«Иди и расскажи на горе» Джеймса Болдуина

1953 novel by James Baldwin

Go Tell It on the Mountain is a 1953 semi autobiographical novel by James Baldwin. It tells the story of John Grimes, an intelligent teenager in 1930s Harlem, and his relationship with his family and his church. The novel also reveals the back stories of John's mother, his biological father, and his violent, fanatically religious stepfather, Gabriel Grimes. The novel focuses on the role of the Pentecostal Church in the lives of African Americans, both as a negative source of repression and moral hypocrisy and a positive source of inspiration and community. In 1998, the Modern Library ranked Go Tell It on the Mountain 39th on its list of the 100 best English language novels of the 20th century. Time magazine included the novel on its list of the 100 best English language novels released from 1923 to 2005.

James Baldwin was born in 1924 in Harlem to an unwed mother who had left Maryland for New York and never knew his biological father. Several years later, his mother married a much older laborer and Baptist preacher from Louisiana who had come north in 1919. James Baldwin took his step father's surname and was raised as his son along with his many half siblings. He later described his stepfather as "Brooding, silent, tyrannical  and physically abusive, he was also a storefront preacher of morbid intensity." During his high school years, uncomfortable with the fact that, unlike many of his peers, he was becoming more sexually interested in males than in females, Baldwin sought refuge in religion. At fourteen, he began preaching himself and continued for several years. Go Tell It on the Mountain was Baldwin's first published novel and draws heavily on Baldwin's personal experience and the experiences of those around him during his childhood in Harlem, particularly those who came to Harlem as part of the Great Migration from the South. It was the result of work that began in at least 1938. Baldwin showed an early manuscript to novelist Richard Wright in 1944. Wright helped Baldwin secure an advance from Harper & Brothers but the deal did not result in publication. In February 1952, Baldwin sent a later manuscript from Paris, where he was living at the time, to New York publishing house Alfred A. Knopf. Knopf expressed interest and Baldwin returned to New York to meet with Knopf. He agreed to rewrite parts of Go Tell It On The Mountain in exchange for a $250 advance ($250.0 in 1952 is equivalent to about <calculated amount> in recent years today) and a further $750 ($750.0 in 1952 is equivalent to about <calculated amount> in recent years today) paid when the final manuscript was completed. After the final draft was accepted, Baldwin published excerpts of the novel in two publications: one excerpt was published as "Exodus" in American Mercury and the other as "Roy's Wound" in New World Writing. Baldwin set sail back to Europe on August 28 and Go Tell It On The Mountain was published in May 1953.

Go Tell It on the Mountain has a nonlinear structure. The story takes place during one twenty four hour period, but contains extended flashbacks which cover a period of over 70 years. The novel is focused on John Grimes, but narrative voice shifts between characters' perspectives, allowing access to the thoughts and reminiscences of John's father, mother, and aunt. The novel is divided into three parts : "Part One: The Seventh Day", "Part Two: The Prayer of the Saints" (divided into parts for Florence, Gabriel, and Elizabeth), and "Part Three: The Threshing Floor". The first and final parts mainly follow John's thoughts with glimpses of the thoughts of others, while the sections in Part Two mainly follow the thoughts of the character for whom they are named.

