«Танцы в Лугнасад»: пьеса Брайана Фрила о лете 1936 в Ирландии, воспоминаниях Майкла Эванса и жизни семьи Манди. Ирландская драма, вдохновленная реальностью.
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Содержание
Введение
"Танцы в Лугнасе" – пьеса драматурга Брайана Фриля, написанная в 1990 году, действие которой разворачивается в графстве Донегал, Ирландия, в августе 1936 года, в вымышленном городке Баллибег. Это пьеса-воспоминание, рассказанная от лица взрослого Майкла Эванса, выступающего в роли рассказчика. Он вспоминает лето, проведенное в коттедже своих теть, когда ему было семь лет.
1990 play by dramatist Brian Friel
the film
Dancing at Lughnasa is a 1990 play by dramatist Brian Friel set in County Donegal, Ireland in August 1936 in the fictional town of Ballybeg. It is a memory play told from the point of view of the adult Michael Evans, the narrator. He recounts the summer in his aunts' cottage when he was seven years old.
Предыстория
Эта пьеса вольно основана на жизни матери и тёток Фриля, живших в Глентисе, небольшом городке на юго-западе графства Донегал. Действие пьесы разворачивается летом 1936 года, в последние дни лета, когда любовь на мгновение кажется возможной для пяти сестер Манди (Мэгги, Крис, Агнес, Роуз и Кейт), и семья встречает вернувшегося домой слабого старшего брата Джека, который прожил жизнь миссионером в Африке. Однако с наступлением осени семья предчувствует печаль и экономические тяготы, которые их ждут, когда все надежды угаснут. Действие пьесы происходит в начале августа, во время праздника Лугнасад, кельтского праздника урожая. Пьеса изображает горький урожай для сестер Манди, время сбора того, что было посеяно.
This play is loosely based on the lives of Friel's mother and aunts who lived in Glenties, a small town in the south west of County Donegal. Set in the summer of 1936, the play depicts the late summer days when love briefly seems possible for five of the Mundy sisters (Maggie, Chris, Agnes, Rose, and Kate) and the family welcomes home the frail elder brother, Jack, who has returned from a life as a missionary in Africa. However, as the summer ends, the family foresees the sadness and economic privations under which they will suffer as all hopes fade. The play takes place in early August, around the festival of Lughnasadh, the Celtic harvest festival. The play describes a bitter harvest for the Mundy sisters, a time of reaping what has been sown.
Сюжет
Пять сестер Мэнди (Кейт, Мэгги, Агнес, Рози и Кристина), все незамужние, живут в коттедже за пределами Баллибега. Старшая, Кейт, – школьная учительница, единственная, у которой хорошо оплачиваемая работа. Агнес и Роуз вяжут перчатки на продажу в городе, тем самым зарабатывая немного дополнительных денег для семьи. Они также помогают Мэгги по хозяйству. У Мэгги и Кристины (матери Майкла) совсем нет дохода. Майклу семь лет, и он играет в коттедже и вокруг него. Все события разворачиваются в коттедже сестер или во дворе, а новости из города и окрестностей доходят до них либо по мере поступления, либо в виде воспоминаний. Недавно домой, после 25 лет отсутствия, вернулся их брат Джек, священник, который жил миссионером в колонии прокаженных в отдаленной деревне Рянга в Уганде. Он страдает малярией и с трудом вспоминает многие вещи, включая имена сестер и свой английский словарный запас. Становится ясно, что он "одичал" и во время пребывания там отказался от многих католических догм. Возможно, именно поэтому его и отправили домой. Джерри, отец Майкла, – валлиец. Он обаятельный, но ненадежный человек, постоянно шутит и разыгрывает. Он – коммивояжер, продающий граммофоны. Он навещает их редко и всегда без предупреждения. Радио, прозванное "Маркони", которое работает лишь периодически, приносит в дом танцевальную музыку 1930-х годов и традиционные ирландские народные мелодии, то внезапно, то прерываясь, а затем так же внезапно замолкает. Это побуждает женщин к спонтанным и безудержным танцам. Постоянной темой является бедность и финансовая незащищенность сестер, а также их несбывшиеся жизни: ни одна из сестер не вышла замуж, хотя очевидно, что у них были поклонники, которых они с теплотой вспоминают. Существует напряжение между строгим и благопристойным поведением, предписываемым католической церковью, которое наиболее решительно отстаивает