Сэр Джон Притчард: Жизнь и творчество английского дирижёра

English conductor

Sir John Michael Pritchard, (born Stanley Frederick Pritchard, 5 February 1921 – 5 December 1989) was an English conductor. He was known for his interpretations of Mozart operas and for his support of contemporary music.

Pritchard was born in Walthamstow, Essex, to a musical family. His father, Albert Edward Pritchard, was a violinist with the London Symphony Orchestra. The young Pritchard was educated at the Monoux School and studied violin, piano, and conducting in Italy. Pritchard, as a conscientious objector, refused to serve in the Second World War, but was in any case unfit on medical grounds. In 1943 he took over the semi professional Derby String Orchestra and was its principal conductor until 1951. He joined the music staff of Glyndebourne Festival Opera in 1947 and was appointed chorus master in 1949. He remained associated with Glyndebourne for most of his career, as conductor, music counsellor (from 1963), principal conductor (1968) and musical director (1969–78). For Glyndebourne in this period, Pritchard conducted Mozart's Idomeneo and Richard Strauss's Ariadne auf Naxos at the Edinburgh festivals of 1953 and 1954 and Rossini's La Cenerentola at the Berlin Festival. and subsequently served as its chief conductor from 1982 to 1989, the first BBC SO chief guest conductor to become its chief conductor. He served as Generalmusikdirektor of the Cologne Opera (1978 1989) and music director of La Monnaie (1981). He was the first titled music director of the San Francisco Opera, from 1986 until his death in 1989. At the time of his death, he was preparing Wagner's Ring cycle for San Francisco. His partner, Terrence MacInnes, survived him.

Pritchard was a champion of a wide range of new music, conducting the premieres of Britten's Gloriana and Tippett's The Midsummer Marriage and King Priam, all at Covent Garden, and the British première of Henze's Elegy for Young Lovers at Glyndebourne. Of the classics of the repertoire he was noted for his Mozart and Richard Strauss. His recordings include Idomeneo, L'incoronazione di Poppea, Falstaff, Macbeth, Hansel and Gretel, L'elisir d'amore (with Plácido Domingo), Il segreto di Susanna (with Renata Scotto and Renato Bruson), Lucia di Lammermoor and La traviata (the last two with Joan Sutherland).