but these have generally been ignored in the collections of his work. Landor found Latin useful for expressing things that might otherwise have been "indecent or unattractive" as he put it and as a cover for libellous material. Fellow classical scholars of the time put Landor's Latin work on a par with his English writing.

Landor's biography consists of a catalogue of incidents and misfortunes, many of them self inflicted but some no fault of his own. His headstrong nature and hot headed temperament, combined with a complete contempt for authority, landed him in a great deal of trouble over the years. By a succession of bizarre actions, he was successively thrown out of Rugby school, of Oxford and from time to time from the family home. In the course of his life he came into conflict deliberately with his political enemies – the supporters of Pitt – but inadvertently with a succession of Lord Lieutenants, Bishops, Lord Chancellors, Spanish officers, Italian Grand Dukes, nuncio legatos, lawyers and other minor officials. He usually gained the upper hand, if not with an immediate hilarious response, then possibly many years later with a biting epithet. Landor's writing often landed him on the wrong side of the laws of libel, and even his refuge in Latin proved of no avail in Italy. Many times his friends had to come to his aid in smoothing the ruffled feathers of his opponents or in encouraging him to moderate his behaviour. His friends were equally active in the desperate attempts to get his work published, where he offended or felt cheated by a succession of publishers who found his work either unsellable or unpublishable. He was repeatedly involved in legal disputes with his neighbours whether in England or Italy and Dickens' characterisation of him in Bleak House revolves around such a dispute over a gate between Boythorn and Sir Leicester Dedlock. Fate dealt with him unfairly when he tried to put into practice his bold and generous ideas to improve the lot of man, or when he was mistaken at one time for an agent of the Prince of Wales and at another for a tramp. His stormy marriage with his long suffering wife resulted in a long separation, and then when she had finally taken him back in a series of sad attempts to escape. And yet Landor was described by Swinburne as "the kindest and gentlest of men". He collected a coterie of friends who went to great lengths to help him, and writing for the Encyclopædia Britannica Swinburne comments that "his loyalty and liberality of heart were as inexhaustible as his bounty and beneficence of hand", adding that "praise and encouragement, deserved or undeserved, came more readily to his lips than challenge or defiance". The numerous accounts of those with whom he came in contact reveal that he was fascinating company and he dined out on his wit and knowledge for a great part of his life. Landor's powerful sense of humour, expressed in his tremendous and famous laughs no doubt contributed to and yet helped assuage the slings and arrows of outrageous fortune. "His passionate compassion, his bitter and burning pity for all wrongs endured in all the world, found outlet in his lifelong defence of tyrannicide. His tender and ardent love of children, of animals and of flowers makes fragrant alike the pages of his writing and the records of his life".

