Блузка: история, виды и особенности кроя

Garment for the upper body

A blouse (/b//l//aʊ//z//, //b//l//aʊ//s//, //b//l//uː//z/) is a loose fitting upper garment that may be worn by workmen, peasants, artists, women, and children. It is typically gathered at the waist or hips (by tight hem, pleats, parter, or belt) so that it hangs loosely ("blouses") over the wearer's body. It can also refer to a man's shirt if it is a loose fitting style (e. g. poet shirts and Cossack shirts), though it rarely is. Traditionally, the term has been used to refer to a shirt which blouses out or has an unmistakably feminine appearance, although even many "standard" shirts today have a somewhat blousy fit, and the numbers of men wearing such shirts may match (or even exceed) that of women wearing actual blouses. The term is also used for some men's military uniform jackets.

Blouse is a loanword from French to English (see Wiktionary entry blouse). Originally referring to the blue blouse worn by French workmen,

It is suggested that the French form of the word comes from the Latin pelusia, from the Egyptian town of Pelusium, a manufacturing center in the Middle Ages, or alternatively from Provençal (lano) blouso 'short (wool)'.

Blouses usually consist of light fabrics such as silk or thin cotton fabrics, until the early 1990s are often made of softly falling synthetic fibers (e. g. polyester). Sometimes they are decorated with frills, embroidery or loops. The classic of the ladies' blouses is the white shirt blouse (following the classic elegant white men's shirt). Here the combination possibilities are particularly diverse. The open spade, peter pan, reverse and revere collar is another common type of classic ladies' blouse. Blouses are often made of cotton or silk cloth and may or may not include a collar and sleeves. They are generally more tailored than simple knit tops, and may contain details such as ruffles, a tie or a soft bow at the neck, or embroidered decorations. Tailoring provides a closer fit to the wearer's shape. This is achieved with sewing of features such as princess seams or darting in the waist and/or bust. Blouses (and many women's shirts with buttons) usually have buttons reversed from that of men's shirts (except in the case of male military fatigues). That is, the buttons are normally on the wearer's left hand and the buttonholes are on the right. The reasons for this are unclear, and several theories exist without having conclusive evidence. Some suggest this custom was introduced by launderers so they could distinguish between women's and men's shirts. One theory purports that the tradition arose in the Middle Ages when one manner of manifesting wealth was by the number of buttons one wore. Another that the original design was based on armour which was designed so that a right handed opponent would not catch their weapon in the seam and tear through, and that a person could draw a weapon with their right hand without catching it in a loose seam of their own clothes. Female servants were in charge of buttoning their mistress's gowns (since the buttons were usually in the back). They tired of attempting to deal with buttons that were, from their point of view, backwards and, as such they started reversing the placement when making or repairing them. One other theory is that women were normally dressed by their maids, while men dressed themselves. As such, women's blouses were designed so it could be easily buttoned by the maid but that of men were designed so it could be easily buttoned by the person wearing it. Although in all the cases proposed the reasons for the distinction no longer exist, it continues out of custom or tradition. While most women prefer to have the top button open for better comfort, some blouses made for women have looser necklines so the top button can be fastened without compromising comfort, but giving the same stylish appearance. Some women attach various pins and ornaments to their blouses over a fastened top button for style. Some of these attach directly to the button itself, others to the collars.

Blouses are historically a cask style, mostly mail like garment, that were rarely part of the fashionable woman's wardrobe until the 1890s. Before that time, they were occasionally popular for informal wear in styles that echoed peasant or traditional clothing, such as the Garibaldi shirt of the 1860s. The blouse is worn under the bodice of the dirndl. It is cropped above the midriff. The blouse changes the overall effect of the dirndl especially through the cut of its neckline. A deeply cut blouse combines with a deeply cut bodice to accentuate décolletage, whereas a blouse with a high neckline creates a more modest effect. In traditional designs, the blouse neckline is at the base of the throat. Other popular necklines are V shaped, balconette or heart shaped. Materials most often used are cambric, linen or lace; the colour is usually white. Short puff sleeves are typical, although narrow sleeves (short or long) are also common.

In one version, a tartan pattern skirt is worn with an over the shoulder plaid, a white blouse and petticoat, and a velvet bodice. The alternative is a white dress over a petticoat, together with a tartan pattern sash. A typical Aboyne dress consists of a dark bodice or elaborate waistcoat, decorative blouse, full tartan skirt and some times a petticoat and apron. Some have a tartan sash (usually draped over the shoulder and coming down towards the hem of the skirt in the back) rather than an apron.

The blouse jacket or blouson is garment drawn tight at the waist with blousing hanging over the waist band. The new style of man's Chetten loose blouse coat is made of stronger material or with inner lining, which can be worn alone or as a step on for a top. It is related to the Eisenhower jacket.