In Part One, John wakes up on his birthday. He sits down for breakfast, expecting something special from his mother. However, he is met with the regular breakfast that is served regularly in the household. His mother then sends him off to do his daily chores like any other day. As he does his chores, he thinks about his relationship with his domineering father, who does not seem to love him, and seems to have much hatred towards John. He also begins to think about his relationship with the storefront church at which his father is a sometimes preacher. The church is a major part in the life of John’s family. His family is extremely religious and spends a lot of their time at and supporting the church. All of the members of the Grimes family are very intertwined within the church. His younger half brother Roy also resents his father's strictness, but unlike John has begun to rebel by running with a rough crowd. The rebellion against his father leaves a lot of anger within Gabriel and builds upon the constant thought of their father not loving them. Once John has finished his chores, his mother Elizabeth gives him some money for his birthday, and he goes out. He walks through Central Park and down Fifth Avenue, before going into a movie theater to watch a film. John returns home to find that Roy has gone with some neighborhood boys to pick a fight and has been cut with a knife. John's stepfather Gabriel returns home. Gabriel is angry. He lashes out and looks for someone to blame besides Roy. Gabriel ultimately ends up putting the blame onto Elizabeth and Gabriel’s own sister, Florence, who was in the house with the family at the time. Gabriel's sister Florence and Elizabeth object that no one is to blame but Roy since he went out to pick the fight. Gabriel strikes Elizabeth causing Roy to challenge and curse him. Gabriel takes immense disrespect from Roy and will not settle for it. He decides that as his father, he must do something to Roy because he believes Roy is in no place to challenge Gabriel and question his authority over him. Gabriel whips Roy with a belt until Florence intervenes. Gabriel does not appreciate Florence intervening and talks down to her. John then goes to the church to do chores before evening services. Elisha, an older boy in the church arrives to help and the two exchange playful barbs and then playfully wrestle. The two then finish cleaning the church while talking about John's soul and salvation. Two women arrive followed shortly by John's father, mother, and aunt Florence.

Florence recalls her childhood with Gabriel and their mother, a former slave. She recalls her devout mother leading them in prayer after the rape of a girl, Deborah, by a group of white men. She resented that just because Gabriel was a boy, her mother always put his future ahead of hers even though she was much better behaved. Florence eventually left home despite her mother's illness to go north to New York where she met Frank, whom she married. The marriage was not happy as Frank drank and was irresponsible with money, both buying her extravagant gifts and spending on binges. He eventually left her for another woman and died in France in World War I.

Gabriel also recalls his wild youth, which ended after Florence left when he was saved at 22. He stopped drinking and debauching and became a preacher. Deborah, whom no one would marry because she had been raped, supports him and helps him after his mother dies and Gabriel asks her to marry him. Back in the church, Gabriel hears a cry of praise and worries that John is being visited by the Holy Spirit. He resents that his two natural sons have not been saved and worries that John, who is not his biological son, will be saved. These thoughts lead him to his affair with a woman named Esther, who subsequently became pregnant and died giving birth to his son, Royal. Royal was raised by Esther's mother and Gabriel never acknowledged him and worried that Deborah would learn the truth. Later, during a period of racial tensions after a black soldier has been lynched, Gabriel encountered Royal walking home and warned him to be careful. Later, Deborah tells Gabriel that Royal left for Chicago where he was killed in a knife fight. Deborah confronts Gabriel, who admits that Royal was his son and Deborah tells him he should pray for forgiveness. Seeing John, Gabriel recalls that he had believed that meeting and marrying Elizabeth was a sign that God had forgiven him.

Elizabeth recalls how after the death of her distant mother, her aunt took her away from her father, whom she loved, because he ran a brothel. Elizabeth resented her and she was never loving. Later Elizabeth fell in love with a store clerk, Richard. The two ran away to New York together. Although they were not married, Elizabeth became pregnant but did not tell Richard right away. Before she told him, he was wrongfully arrested for theft. He refused to confess and was brutally beaten by the police. After he was eventually acquitted and returned home, she decided not to tell him she was pregnant that night, but by morning he had killed himself. After thinking of Richard, she looks at John and wonders if she did the right thing to keep him rather than give him for adoption, and to marry Gabriel who has never loved John. She recalls how she met Florence at her job as a cleaning woman and Florence introduced her to her brother Gabriel, now a widower who recently came north. Although Florence discourages the romance, Elizabeth respects Gabriel's religiosity and believes Gabriel will offer protection and stability for herself and John and agrees to marry him. Her thoughts return to the present and she sees John lying on the floor of the church overcome by a religious vision.