принципиальная Кейт, и необузданным эмоциональным язычеством местных жителей в глухих холмах Донегала и племенных народов Уганды. Есть вероятность, что Джерри на этот раз серьезно настроен относительно своего предложения руки и сердца Кристине. Во время этого визита он говорит, что собирается вступить в Интернациональную бригаду для борьбы в Гражданской войне в Испании, не из-за каких-либо идеологических убеждений, а ради приключений. Здесь также существует аналогичное напряжение между "безбожными" силами, к которым он хочет присоединиться, и силами Франко, против которых он будет сражаться, которые поддерживаются католической церковью. Открытие трикотажной фабрики в деревне подорвало кустарное производство вязаных перчаток, которое было источником средств к существованию Агнес и Роуз. Деревенский священник сообщил Кейт, что в школе недостаточно учеников, чтобы она могла продолжить работу в предстоящем учебном году в сентябре. Она подозревает, что настоящая причина – ее брат Джек, чьи еретические взгляды стали известны Церкви и запятнали ее своим общением. Чувствуется, что привычный и уютный домашний очаг, который женщины знали с детства, вот-вот будет разрушен. Рассказчик, взрослый Майкл, сообщает нам, что так оно и происходит.
The five Mundy sisters (Kate, Maggie, Agnes, Rosie, and Christina), all unmarried, live in a cottage outside of Ballybeg. The oldest, Kate, is a school teacher, the only one with a well paid job. Agnes and Rose knit gloves to be sold in town, thereby earning a little extra money for the household. They also help Maggie to keep house. Maggie and Christina (Michael's mother) have no income at all. Michael is seven years old and plays in and around the cottage. All the drama takes place in the sisters' cottage or in the yard just outside, with events from town and beyond being reported either as they happen or as reminiscence. Recently returned home after 25 years is their brother Jack, a priest who has lived as a missionary in a leper colony in a remote village called Ryanga in Uganda. He is suffering from malaria and has trouble remembering many things, including the sisters' names and his English vocabulary. It becomes clear that he has "gone native" and abandoned much of his Catholicism during his time there. This may be the real reason he has been sent home. Gerry, Michael's father, is Welsh. He is a charming yet unreliable man, always clowning. He is a travelling salesman who sells gramophones. He visits rarely and always unannounced. A radio nicknamed "Marconi", which works only intermittently, brings 1930s dance and traditional Irish folk music into the home at rather random moments and then, equally randomly, ceases to play. This leads the women into sudden outbursts of wild dancing. The poverty and financial insecurity of the sisters is a constant theme. So are their unfulfilled lives: none of the sisters has married, although it is clear that they have had suitors whom they fondly remember. There is a tension between the strict and proper behaviour demanded by the Catholic Church, voiced most stridently by the upright Kate, and the unbridled emotional paganism of the local people in the "back hills" of Donegal and in the tribal people of Uganda. There is a possibility that Gerry is serious this time about his marriage proposal to Christina. On this visit, he says he is going to join the International brigade to fight in the Spanish Civil War, not from any ideological commitment but because he wants adventure. There is a similar tension here between the "godless" forces he wants to join and the forces of Franco against which he will be fighting, which are supported by the Catholic Church. The opening of a knitwear factory in the village has killed off the hand knitted glove cottage industry that has been the livelihood of Agnes and Rose. The village priest has told Kate that there are insufficient pupils at the school for her to continue in her post in the coming school year in September. She suspects that the real reason is her brother Jack, whose heretical views have become known to the Church and have tainted her by association. There is a sense that the close home life the women have known since childhood is about to be torn apart. The narrator, the adult Michael, tells us this is indeed what happens.
