Константинос Кавафис: Жизнь и творчество греческого поэта.

Greek poet and journalist (1863–1933)

Konstantinos Petrou Kavafis (Κωνσταντίνος Πέτρου Καβάφης ; April 29 (April 17, OS), 1863 – April 29, 1933), known, especially in English, as Constantine P. Cavafy and often published as C. P. Cavafy (/k//ə/'/v//æ//f//i/), was a Greek poet, journalist, and civil servant from Alexandria. A major figure of modern Greek literature, he is sometimes considered the most distinguished Greek poet of the 20th century. His works and consciously individual style earned him a place among the most important contributors not only to Greek poetry, but to Western poetry as a whole. Cavafy's poetic canon consists of 154 poems, while dozens more that remained incomplete or in sketch form weren't published until much later. He consistently refused to publish his work in books, preferring to share it through local newspapers and magazines, or even print it himself and give it away to anyone who might be interested. His most important poems were written after his fortieth birthday, and were published two years after his death. Cavafy's work has been translated numerous times in many languages. His friend E. M. Forster, the novelist and literary critic, first introduced his poems to the English speaking world in 1923; he referred to him as "The Poet", famously describing him as "a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe." His work, as one translator put it, "holds the historical and the erotic in a single embrace."

Cavafy was born in 1863 in Alexandria (then Ottoman Egypt), where his Greek parents settled in 1855; he was baptized into the Greek Orthodox Church of Alexandria, and had six older brothers. Originating from the Phanariot Greek community of Constantinople (now Istanbul), his father was named Petros Ioannis (Πέτρος Ἰωάννης)—hence the Petrou patronymic (GEN) in his name—and his mother Charicleia (Χαρίκλεια; née Georgaki Photiades, Γεωργάκη Φωτιάδη). His father was a prosperous merchant who had lived in England in earlier years and held both Greek and British nationality. Two years after his father's sudden death in 1870, Cavafy and his family settled for a while in England, moving between Liverpool and London. In 1876, the family faced financial problems due to the Long Depression of 1873 and with their business now dissolved they moved back to Alexandria in 1877. Cavafy attended the Greek college "Hermes", where he made his first close friends, and started drafting his own historical dictionary at age eighteen. In 1922, Cavafy quit his high ranking position at the department of Public Works, an act that he characterized as liberation, and devoted himself to the completion of his poetic work. In 1926, the Greek state honoured Cavafy for his contribution to Greek letters by awarding him the Silver medal of the Order of Phoenix. In 1966, David Hockney made a series of prints to illustrate a selection of Cavafy's poems, including In the dull village.

Cavafy's complete literary corpus includes the 154 poems that constitute his poetic canon; his 75 unpublished or "hidden" poems, that were found completed in his archive or in the hands of friends, and weren't published until 1968; his 37 rejected poems, which he published but later renounced; his 30 incomplete poems that were found unfinished in his archive; as well as numerous other prose poems, essays, and letters. According to the poet's instructions, his poems are classified into three categories: historical, philosophical, and hedonistic or sensual. Cavafy was a perfectionist, obsessively refining every single line of his poetry. His mature style was a free iambic form, free in the sense that verses rarely rhyme and are usually from 10 to 17 syllables. In his poems, the presence of rhyme usually implies irony. Cavafy drew his themes from personal experience, along with a deep and wide knowledge of history, especially of the Hellenistic era. Many of his poems are pseudo historical, or seemingly historical, or accurately but quirkily historical. One of Cavafy's most important works is his 1904 poem "Waiting for the Barbarians". The poem begins by describing a city state in decline, whose population and legislators are waiting for the arrival of the barbarians. When night falls, the barbarians have not arrived. The poem ends: "What is to become of us without barbarians? Those people were a solution of a sort." The poem influenced literary works such as The Tartar Steppe by Dino Buzzati (1940), The Opposing Shore (1951) by Julien Gracq, and Waiting for the Barbarians (1980) by J. M. Coetzee. In 1911, Cavafy wrote "Ithaca", often considered his best known poem, inspired by the Homeric return journey (nostos) of Odysseus to his home island, as depicted in the Odyssey. The poem's theme is the destination which produces the journey of life: "Keep Ithaca always in your mind. / Arriving there is what you're destined for". The traveller should set out with hope, and at the end you may find Ithaca has no more riches to give you, but "Ithaca gave you the marvelous journey". Almost all of Cavafy's work was in Greek; yet, his poetry remained unrecognized and underestimated in Greece, until after the publication of the first anthology in 1935 by Heracles Apostolidis (father of Renos Apostolidis). His unique style and language (which was a mixture of Katharevousa and Demotic Greek) had attracted the criticism of Kostis Palamas, the greatest poet of his era in mainland Greece, and his followers, who were in favour of the simplest form of Demotic Greek. He is known for his prosaic use of metaphors, his brilliant use of historical imagery, and his aesthetic perfectionism. These attributes, amongst others, have assured him an enduring place in the literary pantheon of the Western World.