John experiences a series of hallucinatory religious visions in which he confronts many of his sins, hopes, and doubts. He sees his father's face and recalls that he has seen his father naked and compares himself to the story of Ham who saw his father Noah naked and was forever cursed a story which was long used to justify slavery and oppression of black people. After further visions, John sees a glimpse of God and feels himself saved. He returns to consciousness and realizes that it is morning and he has been there all night. All are happy for him except Gabriel who seems unconvinced. The group leaves the church to walk home and Florence, who is terminally ill, confronts Gabriel with a letter from Deborah which reveals her suspicions that Gabriel had fathered a son with Esther. Florence accuses Gabriel of making John and Elizabeth suffer to expiate his own guilt for his sin with Esther and Royal and promises to reveal the truth to Elizabeth. Meanwhile John speaks with Elisha who congratulates and encourages him until they reach John's home.

The novel takes place in New York City, primarily in Harlem in 1935. The flashbacks provide extended sequences in the American South, primarily in an unnamed town in the Deep South where Gabriel and Florence were born, and in Maryland where Elizabeth was raised. The flashbacks also recall earlier periods in Harlem and to a lesser extent other locations in New York. In the novel, New York City at once represents freedom and opportunity especially for Florence and Elizabeth who escape confining family lives, and for John who contemplates the opportunities of the world outside Harlem as he walks through Midtown Manhattan but also the vulgarity and perdition, particularly for Gabriel and through Gabriel, for John. This duality is used to enhance the other conflicts in the novel, particularly between holiness and worldliness and between John and Gabriel. For Elizabeth especially, but also for Florence and Gabriel, the promise of the city, the promise that drove the Great Migration of African Americans from the rural South to Northern cities including New York, turned out to be false. Elizabeth reflects that unlike the South, which promises nothing, the North promises but does not give and what is given can be taken away in an instant. Although the Great Migration led to the Harlem Renaissance and a flourishing of art and culture, the novel's depiction of Harlem is focused on the poverty, violence, drunkenness, and sexual depravity which were also a result.

The religious theme pervades all aspects of the novel. However, critics have not agreed on whether it is "an ironic indictment of Christianity" or a "stirring vindication". Barbara Olson summarized the dispute noting that "those favoring vindication number in their ranks such notable critics as Albert Gerard, Donald Gibson, and Shirley Allen" while "those favoring the indictment position include Robert Bone, Michael Fabre, Nathan Scott, Howard Harper, Stanley Macebuh, David Foster and Trudier Harris."

Many scholars have reflected on the tension between holiness and worldliness in the novel. The strict Pentecostal religion of the Temple of the Fire Baptized, enforced by John's father, demands that believers live separately from much of the world around them. Much of Part One is taken up with John's thoughts on how he fits in or fails to fit in both with the "holy" people of his father's church and also with the "worldly" people he knows from the neighborhood and school. Charles Scruggs writes that the novel juxtaposes "the earthly and the heavenly, and together they help focus the novel's various themes." The title of the novel is taken from a spiritual of the same name and "each of the three parts has a title and two epigraphs referring to the Bible or Christian hymns, and each of the prayers in Part Two begins with a quotation from a hymn." The title of Part One "The Seventh Day" is a clear reference to the biblical sabbath, the day on which the Lord rested after he created the heavens and the earth. Allen argues this is both the day John is done being "created", i. e. when he comes into his own, but God also made the Sabbath holy, and it is the day John will become holy. In addition, much of the characters' speech is laced with biblical quotations and references, which both provides a note of verisimilitude in the dialogue but also a layer of religious symbolism. Race comes to the fore for each character in different ways. John questions his father's visceral animosity towards white people, while at the same time feeling acutely aware of his blackness as he leaves Harlem and walks through other parts of the city. Already feeling alienated from the secular culture of Harlem (which has sucked in Roy, who at the same time has gone to pick a fight with white boys in another neighborhood), and from the religious culture represented by his father ("His father said that all white people were wicked, and the God was going to bring them low"). Without ever being quite comfortable, he wonders about the promise of other opportunities in these white dominated spaces, such as the New York Public Library, which he does not enter (but not, he tells himself, because he is black) and the movie theater, which he finds, despite his momentary trepidation, admits him without comment on his race. Deborah's rape as an adolescent at the hands of a group of white men, and later a brutal lynching and castration of a black soldier highlight the violence of racism in the South for both Florence and Gabriel. It is noteworthy that Florence's prayer features a rape, reinforcing the status of black women, already highlighted by their mother's favoritism toward Gabriel as the son. Gabriel's prayer features castration, just as he encounters his unacknowledged son and feels acutely his inability to protect him from danger and his biological son's estrangement from him. Elizabeth's prayer reinforces that African Americans have not escaped racism by coming north; the brutal treatment of Richard at the hands of the police and the justice system causes his suicide.

