Травестии: Пьеса Тома Стоппарда о Цюрихе 1917 года

1974 play by Tom Stoppard
the theatrical genre

Travesties is a 1974 play by Tom Stoppard. It centres on the figure of Henry Carr, an old man who reminisces about Zürich in 1917 during the First World War, and his interactions with James Joyce when he was writing Ulysses, Tristan Tzara during the rise of Dada, and Lenin leading up to the Russian Revolution, all of whom were living in Zürich at that time.

The real Henry Carr was a minor consular official who played Algernon in a production of The Importance of Being Earnest in Zürich in 1917 in a group of actors called The English Players, for whom the real James Joyce was the business manager. Carr and Joyce had an angry disagreement after the production, which led to legal action and accusations of slander by Joyce. The dispute was settled with the judge deciding in favour of both disputants on different counts. Joyce later had his revenge by parodying Carr and the English Consul General in Zürich at that time, A. Percy Bennett, as two minor characters in Ulysses, with Carr being portrayed as a drunken, obscene soldier in the "Circe" episode. In the 1970s, Tom Stoppard, struck by the fact that Joyce, Vladimir Lenin and the Dadaist poet Tristan Tzara were all in Zurich in 1917, wrote a play that brought all three together seen through the unreliable memory of the octogenarian Carr looking back five decades later. In Travesties Carr is the central figure with the others in orbit around him. He is seen both as an old man reminiscing and as the young man of 1917 – the same actor plays both Carrs. After the first performance of Travesties, Stoppard received a letter from Henry Carr's widow expressing her surprise that her late husband had been included as a character in Stoppard's play.