Cavafy wrote over a dozen historical poems about famous historical figures and regular people. He was mainly inspired by the Hellenistic era with Alexandria at primary focus. Other poems originate from Helleno romaic antiquity and the Byzantine era. Mythological references are also present. The periods chosen are mostly of decline and decadence (e. g. Trojans); his heroes facing the final end. His historical poems include: "The Glory of the Ptolemies", "In Sparta", "Come, O King of Lacedaemonians", "The First Step", "In the Year 200 B. C.", "If Only They Had Seen to It", "The Displeasure of Seleucid", "Theodotus", "Alexandrian Kings", "In Alexandria, 31 B. C.", "The God Forsakes Antony", "In a Township of Asia Minor", "Caesarion", "The Potentate from Western Libya", "Of the Hebrews (A. D. 50)", "Tomb of Eurion", "Tomb of Lanes", "Myres: Alexandrian A. D. 340", "Perilous Things", "From the School of the Renowned Philosopher", "A Priest of the Serapeum", "Kleitos Illness", "If Dead Indeed", "In the Month of Athyr", "Tomb of Ignatius", "From Ammones Who Died Aged 29 in 610", "Aemilianus Monae", "Alexandrian, A. D. 628 655", "In Church", "Morning Sea" (a few poems about Alexandria were left unfinished at his death).

Cavafy's sensual poems are filled with the lyricism and emotion of same sex love, inspired by recollection and remembrance. The past and former actions, sometimes along with the vision for the future underlie the muse of Cavafy in writing these poems. As poet George Kalogeris observes:
He is perhaps most popular today for his erotic verse, in which the Alexandrian youth[s] in his poems seem to have stepped right out of the Greek Anthology, and into a less accepting world that makes them vulnerable, and often keeps them in poverty, though the same Hellenic amber immures their beautiful bodies. The subjects of his poems often have a provocative glamour to them even in barest outline: the homoerotic one night stand that is remembered for a lifetime, the oracular pronouncement unheeded, the talented youth prone to self destruction, the offhand remark that indicates a crack in the imperial façade.

Also called instructive poems, they are divided into poems with consultations to poets, and poems that deal with other situations such as isolation (for example, "The walls"), duty (for example, "Thermopylae"), and human dignity (for example, "The God Abandons Antony"). The poem "Thermopylae" reminds us of the famous battle of Thermopylae where the 300 Spartans and their allies fought against the greater numbers of Persians, although they knew that they would be defeated. There are some principles in our lives that we should live by, and Thermopylae is the ground of duty. We stay there fighting although we know that there is the potential for failure. (At the end the traitor Ephialtes will appear, leading the Persians through the secret trail). In another poem, "In the Year 200 B. C.", he comments on the historical epigram "Alexander, son of Philip, and the Greeks, except of Lacedaemonians, ", from the donation of Alexander to Athens after the Battle of the Granicus. Cavafy praises the Hellenistic era and idea, so condemning the closed mind and localistic ideas about Hellenism. However, in other poems, his stance displays ambiguity between the Classical ideal and the Hellenistic era (which is sometimes described with a tone of decadence). Another poem is the Epitaph of a Greek trader from Samos who was sold into slavery in India and dies on the shores of the Ganges: regretting the greed for riches which led him to sail so far away and end up "among utter barbarians", expressing his deep longing for his homeland and his wish to die as "In Hades I would be surrounded by Greeks".

Cavafy's apartment in Alexandria is located on Lepsius street, which, after the apartment's conversion to a museum, was renamed to Cavafy street in honour of the poet. The museum was established in 1992 at the initiative of scholar Kostis Moskof, cultural attaché to the Greek Embassy in Cairo until 1998.

Scottish songwriter Donovan featured one of Cavafy's poems in his 1970 film There is an Ocean. Cavafy, originally titled Kavafis, is a 1996 award winning film directed by Yannis Smaragdis based on the life of the poet, starring Dimitris Katalifos and with music by Vangelis. Greek director Stelios Haralambopoulos's 2006 documentary The Night Fernando Pessoa Met Constantine Cavafy imagined Cavafy met with Portuguese poet Fernando Pessoa on a transatlantic ocean liner.

The Weddings Parties Anything song "The Afternoon Sun" is based on the Cavafy poem of the same title. The Canadian poet and singer songwriter Leonard Cohen transformed Cavafy's poem "The God Abandons Antony", based on Mark Antony's loss of the city of Alexandria and his empire, into "Alexandra Leaving", a song around lost love.

Frank H. T. Rhodes' last commencement speech given at Cornell University in 1995 was based on Cavafy's poem "Ithaca".