Арнольд Вескер: Жизнь и творчество английского драматурга

British dramatist
the Batman villain Arnold Wesker

Sir Arnold Wesker (24 May 1932 – 12 April 2016) was an English dramatist. He was the author of 50 plays, four volumes of short stories, two volumes of essays, much journalism and a book on the subject, a children's book, some poetry, and other assorted writings. His plays have been translated into 20 languages, and performed worldwide.

Wesker was born in Stepney, London, in 1932, the son of Leah (née Cecile Leah Perlmutter), a cook, and Joseph Wesker, a tailor's machinist and active communist. Arnold Wesker was delivered by Samuel Sacks, father of neurologist Oliver Sacks. He attended a Jewish Infants School in Whitechapel. His education was then fragmented during World War II. He was briefly evacuated to Ely, Cambridgeshire, before returning to London where he attended Dean Street School during the Blitz. He then returned to live with his parents who had moved to a council flat in Hackney, East London, where he attended Northwold Road School. He then attended Upton House Central School, Hackney, from 1943. This was a school where emphasis was placed on teaching office skills, including typing, to bright boys who however had not been selected for grammar school places. He was then evacuated again to Llantrisant, South Wales. He was accepted into the Royal Academy of Dramatic Art but could not afford to take up his place there. Later, he served for two years in the Royal Air Force, and then went on to work as cook, furniture maker, and bookseller.

His inspiration for 1957 play The Kitchen, which was later made into a film, came when he was working at the Bell Hotel in Norwich. It was while working here that he met his future wife Dusty. Wesker's plays have dealt with themes including self discovery, love, confronting death and political disillusion. Chicken Soup with Barley (1958) went out to the provinces. Rather than opening in the West End, its premiere was seen at the provincial Coventry Theatre, a locale which typified Wesker's political views as an 'angry young man'. Wesker's play Roots (1959) was a kitchen sink drama about a girl, Beatie Bryant, who returns after three years of stay in London to her farming family home at Norfolk and struggles to voice herself. Critics commended the "emotional authenticity" brought out in the play. Roots, The Kitchen, and Their Very Own and Golden City were staged by the English Stage Company at the Royal Court Theatre under the management of George Devine and later William Gaskill.

Wesker joined with enthusiasm the Royal Court group on the Aldermaston March in 1959. Another of the Royal Court contingent, Lindsay Anderson, made a short documentary film (March to Aldermaston) about the event. He was an active member of the Committee of 100 and, with other prominent members, was jailed in 1961 for his part in its campaign of mass nonviolent resistance to nuclear weapons.

After his stay in prison in 1961, Wesker made a full time commitment to become the leader of an initiative which arose from Resolution 42 of the 1960 Trades Union Congress, concerning the importance of arts in the community. Centre 42 was initially a touring festival aimed at devolving art and culture from London to the other main working class towns of Britain, moving to the Roundhouse in 1964. The project to establish a permanent arts centre struggled through subsequent years, because its funding was limited; Wesker fictionalised it in his play Their Very Own and Golden City (1966). He formally dissolved the project in 1970, although The Roundhouse did eventually open as a permanent arts centre in 2006.

Wesker co founded, in 1974, the Writers & Readers Publishing Cooperative Ltd, with a group of writers that included John Berger, Lisa Appignanesi, Richard Appignanesi, Chris Searle and Glenn Thompson.

The Journalists (1972) was commissioned by the Royal Shakespeare Company and researched at The Sunday Times at a time it when was edited by Harold Evans. The RSC's literary manager Ronald Bryden thought it would be "the play of the decade" and it was scheduled to be directed by David Jones. The actors in that year's RSC company refused to perform it, Wesker said, because they were under the influence of the Workers Revolutionary Party. (The WRP was not founded until 1973, but its forerunner, the Socialist Labour League had many sympathisers in the RSC.) In 2005, he published his first novel, Honey, which recounted the experiences of Beatie Bryant, the heroine of his earlier play Roots. The novel broke from the previously established chronology. Roots was set in the early 1960s and Beatie is 22; but in Honey she has only aged three years yet the action has been transplanted into the 1980s. Other oddities are that the timeframe includes the Rushdie affair and John Major's fall as recent events and yet the action is concerned with the dotcom boom. In 2008, Wesker published his first collection of poetry, All Things Tire of Themselves (Flambard Press). The collection dates back many years and represents what he considered his best and most characteristic poems. He was a member of the editorial advisory board of Jewish Renaissance magazine. He was a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres. He was the castaway on Desert Island Discs, BBC Radio 4, on in 1966 and again in 2006.

Wesker's papers, covering his entire career, were acquired by the Harry Ransom Center at the University of Texas at Austin in 2000. The collection contains not only the prolific output of the playwright, novelist and poet but also is framed within the larger historical context of international events. Wesker was actively involved in the organizing of his archive, and before shipping it to the Ransom Center, Wesker compiled a list of the contents, which is also available to scholars for consultation. The collection's contents include over three hundred boxes of manuscript drafts, correspondence, production ephemera, personal records, and other materials. Wesker's family shipped the last of his papers to the Ransom Center in March, 2016 shortly before his death. On 13 April 2016, the Leader of the Opposition, Jeremy Corbyn, gave thanks for the playwright's life. They shared a socialist background in London, where Corbyn is an MP. I am sure the whole House will join me in mourning the death of the dramatist Arnold Wesker, one of the great playwrights of this country, one of those wonderful angry young men of the 1950s who, like so many angry young people, changed the face of our country. The BBC repeated in May 2016 the retrospective radio programme on Wesker's career first broadcast at his 80th birthday.

Wesker married Doreen Bicker in 1958, after meeting at a hotel in Norwich where Wesker was working as a kitchen porter and Doreen as a chambermaid. He gave her the nickname of "Dusty", because of her "gold dust" hair; an Arts Council bursary of £500 covered the cost of their marriage. Wesker died on 12 April 2016 at the Royal Sussex County Hospital in Brighton. He was suffering from Parkinson's disease.

Wesker received numerous awards throughout his career. In 1958 he received grant of 300 for the play Chicken Soup from the Arts Council of Great Britain. He used the money to marry Bicker. The following year he won the Evening Standard Theatre Award in the "Most Promising Playwright" category. He was presented with the Italian Marzotto Prize (a cash award of £3000) in 1964 for Their Very Own and Golden City, and the Spanish Best Foreign Play Award in 1979. He became a fellow of the Royal Society of Literature in 1985 and was presented with the Goldie Award in 1987. For his "distinguished service to theatre" he was honoured with the Last Frontier Lifetime Achievement Award in 1999.

The following list is drawn from Arnold Wesker's official website.