Walter Savage Landor was born in Warwick, England, the eldest son of Dr Walter Landor (1733–1805), a physician, and his second wife, Elizabeth (1743–1829), one of four daughters and heiresses of Charles Savage, of Tachbrook, Warwickshire. His birthplace, Eastgate House, became occupied by The King's High School For Girls. His father inherited estates at Rugeley, Staffordshire and his mother was heiress to estates at Ipsley Court and Bishop's Tachbrook in Warwickshire. Landor as the eldest son was heir to these properties and looked forward to a life of prosperity. The family tradition was Whig in reaction to George III and Pitt, and although Landor's brother Robert was the only other member to achieve fame as a writer there was a strong literary tradition in the family. After attending a school at Knowle, he was sent to Rugby School under Dr James, but took offence at the headmaster's review of his work and was removed at Dr James' request. Years later, Landor included references to James in Latin in Simonidea with a mixture of praise and criticism and was subsequently reconciled with him. He then studied privately with Rev. William Langley, vicar of Fenny Bentley and headmaster of Ashbourne Grammar School. Langley was later mentioned in the Imaginary Conversation of Isaak Walton. Landor's temperament and violent opinions caused embarrassment at home and he was usually asked to absent himself when guests were expected. On one occasion he netted and threw in the river a local farmer who objected to his fishing on his property. In 1793 he entered Trinity College, Oxford where he showed rebelliousness in his informal dress and was known as a "mad Jacobin" since he was taken with ideas of French republicanism. His tutor Dr Benwell was impressed by him, but unfortunately his stay was short lived. In 1794 he fired a gun at the windows of a Tory whose late night revels disturbed him and for whom he had an aversion. He was rusticated for a year, and, although the authorities were willing to condone the offence, he refused to return. The affair led to a quarrel with his father in which Landor expressed his intention of leaving home for ever. Landor went to Tenby in Wales where he had a love affair with a local girl, Nancy Evans, for whom he wrote some of his earliest love poems referring to her as "Ione". Landor's father disapproved and he removed for a time to London, lodging near Portland Place. Ione subsequently had a child who died in infancy. In 1795 Landor brought out a small volume of English and Latin verse in three books entitled The Poems of Walter Savage Landor. Landor also wrote an anonymous Moral Epistle in pamphlet form of nineteen pages, respectfully dedicated to Earl Stanhope. It was a satire in heroic verse condemning Pitt for trying to suppress liberal influences. Although Landor subsequently disowned these "'prentice works", Swinburne wrote: "No poet at the age of twenty ever had more vigour of style and fluency of verse; nor perhaps has any ever shown such masterly command of epigram and satire, made vivid and vital by the purest enthusiasm and most generous indignation." Landor was reconciled with his family through the efforts of his friend Dorothea Lyttelton. He later told Forster that he would have married Dorothea if he were financially independent. He did not enter a profession—he did not want the law, and no more did the army want him. His father allowed him £150 a year, and he was free to live at home or not, as he pleased. John Forster wrote "Style and treatment constitute the charm of it. The vividness with which everything in it is presented to sight as well as through the wealth of its imagery, its moods of language – these are characteristics pre eminent in Gebir." Gifford, on the other hand, who was ever a harsh critic of Landor, described it as "A jumble of incomprehensible trash the most vile and despicable effusion of a mad and muddy brain ". For the next three years Landor led an unsettled life, spent mainly in London. He became a friend of the classics scholar Dr Samuel Parr who lived at Hatton near Warwick and who appreciated Landor as a person and a Latin writer. Latin also had the advantage of being exempt from libel laws in England. Parr introduced Landor to Robert Adair, party organiser for Charles James Fox, who enlisted Landor to write in The Morning Post and The Courier against the ministry of Pitt. Landor published Poems from the Arabic and Persian in 1800 and a pamphlet of Latin verses. During this time he met Isaac Mocatta who stimulated his interest in art and exercised a moderating influence, but Mocatta died 1801. In 1802 Landor went to Paris where he saw Napoleon at close quarters, and this was enough for him to revoke his former praise for Napoleon in Gebir. In 1811 he went to a ball in Bath and seeing a pretty girl exclaimed "That's the nicest girl in the room, and I'll marry her". She was Julia Thuillier, the daughter of an impoverished Swiss banker who had an unsuccessful business at Banbury and had gone to Spain, leaving his family at Bath.]] Landor and his wife finally settled at Como, where they stayed for three years. Even here he had troubles, for at the time Caroline of Brunswick, wife of the Prince Regent was living there and Landor was suspected of being an agent involved in watching her in case of divorce proceedings. In 1818 he insulted the authorities in a Latin poem directed against an Italian poet who had denounced England, not realising that the libel laws in Italy (unlike in England) applied to Latin writings as well as Italian. After threatening the regio delegato with a beating he was ordered to leave Como. In September he went to Genoa and Pisa. He finally settled at Florence in 1821. After two years in apartments in the Medici Palace, he settled with his wife and children at the Villa Castiglione. In this, the most important period in his literary career, he produced some of his best known works – the Imaginary Conversations. with a second edition in 1826; a third volume was added in 1828; and in 1829 the fourth and fifth volumes were published. Not until 1846 was a fresh instalment added, in the second volume of his collected and selected works. Many of the imaginary conversations harshly criticize authoritarian rule and endorse republican principles. He was visited by Ralph Waldo Emerson and worked on the conversations which led to the volumes upon "Shakespeare's Examinations for Deer Stealing", "Pericles and Aspasia", and the "Pentameron". Lady Blessington sold "Shakespeare" for him. In 1835 Ianthe visited again, and brought her half sister, Mrs Paynter, with her. Landor's wife Julia became jealous, although she already had a younger lover, and their difference of opinion ended in a complete separation.

Landor's "I Strove with None" is widely mentioned and discussed. Somerset Maugham used it in "The Razor's Edge", as does Tom Wolfe in "A Man in Full" location 8,893 (Kindle). Thomas Savage inserted it in chapter 6 of The Sheep Queen. In Josephine Pullein Thompson's Pony Club Team, the second novel in her West Barsetshire series of pony books, it is quoted by both Noel Kettering and Henry Thornton. The poem forms the chorus of the Zatopeks' song "Death and the Hobo," from their album Damn Fool Music. In an episode of Cheers, "The Spy Who Came In for a Cold One," Ellis Rabb's guest character plagiarizes Landor's "She I Love (Alas in Vain!)" when reciting poetry to Diane. He also plagiarizes Christina Rossetti's "A Birthday." In his book of poems The Drunken Driver Has the Right of Way, Academy Award winning writer/director/producer Ethan Coen facetiously describes himself as "an expert on the poetry of Walter Savage Landor and many other subjects which he travels the world to lecture upon, unsolicited". Author Iris Murdoch quotes Landor ‘There are no voices that are not soon mute ’in the penultimate paragraph of her novel, The Unicorn.

A bust of Landor dated 1828 by John Gibson is held in the National Portrait Gallery, London.