Персонажи
Кейт Мунди – старшая из сестер Мунди, и ведет себя по отношению к остальным как мать. Будучи школьной учительницей, она – единственный кормилец в доме, однако ее репутация «Гандера» в классе, кажется, распространяется и на домашнюю обстановку. Она – ревностная католичка, что проявляется в ее неприятии языческих обрядов во время Лугнаса и утрате веры Джеком. Тем не менее, ее чувствительность очевидна на протяжении всей пьесы и в рассказах Майкла, который утверждает, что она была «неутешима» после смерти отца Джека.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Мэгги Мунди вместо карьеры занимается ведением домашнего хозяйства и является главной помощницей по дому. В ходе пьесы становится ясно, что она выполняет более важную роль – роль «шутки» в семье, разряжая накал страстей по мере их возникновения. Она дерзко бросает вызов авторитету Кейт, называя ее «Китти», при этом оставаясь ее доверенным лицом. Мэгги мечтает о собственном успехе, узнав о достижениях своей лучшей подруги. Ее внезапное спокойное созерцание в монологе резко контрастирует с ее обычно веселым и жизнерадостным характером.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Кристина Мунди Крис – самая младшая из сестер Мунди, ей 26 лет, и, как и Мэгги, у нее нет оплачиваемой работы. Джерри Эванс является отцом ее сына, Майкла, который родился семь лет назад, и он появляется в их жизни по своему усмотрению. В результате Крис колеблется между глубокой депрессией, когда он уходит, и надеждой на то, что его следующий визит будет постоянным. Из-за отсутствия дохода Крис может быть защитной в вопросах воспитания сына, что видно, когда Кейт покупает Майклу новый волчок в начале пьесы.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Роуз Мунди Роуз 32 года, но ведет себя намного моложе своих лет из-за особенностей развития. Это делает ее особенно уязвимой для Дэнни Брэдли, женатого мужчины, в которого Роуз верит, что он влюблен в нее. Однако ее сестры считают, что Брэдли использует простодушие Роуз в своих интересах. Она особенно близка со своей старшей сестрой Агнес, с которой они вяжут перчатки на продажу в городе. Из рассказа Майкла мы узнаем, что после ухода из дома с Агнес Роуз в конечном итоге умирает в хосписе для нуждающихся в Саутварке, Лондон, в 1950-х годах.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Агнес Мунди Агнес тихая и задумчивая, вяжет перчатки с Роуз, а также помогает Мэгги поддерживать порядок в доме. Кажется, она тайно влюблена в Джерри и быстро приходит к нему на защиту. Однако рассказы Майкла показывают, что будущее Агнес мрачно. Ее вязание не обеспечивает ей средств к существованию после открытия трикотажной фабрики. Из-за чувства родительской заботы о Роуз она эмигрирует с ней в Лондон, разрывая все контакты с семьей, и умирает в тяжелых обстоятельствах в 1950-х годах.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Майкл Эванс (главный герой) Майкл не появляется на сцене в детстве, но его присутствие упоминается другими персонажами, в то время как взрослый Майкл произносит свои реплики из-за кулис. В детстве Майкл был окружен любовью, поскольку все пять сестер обожали его. Майкл также выступает в роли рассказчика, не только описывая происходящее, но и раскрывая будущее других персонажей пьесы.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Джерри Эванс Джерри изначально изображается как крайне негативный персонаж, особенно Кейт, за то, что он бросил Крис после рождения незаконнорожденного сына Майкла. Однако, после своего первого появления в пьесе, Джерри предстает обаятельным и искренне любящим Криса. Его нынешняя работа продавца граммофонов (как и его прежняя работа инструктора бальных танцев) символизирует его свободу, в резком контрасте с застопорившейся жизнью сестер Мунди. Это становится еще более очевидным из-за того, что он покидает Ирландию, чтобы присоединиться к Интернациональной бригаде и сражаться в Гражданской войне в Испании, что Кейт не одобряет. Из рассказа Майкла мы узнаем, что Джерри позже остался хромым после падения с мотоцикла в Барселоне. Помимо романтических чувств к Крис, Джерри, кажется, особенно тяготеет к Агнес, хотя истинная природа их отношений остается неясной. Позже мы узнаем, что у него тайно есть другая семья в Уэльсе, и что все его предложения руки и сердца Кристине были ложными. Взрослый рассказчик Майкл рассказывает, что после смерти Джерри в 1950-х годах с ним связался сводный брат из Южного Уэльса, который рассказал, что в то время, показанное в драме, у Джерри была жена и несколько сыновей.