Sex and sexuality are important throughout the novel, particularly for John and Gabriel. The novel engages heavily with traditional religious views of sexuality as something sinful that is to be avoided. The church's stigmas surrounding sexuality impressed on him by his father, have severely impacted John's perspective on sexuality. Several critics have viewed John's religious rebirth in terms of him coming to terms with his sexuality, both as a gay man and as a black man. Critics have noted the "constant repetition of such phrases as 'the natural man' and 'the old Adam in condemnation of man's sexual desire. This conflict is central for John, who at the start of the novel is reflecting on his own "sin" (masturbation) and his burgeoning sexuality. Many scholars read John's conversion as a rejection of his father's strict sexual mores. Angelo Robinson argues that because the novel "alters the traditional Pentecostal conversion experience in that John is not 'cured,' 'healed,' or 'delivered' from his sexual desire during his rebirth" but is restored' to confront the reality of his sexual desires while at the same time claiming the promise of salvation" and is ultimately "freed from Gabriel's faith with its severe sexual ethic". This is particularly noticeable when Elisha is called before the congregation to be chastised for his nascent relationship with a girl, Ella Mae, he is described with his "head thrown back, eyes closed, sweat standing on his brow", "stiffened and trembles", "cried out Jesus, Jesus, oh Lord Jesus! ", "face congested", and "his body could not contain this passion". John's homosexuality is also at issue in the novel, though John himself spends less time concerned directly with the kind of his sexual desire than he does with its existence at all. Nevertheless, given the autobiographical details in the novel, scholars have interrogated how John's experience reflects Baldwin's search for an identity as a gay man and perhaps his reflections on his own homosexuality after many years of being out. Because the issue is not addressed directly, scholars have evaluated John's homosexuality through the lens of other themes in the book. "John's struggles with his homosexuality provide the window through which to understand the complexity of his struggles with his spirituality." Yet Mason Stokes perhaps goes even further, arguing that both John's struggle against his father and his religious conversion reflect his struggle against "a heterosexuality that terrorizes" him, which is reflected in the conflict between Gabriel's obsession with descendants and his strict religious sexual code. The novel's depictions of heterosexuality (rape, prostitution, adultery, loveless marriages) is contrasted with John's love for Elisha, which "somehow purer, more loving, than the novel's often perverse heterosexual expressions". Other relationships throughout the novel also cast light on the notion of family including Gabriel's emotionally and physically sterile marriage to Deborah, Elizabeth's adoption by her aunt and abandonment by her father, Florence's resentment toward her mother, Gabriel's lack of relationship with his biological son Royal, Elizabeth's relationship with John's biological father Richard, Florence's marriage to the unreliable Frank, and Florence and Gabriel's mother's reflections on her lovers and children while still a slave. The novel opens with John feeling guilty about his masturbation and sexual desires. This is mirrored in the young Gabriel's guilt over his own sexual transgressions which ultimately lead to his conversion. However, Gabriel's guilt over his later inability to live up to his own conversion ideals haunts him and is ultimately the cause of his conflict with John: "John becomes a focal point for [Gabriel's] sense of guilt, encapsulating all the other people who make Gabriel feel guilty" such as Deborah, Esther, Royal, Roy, and Elizabeth; Meanwhile Elizabeth accepts Gabriel's abuse and tyranny partly as a form of divine punishment on both her and John for her guilt, guilt both for not repenting her love for Richard and for her failure to save him from his suicide. Baldwin was pleased with the adaptation, saying in an interview with The New York Times, "I am very, very happy about it  It did not betray the book." The novel has been translated into numerous languages, including Swedish, French, Japanese, Finnish, German, Italian, Polish, Norwegian, Spanish, Russian, Portuguese, Czech, Arabic, and Dutch.