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Отец Джек Джеку уже за пятьдесят. В юности он покинул дом, чтобы работать миссионером в колонии прокаженных в Уганде. Кроме того, он был католическим капелланом британской армии в Восточной Африке во время Первой мировой войны. Он пользуется уважением в Донеголе за свою миссионерскую работу в колонии прокаженных. Однако его внезапное возвращение в Баллибег по неизвестным причинам открывает путь к большим переменам. У него проблемы с памятью, он часто забывает имена своих сестер или путает их со своим бывшим слугой Окавой, с которым, как говорят, он был очень близок. Джек выражает восхищение языческими верованиями африканских народов и, по-видимому, утратил свою католическую веру, что, возможно, и является истинной причиной, по которой его начальство отправило его обратно. Это вызывает серьезную тревогу у Кейт, которая беспокоится о репутации семьи. Джек называет Майкла ребенком любви, а не внебрачным, и говорит, что это обычное явление и принимается в Уганде. В сцене ближе к концу пьесы он меняет свой британский колониальный треуголку, подарок от британского губернатора, на менее изысканную шляпу Джерри. Джек превращает эту замену в неканоническую церемонию, а также называет Уганду своим домом. Теперь Джерри предстоит отправиться за границу в поисках приключений, как только Джек обустроится на родине. Отец Джек выздоравливает от малярии и путаницы, но Майкл, как рассказчик, сообщает нам, что он умер от сердечного приступа вскоре после событий, изображенных в пьесе.
Kate Mundy Kate is the eldest of the Mundy sisters and behaves as a mother figure towards the others. As a schoolteacher, she is the only wage earner in the house, but her reputation as "The Gander" in the schoolroom is seen to extend into the household. She is a fiercely devout Catholic, indicated by her distaste for the pagan practices at Lughnasa and Jack's loss of faith. However, her sensitivity is evident throughout the play and through the narratives provided by Michael, who claims she was "inconsolable" when Father Jack died. Maggie Mundy In place of a career, Maggie acts as the chief family homemaker. Throughout the play she is revealed as serving a deeper purpose as the "joker" of the family, defusing tensions as they arise. She cheekily challenges Kate's authority by calling her "Kitty", whilst being her confidant at the same time. Maggie is seen to have dreams of her own when she learns of her best friend's success. Her sudden quiet contemplation in her monologue is deeply contrasted with her usual fun loving way of speaking. Christina Mundy At 26 years old, Chris is the youngest of the Mundy sisters, and, like Maggie, has no paid job. Gerry Evans fathered her son, Michael, seven years ago and is seen as walking in and out of their lives as he chooses. As a result, Chris fluctuates between falling into a deep depression when he leaves, yet being renewed with optimism that his next visit will be a permanent stay. Her lack of income can lead Chris to be defensive on the upbringing of her son, shown when Kate buys Michael a new spinning top at the beginning of the play. Rose Mundy Rose is 32, but behaves much younger than her years, due to a developmental disability. This condition makes her particularly vulnerable to an unseen character, Danny Bradley, a married man, whom Rose believes is in love with her. However, her sisters believe that Bradley is exploiting Rose's simple nature for his own gain. She is particularly close to her older sister, Agnes, with whom she knits gloves to sell in the town. We learn through Michael's narrative that, after leaving home with Agnes, Rose eventually dies in a hospice for the destitute in Southwark, London, in the 1950s. Agnes Mundy Agnes is quiet and contemplative, knitting gloves with Rose whilst also helping to keep the house in order, along with Maggie. She appears to be silently infatuated with Gerry and is quick to leap to his defence. However, Michael's narratives reveal Agnes' future to be bleak. Her knitting fails to support her when the knitware factory opens. Due to her sense of parental regard for Rose, she emigrates with her to London, breaking off all contact with the family, and dies in dire circumstances in the 1950s. Michael Evans (main character) Michael does not appear onstage as a child, but his presence is alluded to by the other characters, while the adult Michael speaks his lines from the side of the stage. As a child, Michael is seen as being surrounded by love, since all five of the sisters dote on him. Michael also acts as a narrator, not only dictating the action as it goes on, but revealing the futures of the other characters in the play. Gerry Evans Gerry is initially portrayed as an intensely negative character, particularly by Kate, for having left Chris after fathering her illegitimate son, Michael. However, upon his first appearance in the play, Gerry is shown to be charming and genuinely affectionate towards Chris. His current job as a gramophone salesman (like his former job as a ballroom dancing instructor) represents his freedom, in sharp contrast to the stagnant lives of the Mundy sisters. This is made all the more obvious by the fact that he is leaving Ireland to join the International Brigade and fight in the Spanish Civil War, something that is further disapproved of by Kate. Through Michael's narration, we learn that Gerry is later left with a limp after falling off a motorbike in Barcelona. As well as having romantic feelings for Chris, Gerry seems particularly inclined towards Agnes, although the true state of their relationship remains in doubt. We learn later that he secretly has another family back in Wales, and that all his proposals of marriage to Christina have been false. Adult narrator Michael reveals that, after Gerry's death in the 1950s, he had been contacted by a half brother in South Wales, who revealed that Gerry had had a wife and several sons there at the time depicted in the drama. Father Jack Jack is in his late fifties. He had left home as a young man to work as a missionary in a leper colony in Uganda. Beyond this, he had been a Catholic chaplain in the British Army in East Africa during World War I. He is well respected in Donegal for his missionary work in a leper colony. However, his sudden return to Ballybeg for undisclosed reasons has paved the way for great changes. He has difficulty with his memory, often forgetting the names of his sisters or confusing them with his former house boy Okawa, with whom we are told he was very close. Jack professes a broad admiration for the pagan beliefs of the native people of Africa, and appears to have lost his Catholic faith, which may be the true reason his superiors have sent him back. This is a great worry for Kate, who is concerned about the family's reputation. Jack refers to Michael as a love child rather than an illegitimate child and says they are common and accepted among the people of Uganda. In a scene near the close of the play he swaps his British colonial tricorn hat, a gift from a British governor, for a lesser hat worn by Gerry. Jack turns the swap into a non catholic ceremony as well as referring to Uganda as his home. It is Gerry who is now to go abroad seeking adventure just as Jack settles back into his home country. Father Jack recovers from his malaria and confusion, but Michael as narrator tells us that he died of a heart attack soon after the events portrayed in the play.
Кино адаптация
Танцы в Лугнасе были адаптированы для одноименного фильма 1998 года, в котором Мерил Стрип сыграла Кейт Мунди, а режиссером выступил Пэт О'Коннор. Брид Бреннан получила ирландскую кино- и телевизионную премию за лучшую женскую роль.
Dancing at Lughnasa was adapted for a 1998 film of the same name starring Meryl Streep as Kate Mundy and directed by Pat O'Connor. Brid Brennan won an Irish Film and Television Award for Best Actor in a Female Role.
LIFF
Первый международный фестиваль Фрила в Лугнасе (LIFF) состоялся в августе 2015 года. Пьеса «Танцы в Лугнасе», к 25-летию со дня ее создания, была выбрана в качестве основной постановки фестиваля.
The first Lughnasa International Friel Festival (LIFF) occurred in August 2015. Dancing at Lughnasa, in the year of its 25th anniversary, was chosen as its signature production.